Minuet de la Cour: Difference between revisions

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|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB
|f_book_title=A Companion to the Ball Room
|f_book_title=A Choice Selection of Minuets Favourite Airs Hornpipes Waltzs &c.
|f_collector=Thomas Wilson
|f_collector=Archibald Duff
|f_year=1816
|f_year=c. 1812
|f_page=p. 162
|f_page=p. 1
|f_theme_code_index=335 543
|f_theme_code_index=335 543
|f_score=1
}}
}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
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<pre>
<section begin=abc />
X:1
T:Minuet de la Cour
M:3/4
L:1/8
R:Minuet
B:Archibald Duff – A Choice Selection of Minuets, Favourite Airs, Hornpipes, Waltzs &c.
B:Book First (Edinburgh, c. 1812, p. 1)
B: https://digital.nls.uk/special-collections-of-printed-music/archive/105810922
N:Archibald Duff (c. 1770-c. 1840?) was a musician (along with his brother Charles) and dancing
N:master, of Montrose and Aberdeen, and is recorded as being a Professor of Music residing at
N:Clayills Cottage, Aberdeen in 1837. 
N:The volume is dedicated to Lady Mary Ramsay of Balmain
Z:AK/Fiddler’s Companion
K:A
Sc2 (c/d/).c/.d/ .e>.e|e2Td2 c>B|.A.c.A.c.A.c|(e/d/c/d/) B(.b/.a/ .g/.f/.e/.d/)|
T(c>B) (.A/.B/.c/.d/) .e/.f/.g/.a/|e2 Td2 c>=d|(c/4B/4d/4c/4) e/4d/4c/4B/4 A2TG2|{B}A6!fine!:|
(B2 B).B.B.B|{d}cB (.A.E.C.A,)|[A,2E2c2] c>A e>c|(d/c/B/c/) B2 {cd^d}|e2 .e/-.e/.e/.e/|
[D2A2f2] .f-.f.f.f|[E2B2g2].g.-.g.g.g|a2 z2z2|a3 Tfge|a3 Tfge|gf/a/f/ e2T^d2|
E2 z2 z/(e/f>e)|d>cB>(=dTe>d)|Tc<Baz/(e/f>e)|d>cBz/(d/e>d)|Tc>BAz/(ag>a)|g2 Tf2 e>f|e2d2 c>d|(cB) (AG)(FE)S||
<section end=abc />
<section begin=X1 />
X:1
X:1
T:Minuet de la Cour
T:Minuet de la Cour
Line 31: Line 69:
f2 ffff|g2 gggg|a2 aaaa|a3 fge|a3 fge|
f2 ffff|g2 gggg|a2 aaaa|a3 fge|a3 fge|
fa/f/ e2 T^d2|e3 ef>e|dcBde>d|cBAef>e|
fa/f/ e2 T^d2|e3 ef>e|dcBde>d|cBAef>e|
dcBde>d|cBAaga|g2f2 e>f|e2d2c2|cBAGFE|!D.C.!
dcBde>d|cBAaga|g2f2 e>f|e2d2c2|cBAGFE!D.C.!||
</pre>
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<pre>
<section begin=X2 />
X:2
X:2
T:Minuet de la Cour
T:Minuet de la Cour
Line 47: Line 85:
a2 .a.a.a.a|b2 .b.b.b.b|c'2 .c'.c'.c'.c'|d'4 z2|
a2 .a.a.a.a|b2 .b.b.b.b|c'2 .c'.c'.c'.c'|d'4 z2|
d'3 bc'a|d'3 bc'a|b{e'}d'/b/ a2 ^g2|a2 zab>a|
d'3 bc'a|d'3 bc'a|b{e'}d'/b/ a2 ^g2|a2 zab>a|
(g>fe>ga>g|(f>e)d>a.b.a|.g.f.e.g.a.g|.f.e.d.d'(c'd')|
