Tune:Jenny's Welcome to Charlie: Difference between revisions

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X:1
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T:Munster Reel, A
M:C
L:1/8
R:Reel
N:A version of "Jenny's Welcome to Charlie"
S:James Goodman (1828 - 1896) music manuscript collection,
S:vol. 3, p. 140. Mid-19th century, County Cork
Z:AK/Fiddler's Companion
K:Dmix
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'''JENNY'S WELCOME TO CHARLIE''' ("Fáilte Sineid Roim Catal" or "Fáilte Shinéad roimh Chathal"). AKA - "Johnny's Welcome to Charlie." AKA and see  
'''JENNY'S WELCOME TO CHARLIE''' ("Fáilte Sineid Roim Catal" or "Fáilte Shinéad roimh Chathal"). AKA - "Johnny's Welcome to Charlie." AKA and see  
{{#show:Jenny's Welcome to Charlie|?Is also known as}}.  D Dorian (Goodman, Donnellan/O'Connor). Standard tuning (fiddle). ABCD (Donnellan/O'Connor): AABCD (Goodman). Versions vary widely in tonality, from the major through mixolydian and dorian modes, to minor-also number of parts varies greatly. The title of this Jacobite reel refers to the Scottish pretender Bonnie Prince Charlie, also for a time an Irish hope. Gearoid Ó hAllmhurain, for one, believes Jenny may refer to Jean Cameron, Prince Charlie's reputed mistress. There were two Jean or Jenny Camerons involved in the Rising of 45, but it appears to be Whig propaganda that Jenny led the Camerons into battle and that she was romantically involved with Charlie.  There are stories still that Charlie's supposed dalliance with Jenny distracted him from his Rebellion (similar stories are told of other defeated leaders-Napoleon and Santa Anna, for example). Cowdery (1990) identifies the melody as a "further development" of the identifying phrases of the old ballad "[[Boyne Water (1)]]." Caoimhin Mac Aoidh maintains the tune (in four parts) was associated with County Donegal in the past, though it has been disseminated to most of Ireland in the present. Earle Hitchner and Don Meade, in liner notes to Brian Conway's CD "First Through the Gate," note: "'Jenny's Welcome', a demanding four-part tune recorded in the 1930's by Hughie Gillespie (1906–1986, born in Ballybofey, Co. Donegal), has often been played by fiddlers vying for the All-Ireland championship at Fleadh Cheoil competitions." "[[Long Note (The)]]" is a related tune, as is "[[Jennie and the Weazel]]." Randy Miller says his version, most of whose parts are in Dorian mode, is a County Kerry setting based on the playing of fiddler Paddy Cronin, who resided in Boston for many years.   
{{#show:Jenny's Welcome to Charlie|?Is also known as}}.  D Dorian (Goodman, Donnellan/O'Connor). Standard tuning (fiddle). ABCD (Donnellan/O'Connor): AABCD (Goodman). Versions vary widely in tonality, from the major through mixolydian and dorian modes, to minor-also number of parts varies greatly. The title of this Jacobite reel refers to the Scottish pretender Bonnie Prince Charlie, also for a time an Irish hope. Gearoid Ó hAllmhurain, for one, believes Jenny may refer to Jean Cameron, Prince Charlie's reputed mistress. There were two Jean or Jenny Camerons involved in the Rising of 45, but it appears to be Whig propaganda that Jenny led the Camerons into battle and that she was romantically involved with Charlie.  There are stories still that Charlie's supposed dalliance with Jenny distracted him from his Rebellion (similar stories are told of other defeated leaders-Napoleon and Santa Anna, for example). Cowdery (1990) identifies the melody as a "further development" of the identifying phrases of the old ballad "[[Boyne Water (1)]]." Caoimhin Mac Aoidh maintains the tune (in four parts) was associated with County Donegal in the past, though it has been disseminated to most of Ireland in the present. Earle Hitchner and Don Meade, in liner notes to Brian Conway's CD "First Through the Gate," note: "'Jenny's Welcome', a demanding four-part tune recorded in the 1930's by Hughie Gillespie (1906–1986, born in Ballybofey, Co. Donegal), has often been played by fiddlers vying for the All-Ireland championship at Fleadh Cheoil competitions." "[[Long Note (The)]]" is a related tune, as is "[[Jennie and the Weazel]]." Randy Miller says his version, most of whose parts are in Dorian mode, is a County Kerry setting based on the playing of fiddler Paddy Cronin, who resided in Boston for many years.   
