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{{TuneAnnotation
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|f_tune_annotation_title=  https://tunearch.org/wiki/Annotation:Old_Man's_Delight >
'''OLD MAN'S DELIGHT, THE''' (Taitneam an seanduine). Irish, Double Jig. A Major. Standard tuning (fiddle). AABB.  
|f_annotation='''OLD MAN'S DELIGHT, THE''' (Taitneam an seanduine). Irish, Double Jig (6/8 time). A Major. Standard tuning (fiddle). AABB.  
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|f_source_for_notated_version=[[File:Irishmusicclub.jpg|200px|thumb|left|The Chicago Irish Music Club, c. 1903. James Kennedy is in the last row, standing, to the extreme right.]]
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[[File:Irishmusicclub.jpg|200px|thumb|left|The Chicago Irish Music Club, c. 1903. James Kennedy is in the last row, standing, to the extreme right.]]
''Source for notated version'': "J. Kennedy" [O'Neill]. Chicago Police Patrolman John Kennedy was, according to O'Neill ('''Irish Minstrels and Musicians''', 1913, p. 368), "a sweet, expressive fiddler, and, as far as time and tone are concerned, he left nothing to be desired. Almost as interesting as his music was the tuning and testing of his instrument. The combination of chords which he brought out in varied and rapid succession before attempting a tune convinced one that his teacher was a master of his art. A farmer's son, born in the early sixties of the last century, he came to America to better his fortune, but did not follow music as a profession. Many of his tunes hitherto unpublished--and he never played a poor one--werenoted down and printed in '''Music of Ireland''' and '''The Dance Music of Ireland'''. Of course those tunes, as well as others obtained from his sister Ellen, were learned from their father." Perhaps the title references Kennedy's father.   
''Source for notated version'': "J. Kennedy" [O'Neill]. Chicago Police Patrolman John Kennedy was, according to O'Neill ('''Irish Minstrels and Musicians''', 1913, p. 368), "a sweet, expressive fiddler, and, as far as time and tone are concerned, he left nothing to be desired. Almost as interesting as his music was the tuning and testing of his instrument. The combination of chords which he brought out in varied and rapid succession before attempting a tune convinced one that his teacher was a master of his art. A farmer's son, born in the early sixties of the last century, he came to America to better his fortune, but did not follow music as a profession. Many of his tunes hitherto unpublished--and he never played a poor one--werenoted down and printed in '''Music of Ireland''' and '''The Dance Music of Ireland'''. Of course those tunes, as well as others obtained from his sister Ellen, were learned from their father." Perhaps the title references Kennedy's father.   
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|f_printed_sources=O'Neill (Krassen), 1976; p. 28. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 819, p. 153. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 85, p. 30.  
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''Printed sources'': O'Neill (Krassen), 1976; p. 28. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 819, p. 153. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 85, p. 30.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 02:50, 5 November 2023




X:1 T:Old Man's Delight, The M:6/8 L:1/8 R:Jig S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 85 Z:AK/Fiddler's Companion K:A a/f/|ecA A2c|BGE E2 a/f/|ecA Ace|fba g2 a/f/| ecA ABc|BGE E2E|FGA BGE|A3 A2:| |:e|cAc ece|fdf e2 a/f/|ecA ABc|BGE E2 e/d/| cAc ece|fdf e2 a/f/|ecA EFG|A3 A2:|



OLD MAN'S DELIGHT, THE (Taitneam an seanduine). Irish, Double Jig (6/8 time). A Major. Standard tuning (fiddle). AABB.


Additional notes

Source for notated version : -
The Chicago Irish Music Club, c. 1903. James Kennedy is in the last row, standing, to the extreme right.

Source for notated version: "J. Kennedy" [O'Neill]. Chicago Police Patrolman John Kennedy was, according to O'Neill (Irish Minstrels and Musicians, 1913, p. 368), "a sweet, expressive fiddler, and, as far as time and tone are concerned, he left nothing to be desired. Almost as interesting as his music was the tuning and testing of his instrument. The combination of chords which he brought out in varied and rapid succession before attempting a tune convinced one that his teacher was a master of his art. A farmer's son, born in the early sixties of the last century, he came to America to better his fortune, but did not follow music as a profession. Many of his tunes hitherto unpublished--and he never played a poor one--werenoted down and printed in Music of Ireland and The Dance Music of Ireland. Of course those tunes, as well as others obtained from his sister Ellen, were learned from their father." Perhaps the title references Kennedy's father.

Printed sources : - O'Neill (Krassen), 1976; p. 28. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 819, p. 153. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 85, p. 30.






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