(g>f)e>ga>g|(f>e)d>a.b.a|.g.f.e.g.a.g|.f.e.d.d'(c'd')|
c'2b2 a>b|a2g2f2|(gf)gefd|(fe).d.c.B.A !D.C.!||
c'2b2 a>b|a2g2f2|(gf)gefd|(fe).d.c.B.A !D.C.!||
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:1
T:Minuet de la cour
M:3/4
L:1/8
R:Minuet
B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 349, p. 65)
F: https://archive.org/details/flutemelodies0000rile/page/64/mode/2up
Z:AK/Fiddler’s Companion
K:B
B2 (B/c/B/c/) d>d|d2c2B2|(GB)(GB)(GB)|(d/c/B/c/) A2z2|B2 (B/c/B/c/) d>d|
dD2c2B2|(c/A/)(c/A/) G2F2|{F}G6!fine!||A2 .A.A.A.A|(c/B/A/B/) G2 z2|
B2 (BG)(dB)|(B2A2) z2|d2 .d.d.d.d|e2 .e.e.e.e|f2 .f.f.f.f|
g2 .g.g.g.g|(g3e) .f.d|(g3e) .f.d|e(g/e/)d2^c2|{c}d3 d(ed|c>BA)c(dc|
B>AG)d(ed|c>BA)c(dc|B)>A Ggfg|(f2e2)de|d2c2B2|(BA)(GF)(ED)!D.C.!||
<section end=X3 />
<section begin=X5 />
X:598
T: Minuet de la Cour. Roose.0598
B:John Roose MS, Manchester 1850
M:3/4
L:1/8
Q:1/4=120
R:Minuet
Z:Village Music Project, Peter Kanssen, 2019
K:A
c2 (c/d/c/d/) e>e | e2d2c2 | (Ac) (Ac) (Ac) | (e/d/c/d/) B2z2  |\
c2 (c/d/c/d/) e>e | e2d2c2 | (c/B/d/B/) A2G2 | {G}A6:|
|: B2BBBB | d/c/B/c/ A2z2 | c2 cAec | c2B2z2 |\
e2 eeee |
f2 ffff | g2 gggg | a2 aaaa |\
a3 fge | a3 fge |
fa/f/ e2^d2 |\
{d}e3 ef>(e | d>c)B(ded| \
c>B)A(efe |
d>c)B(ded | c>B)Aaga |\
g2f2 ef | e2d2c2 | cBAGFE "^D.C.":|
%No repeat marks this end in MS, but repeat marks at beginning of this bit
<section end=X5 />
<section begin=X8 />
X:120
X:120
T:Minuet De La Cour,La  WES.120
T:Minuet De La Cour,La  WES.120
Line 65: Line 142:
a3+ff+fge|a3fge|(g/f/a/f/)e2^d2|{^d}e3+p+efe|(d>c B)ded|(c>B) Aefe|!
a3+ff+fge|a3fge|(g/f/a/f/)e2^d2|{^d}e3+p+efe|(d>c B)ded|(c>B) Aefe|!
(d>c  B)ded|(c>B  A)aga|(g2f2) (e>f)|e2d2c2|cBAGF+D.C.+E|]
(d>c  B)ded|(c>B  A)aga|(g2f2) (e>f)|e2d2c2|cBAGF+D.C.+E|]
</pre>
<section end=X8 />
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<section begin=X13 />
X:1
T:Minuet de la cour
M:3/4
L:1/8
R:Minuet
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 623)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:A
c2 c/d/c/d/ ee|e2d2c2|AcAcAc|e/d/c/d/ B2 z2|c2 c/d/c/d/ ee|
e2d2c2|c/B/d/B/ A2G2|B4 A2||B2 BBBB|c2A2z2|
c2 Acec|c2B2z2|e2 eeee|f2 ffff|a2 aaaa| a3 fge|
a3 fge|fa/f/ e2T^d2|e3 ef>e|dcBde>d|cBAef>e|
dcBde>d|cBAaga|g2f2e>f|e2d2c2|cBAGFE!D.C.!||
<section end=X13 />
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
 