<br>
{{break|2}}
<br>
The multi-part settings of "Jenny's Welcome..." are an elaboration on the older two-part reel "[[Jenny Picking Cockles]], which in turn is likely to have been preceded by the jig and song "[[The Hag with the Money]]."|
The multi-part settings of "Jenny's Welcome..." are an elaboration on the older two-part reel "[[Jenny Picking Cockles]], which in turn is likely to have been preceded by the jig and song "[[The Hag with the Money]]."|
f_source_for_notated_version="McFadden" [O'Neill], referring to Chicago fiddler John McFadden, originally from Carrowmore, just north of Westport, County Mayo—McFadden came from a musical family, and although he did not read music, he had a trained ear and a "copious repertory", and was known for his ability to apply variation sets to tunes; Kathleen Collins [Brody]; Nicholas Markey (County Meath, Ireland) via piper Seamus Ennis [Williamson]; piper Seamus Ennis, 1959 (Dublin, Ireland) [Breathnach]; piper Willie Clancy (1918–1973, Miltown Malbay, west Clare) [Mitchell]; Tommy O'Connor (Ballyhahill, County Limerick) [Mulvihill]; Paddy Cronin (Co. Kerry) [Miller]; Rev. Luke Donnellan music manuscript (Oriel region, south Ulster) [O'Connor].  
f_source_for_notated_version="McFadden" [O'Neill], referring to Chicago fiddler John McFadden, originally from Carrowmore, just north of Westport, County Mayo—McFadden came from a musical family, and although he did not read music, he had a trained ear and a "copious repertory", and was known for his ability to apply variation sets to tunes; Kathleen Collins [Brody]; Nicholas Markey (County Meath, Ireland) via piper Seamus Ennis [Williamson]; piper Seamus Ennis, 1959 (Dublin, Ireland) [Breathnach]; piper Willie Clancy (1918–1973, Miltown Malbay, west Clare) [Mitchell]; Tommy O'Connor (Ballyhahill, County Limerick) [Mulvihill]; Paddy Cronin (Co. Kerry) [Miller]; Rev. Luke Donnellan music manuscript (Oriel region, south Ulster) [O'Connor].  
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thesession.org [http://www.thesession.org/tunes/display/370]<br>
thesession.org [http://www.thesession.org/tunes/display/370]<br>
Hear Hugh Gillespie's recording at Capeirish.com [http://www.capeirish.com/tune_vault/hugh_g/jenny.mp3]<br>
Hear Hugh Gillespie's recording at Capeirish.com [http://www.capeirish.com/tune_vault/hugh_g/jenny.mp3]<br>
Hear numerous recorded versions at the Comhaltas Archives [http://comhaltasarchive.ie/search?tab=tracks&q=jenny%27s+welcome#/tracks/5882]}}
Hear numerous recorded versions at the Comhaltas Archives [http://comhaltasarchive.ie/search?tab=tracks&q=jenny%27s+welcome#/tracks/5882]
}}
}}
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M:C
L:1/8
R:Reel
N:A version of "Jenny's Welcome to Charlie"
S:James Goodman (1828 - 1896) music manuscript collection,
S:vol. 3, p. 140. Mid-19th century, County Cork
Z:AK/Fiddler's Companion
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N:Stephen Grier (c. 1824 - 1894) was a piper and fiddler from
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Z:AK/Fiddler's Companion
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<!-- THE INFOBOX RIGHT SIDE -->
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[[Category:Tune]]
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Latest revision as of 17:54, 12 January 2024


