Take Her Out and Air Her (3): Difference between revisions

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|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
|f_rhythm=Country Dance, Reel (single/double)
|f_rhythm=Country Dance
|f_time_signature=2/2
|f_time_signature=2/4
|f_key=A
|f_key=A
|f_accidental=1 sharp
|f_mode=Dorian
|f_mode=Dorian
|f_structure=AB
|f_history=IRELAND(Munster)
|f_structure=AAB
|f_book_title=Country Dance Tunes
|f_book_title=Country Dance Tunes
|f_collector=Cecil Sharp
|f_collector=Cecil Sharp
|f_year=1909
|f_year=1909
|f_page=/62
|f_page=p. 62
|f_theme_code_index=3b127L 17bL5L7bL
|f_score=1
}}
}}
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'''TAKE HER OUT AND AIR HER (3)'''.
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{{#seo:
Irish, Reel or Country Dance Tune (2/2 time). Ireland, County Cork. A Dorian. Standard tuning. AB (Stanford/Petrie): AAB (Sharp).
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
 
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
Petrie identifies this as a ''Cork reel''. Alan Jabbour says the tune is from a large tune family that includes O’Neill’s “[[Touch Me if You Dare (1) ]]” and “[[Kit O’Mahony’s Hornpipe ]],” Joyce’s “[[Miss Redmond’s Hornpipe ]]” and Ford’s “[[Rattlesnake Bit the Baby ]]," "[[Katy Did (2) ]]."
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|image_alt=Traditional universal music
Jabbour collected a tune from Glen Lyn, Virginia, fiddler Henry Reed, who learned the tune as a boy from an elderly fiddler and fifer named Quince Dillon, who was said to have participated int he Mexican-American War of the mid-19th century (see American Memory website http://memory.1...:@field(Title+@band(British+Field+March+[transcription]). Reed called the tune a ‘British field march’ and maintained it had been played by British bands during their retreat from their defeat at the hands of Andrew Jackson at the Battle of New Orleans in the War of 1812. Jabbour finds Ira Ford’s “[[Gilderoy (4)” ]] and a tune called “[[Lovely Molly ]]” in a manuscript collection of dance tunes from the latter 18th century as variants. Sharp’s version is identical to that published by Stanford in his 1905 edition of Petrie’s collection. Source for notated version: “From P. Carew’s MS” [Stanford/Petrie]. Sharp (''Country Dance Tunes''), 1909/1994; pg. 62. [[Was collected by::Stanford/Petrie]] (''[[Appears in::Complete Collection]]''), 1905; No. 397, pg. 101. 
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X:1
X:1
T:Take Her Out and Air Her [3]
T:Take Her Out and Air Her [3]
M:2/2
M:2/4
L:1/8
L:1/16
S:Sharp – Country Dance Tunes (1909)
B:Sharp – Country Dance Tunes (1909)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:Amin
K:Amin
A2B2|c2A2B2^G2|A2G2E2^F2|G2A2B2c2|d2B2G2B2|
A2B2|c2A2B2^G2|A2G2E2^F2|G2A2B2c2|d2B2G2B2|c2A2B2^G2|A2G2E2D2|E2A2A2^G2|A4:|
c2A2B2^G2|A2G2E2D2|E2A2A2^G2|A4:|
A2B2|c2d2e2^f2|g3 e2g2|a4 e2d2|c2A2A2B2|c2d2e2^f2|g2^f2g2d2|e2a2a2^g2|a4 A2B2|
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e2a2a2^g2|a4 A2B2|c2d2e2^f2|g4 e2g2|a2g2e2d2|c2A2A2B2|c2A2B2^G2|
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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Engraver Valerio M. Pelliccioni
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Latest revision as of 00:26, 22 December 2023


Take Her Out and Air Her (3)  Click on the tune title to see or modify Take Her Out and Air Her (3)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Take Her Out and Air Her (3)
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 Theme code Index    3b127L 17bL5L7bL
 Also known as    
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Country Dance
 Key/Tonic of    A
 Accidental    1 sharp
 Mode    Dorian
 Time signature    2/4
 History    IRELAND(Munster)
 Structure    AAB
 Editor/Compiler    Biography:Cecil Sharp
 Book/Manuscript title    Book:Country Dance Tunes
 Tune and/or Page number    p. 62
 Year of publication/Date of MS    1909
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X:1 T:Take Her Out and Air Her [3] M:2/4 L:1/16 B:Sharp – Country Dance Tunes (1909) Z:AK/Fiddler’s Companion K:Amin A2B2|c2A2B2^G2|A2G2E2^F2|G2A2B2c2|d2B2G2B2|c2A2B2^G2|A2G2E2D2|E2A2A2^G2|A4:| A2B2|c2d2e2^f2|g3 e2g2|a4 e2d2|c2A2A2B2|c2d2e2^f2|g2^f2g2d2|e2a2a2^g2|a4 A2B2| c2d2e2^f2|g4 e2g2|a2g2e2d2|c2A2A2B2|c2A2B2^G2|A2G2E2D2|E2A2A2^G2|A4||