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__NOTITLE__

Latest revision as of 02:00, 7 May 2024


Minuet de la Cour  Click on the tune title to see or modify Minuet de la Cour's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Minuet de la Cour
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 Theme code Index    335 543
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Minuet
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AB
 Editor/Compiler    Archibald Duff
 Book/Manuscript title    Book:A Choice Selection of Minuets Favourite Airs Hornpipes Waltzs &c.
 Tune and/or Page number    p. 1
 Year of publication/Date of MS    c. 1812
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Minuet de la Cour: Annotations

X:1 T:Minuet de la Cour M:3/4 L:1/8 R:Minuet B:Archibald Duff – A Choice Selection of Minuets, Favourite Airs, Hornpipes, Waltzs &c. B:Book First (Edinburgh, c. 1812, p. 1) B: https://digital.nls.uk/special-collections-of-printed-music/archive/105810922 N:Archibald Duff (c. 1770-c. 1840?) was a musician (along with his brother Charles) and dancing N:master, of Montrose and Aberdeen, and is recorded as being a Professor of Music residing at N:Clayills Cottage, Aberdeen in 1837. N:The volume is dedicated to Lady Mary Ramsay of Balmain Z:AK/Fiddler’s Companion K:A Sc2 (c/d/).c/.d/ .e>.e|e2Td2 c>B|.A.c.A.c.A.c|(e/d/c/d/) B(.b/.a/ .g/.f/.e/.d/)| T(c>B) (.A/.B/.c/.d/) .e/.f/.g/.a/|e2 Td2 c>=d|(c/4B/4d/4c/4) e/4d/4c/4B/4 A2TG2|{B}A6!fine!:| (B2 B).B.B.B|{d}cB (.A.E.C.A,)|[A,2E2c2] c>A e>c|(d/c/B/c/) B2 {cd^d}|e2 .e/-.e/.e/.e/| [D2A2f2] .f-.f.f.f|[E2B2g2].g.-.g.g.g|a2 z2z2|a3 Tfge|a3 Tfge|gf/a/f/ e2T^d2| E2 z2 z/(e/f>e)|d>cB>(=dTe>d)|Tc<Baz/(e/f>e)|d>cBz/(d/e>d)|Tc>BAz/(ag>a)|g2 Tf2 e>f|e2d2 c>d|(cB) (AG)(FE)S||


X:1 T:Minuet de la Cour M:3/4 L:1/8 B:Thomas Wilson - Companion to the Ball Room (1816, p. 162) Z:AK/Fiddler's Companion K:A c2 c/d/c/d/ ee|e2d2c2|AcAcAc|e/d/c/d/ B2c2| c2 c/d/c/d/ ee|e2d2c2|c/B/d/B/ A2G2|B4 A2|| B2 BBBB|c2A2z2|c2 cAec|c2B2z2|e2 eeee| f2 ffff|g2 gggg|a2 aaaa|a3 fge|a3 fge| fa/f/ e2 T^d2|e3 ef>e|dcBde>d|cBAef>e| dcBde>d|cBAaga|g2f2 e>f|e2d2c2|cBAGFE!D.C.!||


X:2 T:Minuet de la Cour M:3/4 L:1/8 N:"French Air" B:Forrester - Flute Players Pocket Companion (c. 1817, p. 4) Z:AK/Fiddler's Companion K:D f2 (f/g/)f/g/|a2g2f2|.d.fd.f.d.f|{a}g2e2z2| f2 (f/g/)f/g/ aa|a2g2f2|(f/e/)g/e/ d2c2|{e}d6!Fine!!fermata!:|| e2 .e.e.e.e|f2d2z2|f2 fda>f|f2 {gf}e2 z2| a2 .a.a.a.a|b2 .b.b.b.b|c'2 .c'.c'.c'.c'|d'4 z2| d'3 bc'a|d'3 bc'a|b{e'}d'/b/ a2 ^g2|a2 zab>a| (g>f)e>ga>g|(f>e)d>a.b.a|.g.f.e.g.a.g|.f.e.d.d'(c'd')| c'2b2 a>b|a2g2f2|(gf)gefd|(fe).d.c.B.A !D.C.!||