X:1 T:Munster Reel, A M:C L:1/8 R:Reel N:A version of "Jenny's Welcome to Charlie" S:James Goodman (1828 - 1896) music manuscript collection, S:vol. 3, p. 140. Mid-19th century, County Cork Z:AK/Fiddler's Companion K:Dmix V:1 clef=treble name="1." [V:1] D2 DB AGEF|GEcE dEcE|D2 DB AGEF|GEcE ED D2:| |:d2 de dcAB|cBcd cE E2|Adde d2 cd|eaag e2d2| d2 de dcAB|cBcd cE E2|DEFG ABGB|cAGA E2D2|| eaab agef|gfga gc c2|eaab aged|edgf e2d2| eaab agef|gfga gccA|GAcd efde|cAGA E2D2|| d2 dA d2 dA|c2 cA c2 cA|d2 dA d2 cd|eaag e2d2| dddA dddA|cccA cccA|GAcd efde|cAGA E2D2||


JENNY'S WELCOME TO CHARLIE ("Fáilte Sineid Roim Catal" or "Fáilte Shinéad roimh Chathal"). AKA - "Johnny's Welcome to Charlie." AKA and see Fáilte Sineid Roim Catal, Jenny Picking Cockles, Highway to Holburn (The), Jennie and the Weazel, Fáilte Shinéad roimh Chathal, Jennie and the Weaver, Jenny's Welcome to Charley, Corn Hill Reel (The), Johnny's Welcome to Charlie. D Dorian (Goodman, Donnellan/O'Connor). Standard tuning (fiddle). ABCD (Donnellan/O'Connor): AABCD (Goodman). Versions vary widely in tonality, from the major through mixolydian and dorian modes, to minor-also number of parts varies greatly. The title of this Jacobite reel refers to the Scottish pretender Bonnie Prince Charlie, also for a time an Irish hope. Gearoid Ó hAllmhurain, for one, believes Jenny may refer to Jean Cameron, Prince Charlie's reputed mistress. There were two Jean or Jenny Camerons involved in the Rising of 45, but it appears to be Whig propaganda that Jenny led the Camerons into battle and that she was romantically involved with Charlie. There are stories still that Charlie's supposed dalliance with Jenny distracted him from his Rebellion (similar stories are told of other defeated leaders-Napoleon and Santa Anna, for example). Cowdery (1990) identifies the melody as a "further development" of the identifying phrases of the old ballad "Boyne Water (1)." Caoimhin Mac Aoidh maintains the tune (in four parts) was associated with County Donegal in the past, though it has been disseminated to most of Ireland in the present. Earle Hitchner and Don Meade, in liner notes to Brian Conway's CD "First Through the Gate," note: "'Jenny's Welcome', a demanding four-part tune recorded in the 1930's by Hughie Gillespie (1906–1986, born in Ballybofey, Co. Donegal), has often been played by fiddlers vying for the All-Ireland championship at Fleadh Cheoil competitions." "Long Note (The)" is a related tune, as is "Jennie and the Weazel." Randy Miller says his version, most of whose parts are in Dorian mode, is a County Kerry setting based on the playing of fiddler Paddy Cronin, who resided in Boston for many years.

The multi-part settings of "Jenny's Welcome..." are an elaboration on the older two-part reel "Jenny Picking Cockles, which in turn is likely to have been preceded by the jig and song "The Hag with the Money."


Additional notes
Source for notated version : - "McFadden" [O'Neill], referring to Chicago fiddler John McFadden, originally from Carrowmore, just north of Westport, County Mayo—McFadden came from a musical family, and although he did not read music, he had a trained ear and a "copious repertory", and was known for his ability to apply variation sets to tunes; Kathleen Collins [Brody]; Nicholas Markey (County Meath, Ireland) via piper Seamus Ennis [Williamson]; piper Seamus Ennis, 1959 (Dublin, Ireland) [Breathnach]; piper Willie Clancy (1918–1973, Miltown Malbay, west Clare) [Mitchell]; Tommy O'Connor (Ballyhahill, County Limerick) [Mulvihill]; Paddy Cronin (Co. Kerry) [Miller]; Rev. Luke Donnellan music manuscript (Oriel region, south Ulster) [O'Connor].

Printed sources : - Breathnach (Ceol Rince na hÉireann vol. 2), 1976; No. 261, p. 135. Brody (Fiddler's Fakebook), 1983; p. 146. Cowdery (The Melodic Tradition of Ireland), 1990; Ex. 45, p. 118. Cranitch (Irish Fiddle Book), 1996; No. 81, p. 156. Kennedy (Fiddler's Tune-Book: Reels & Rants, Flings & Fancies), 1977; No. 78, p. 20. Miller (Fiddler's Throne), 2004; No. 180, p. 114. Mitchell (Dance Music of Willie Clancy), 1993; No. 144, p. 114. Mulvihill (1st Collection), 1986; No. 144, p. 39. O'Neill (Krassen), 1976; p. 142. O'Connor (The Rose in the Gap), 2018; No. 141, p. 80 (as "Johnny's Welcome to Charlie"). O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1456, p. 270. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 687, p. 122. Vallely (Learn to Play the Fiddle with Armagh Pipers Club), 197?; No. 45, p. 40. Williamson (English, Welsh, Scottish and Irish Fiddle Tunes), 1976; p. 89.

Recorded sources : - Bellbridge Records, Bobby Casey – "Casey in the Cowhouse" (1992. Originally recorded 1959). Claddagh CC53CD, Robbie Hannan – "Traditional Music played on the Uilleann Pipes." Claddagh CC39, Willie Clancy – "The Pipering of Willie Clancy, vol. 2" (1983). Cló Iar-Chonnachta CICD098, Tola Custy and Cyril O'Donoghue – "Setting Free." Coleman Music Center CHC 009, fiddler Andy Davey (1928-2005) – "The Coleman Archive, vol. 2: The Home Place" (2005). Comhaltas Ceoltoiri CL13, Tommy Peoples. Front Hall 09, How To Change a Flat Tire – "A Point of Departure." Gael-Linn, Paul O'Shaughnessy – "Slogadh 78." Gael-Linn CEF 022, Sean Keane – "Seoda Ceoil 2" (1969). Green Linnet SIF 1075, Eileen Ivers – "John Whelen & Eileen Ivers: Fresh Takes" (1987). Green Linnet SIF 1101, Eileen Ivers – "Playing with Fire: The Celtic Fiddle Collection" (1989). Outlet 3002, Paddy Cronin – "Kerry's Own Paddy Cronin" (1977). Shanachie 29002, "Kathleen Collins". Shanachie 79001, De Danann – "Selected Jigs, Reels, and Songs." Shanachie 78012, "The Best of Joe and Antionette McKenna." Smithsonian Folkways SFW CD 40481, Brian Conway – "First Through the Gate" (2002). Tara Records, Paddy Glackin – "Doublin'".

See also listing at :
Alan Snyder's Cape Breton Fiddle Recording Index [1]
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]
Alan Ng's Irishtune.info [3]
thesession.org [4]
Hear Hugh Gillespie's recording at Capeirish.com [5]
Hear numerous recorded versions at the Comhaltas Archives [6]

4.00
(one vote)




Tune Versions, Chronologically Arranged

X:1 T:Munster Reel, A M:C L:1/8 R:Reel N:A version of "Jenny's Welcome to Charlie" S:James Goodman (1828 - 1896) music manuscript collection, S:vol. 3, p. 140. Mid-19th century, County Cork Z:AK/Fiddler's Companion K:Dmix V:1 clef=treble name="1." [V:1] D2 DB AGEF|GEcE dEcE|D2 DB AGEF|GEcE ED D2:| |:d2 de dcAB|cBcd cE E2|Adde d2 cd|eaag e2d2| d2 de dcAB|cBcd cE E2|DEFG ABGB|cAGA E2D2|| eaab agef|gfga gc c2|eaab aged|edgf e2d2| eaab agef|gfga gccA|GAcd efde|cAGA E2D2|| d2 dA d2 dA|c2 cA c2 cA|d2 dA d2 cd|eaag e2d2| dddA dddA|cccA cccA|GAcd efde|cAGA E2D2|| 

T:Munster Reel, A
M:C
L:1/8
R:Reel
N:A version of "Jenny's Welcome to Charlie"
S:James Goodman (1828 - 1896) music manuscript collection, 
S:vol. 3, p. 140. Mid-19th century, County Cork
Z:AK/Fiddler's Companion
K:Dmix
V:1 clef=treble name="1."
[V:1] D2 DB AGEF|GEcE dEcE|D2 DB AGEF|GEcE ED D2:|
|:d2 de dcAB|cBcd cE E2|Adde d2 cd|eaag e2d2|
d2 de dcAB|cBcd cE E2|DEFG ABGB|cAGA E2D2||
eaab agef|gfga gc c2|eaab aged|edgf e2d2|
eaab agef|gfga gccA|GAcd efde|cAGA E2D2||
d2 dA d2 dA|c2 cA c2 cA|d2 dA d2 cd|eaag e2d2|
dddA dddA|cccA cccA|GAcd efde|cAGA E2D2||

X:2 T:Jenny's Welcome to Charley M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 136, p. 29) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=28&z=-223.4849%2C324.6528%2C3456.3884%2C1771.4763 N:Stephen Grier (c. 1824 - 1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler's Companion K:Ddor V:1 clef=treble name="2." [V:1] D3E AGEG|cc/c/ cB AGEC|DEDG AGEG|AcGA F2D2:| D2 dA d2 dA|c2 cA c2 ce|d2 dA d2 df|eaag e2 d2| dedA dedA|cecA cecA|GAcd ecdc|AcGA E2 D2|| a2 af e4|g2 ge c4|aaaf dfdf|eaag e2d2| aa/a/ af ad d2|gg/g/ ge gc c2|GAcd ecdc|AcGA E2D2|| 

T:Jenny's Welcome to Charley 
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript  collection (Book 2, c. 1883, No. 136, p. 29)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=28&z=-223.4849%2C324.6528%2C3456.3884%2C1771.4763 
N:Stephen Grier (c. 1824 - 1894) was a piper and fiddler from 
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler's Companion
K:Ddor
V:1 clef=treble name="2."
[V:1] D3E AGEG|cc/c/ cB AGEC|DEDG AGEG|AcGA F2D2:|
D2 dA d2 dA|c2 cA c2 ce|d2 dA d2 df|eaag e2 d2|
dedA dedA|cecA cecA|GAcd ecdc|AcGA E2 D2||
a2 af e4|g2 ge c4|aaaf dfdf|eaag e2d2|
aa/a/ af ad d2|gg/g/ ge gc c2|GAcd ecdc|AcGA E2D2||

X:3 T:Jenny's Welcome to Charlie M:4/4 L:1/8 R:reel Z:Barney K:Ddor V:1 clef=treble name="3." [V:1] D3 B AG E^F|GE cE dE cE|D2 DB AG E^F|GE cE ED DC| (3DDD DB AG E^F|GE cE d2 cd|ec dB cA GE|1 GE cE ED DC:|2 GE cE ED D2||: =f2 fd ef ed|cA (3AAA GA EA|=f2 fd ed cd|ea ag (3ege de| ~=f3 d ef ed|cA (3AAA G2 cd|ec dB cA GE|1 GE cE ED DC:||: (3aaa ab ag e^f|~g3 a ge dg|ea (3aaa ag ed|ea ag (3ege dg| a2 ab ag e^f|~g3 a ge dB|A2 (3Bcd ed dg|(3AcA GE ED D2:||: Ad dc de =fz|Ac (3ccc cA Gc|Ad dc d2 cd|ea ag (3ege dc| d2 de dc AB|~c3 d cA GE|D2 (3E^FG Ad dc|1 (3AcA GE ED D2:|2 (3AcA GE ED DC|| 

T:Jenny's Welcome to Charlie
M:4/4
L:1/8
R:reel
Z:Barney
K:Ddor
V:1 clef=treble name="3."
[V:1] D3 B AG E^F|GE cE dE cE|D2 DB AG E^F|GE cE ED DC|
(3DDD DB AG E^F|GE cE d2 cd|ec dB cA GE|1 GE cE ED DC:|2 GE cE ED D2||:
=f2 fd ef ed|cA (3AAA GA EA|=f2 fd ed cd|ea ag (3ege de|
~=f3 d ef ed|cA (3AAA G2 cd|ec dB cA GE|1 GE cE ED DC:||:
(3aaa ab ag e^f|~g3 a ge dg|ea (3aaa ag ed|ea ag (3ege dg|
a2 ab ag e^f|~g3 a ge dB|A2 (3Bcd ed dg|(3AcA GE ED D2:||:
Ad dc de =fz|Ac (3ccc cA Gc|Ad dc d2 cd|ea ag (3ege dc|
d2 de dc AB|~c3 d cA GE|D2 (3E^FG Ad dc|1 (3AcA GE ED D2:|2 (3AcA GE ED DC||

X: 4 T: Jenny's Welcome To Charlie M: 4/4 L: 1/8 R: reel K: Ddor V:1 clef=treble name="4." [V:1] |D2 AB AGE^F|GEcE dEcE|D2 AB AGE^F|GEcE EDCE| |D2 AB AGE^F|GEcE d2 cd|eddc AGE^F|1 GEcE EDCE:|2 GEcE EDD2| |:f3 d efed|cA (3AAA cA (3AAA|f2 fd edcd|eaag edde| |~f3 d efed|cAAB c2 cd|eddc AGE^F|GEcE EDD2:| |:a2 ab age^f|~g3 a gedg|eaag aged|eaag edde| |~a3 b age^f|~g3 a gedB|A2 (3Bcd eddc|AcGE EDD2:| |:Addc defd|AccB cdec|Addc d2 cd|eaag eddc| |~d3 e dcAB|~c3 d cAGE|D2 (3E^FG Addc|1 AcGE EDD2:|I2 AcGE EDCE|| 

T: Jenny's Welcome To Charlie
M: 4/4
L: 1/8
R: reel
K: Ddor
V:1 clef=treble name="4."
[V:1] |D2 AB AGE^F|GEcE dEcE|D2 AB AGE^F|GEcE EDCE|
|D2 AB AGE^F|GEcE d2 cd|eddc AGE^F|1 GEcE EDCE:|2 GEcE EDD2|
|:f3 d efed|cA (3AAA cA (3AAA|f2 fd edcd|eaag edde|
|~f3 d efed|cAAB c2 cd|eddc AGE^F|GEcE EDD2:|
|:a2 ab age^f|~g3 a gedg|eaag aged|eaag edde|
|~a3 b age^f|~g3 a gedB|A2 (3Bcd eddc|AcGE EDD2:|
|:Addc defd|AccB cdec|Addc d2 cd|eaag eddc|
|~d3 e dcAB|~c3 d cAGE|D2 (3E^FG Addc|1 AcGE EDD2:|I2 AcGE EDCE||


Semantics  Browse Properties <br/>Special:Browse/Tune:Jenny's Welcome to Charlie
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 Theme Code Idx:    1152 47b1H7b
 Also known as:     Corn Hill Reel (The), Fáilte Sineid Roim Catal, Fáilte Shinéad roimh Chathal, Jennie and the Weazel, Jennie and the Weaver, Jenny Picking Cockles, Jenny's Welcome to Charley, Johnny's Welcome to Charlie, Highway to Holburn (The)
 Media:     
Jenny's Welcome to Charlie

Played by: Skyrie
Source: Soundcloud
Image: Portrait Jenny Cameron, c. 1700-1790.
 Score:   (1)   
Jenny's Welcome to Charlie
 Composer:     
 Region:     Ireland
 Genre/Style:     Irish
 Meter/Rhythm:     Reel (single/double)
 Key/Tonic:     D
 Accidental:     NONE
 Mode:     Dorian
 Time signature:     4/4, 2/2
 History:     
 Structure:     ABCD, AABCD, AA'BBCCDD'
 Editor/Compiler:     Biography:Francis O'Neill
 Book/MS title:     Book:Music of Ireland: 1850 Melodies
 Tune/Page #:     No. 1456, p. 270
 MS public. date:     1903
 Artist:     
 Title of recording:     
 Rec. label/Cat#    
 Year recorded:     


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