X:1 T:Minuet de la cour M:3/4 L:1/8 R:Minuet B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 349, p. 65) F: https://archive.org/details/flutemelodies0000rile/page/64/mode/2up Z:AK/Fiddler’s Companion K:B B2 (B/c/B/c/) d>d|d2c2B2|(GB)(GB)(GB)|(d/c/B/c/) A2z2|B2 (B/c/B/c/) d>d| dD2c2B2|(c/A/)(c/A/) G2F2|{F}G6!fine!||A2 .A.A.A.A|(c/B/A/B/) G2 z2| B2 (BG)(dB)|(B2A2) z2|d2 .d.d.d.d|e2 .e.e.e.e|f2 .f.f.f.f| g2 .g.g.g.g|(g3e) .f.d|(g3e) .f.d|e(g/e/)d2^c2|{c}d3 d(ed|c>BA)c(dc| B>AG)d(ed|c>BA)c(dc|B)>A Ggfg|(f2e2)de|d2c2B2|(BA)(GF)(ED)!D.C.!||


X:598 T: Minuet de la Cour. Roose.0598 B:John Roose MS, Manchester 1850 M:3/4 L:1/8 Q:1/4=120 R:Minuet Z:Village Music Project, Peter Kanssen, 2019 K:A c2 (c/d/c/d/) e>e | e2d2c2 | (Ac) (Ac) (Ac) | (e/d/c/d/) B2z2 |\ c2 (c/d/c/d/) e>e | e2d2c2 | (c/B/d/B/) A2G2 | {G}A6:| |: B2BBBB | d/c/B/c/ A2z2 | c2 cAec | c2B2z2 |\ e2 eeee | f2 ffff | g2 gggg | a2 aaaa |\ a3 fge | a3 fge | fa/f/ e2^d2 |\ {d}e3 ef>(e | d>c)B(ded| \ c>B)A(efe | d>c)B(ded | c>B)Aaga |\ g2f2 ef | e2d2c2 | cBAGFE "^D.C.":| %No repeat marks this end in MS, but repeat marks at beginning of this bit


X:120 T:Minuet De La Cour,La WES.120 M:3/4 L:1/8 R:Minuet Q:1/4=120 B:T.Westrop’s 120 Country Dances, 1860’s Z:VMP-R.Greig 2010 K:A "^Andante pomposo"+p+c2(c/d/c/d/) e>e|e2d2c2|(Ac)(Ac)(Ac)|(e/d/c/d/)+f+B2z2|+p+c2(c/d/c/d/) e>e|! e2d2c2|+f+(c/B/d/B/)A2G2|(B4A2):|+mf+B2BBBB|{d}(cB/c/)A2z2|c2cAec|! (c2B2)z2|e2+<(+eeee|f2ffff|g2gggg|a2aaaa+<)+|! a3+ff+fge|a3fge|(g/f/a/f/)e2^d2|{^d}e3+p+efe|(d>c B)ded|(c>B) Aefe|! (d>c B)ded|(c>B A)aga|(g2f2) (e>f)|e2d2c2|cBAGF+D.C.+E|]


X:1 T:Minuet de la cour M:3/4 L:1/8 R:Minuet B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 623) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:A c2 c/d/c/d/ ee|e2d2c2|AcAcAc|e/d/c/d/ B2 z2|c2 c/d/c/d/ ee| e2d2c2|c/B/d/B/ A2G2|B4 A2||B2 BBBB|c2A2z2| c2 Acec|c2B2z2|e2 eeee|f2 ffff|a2 aaaa| a3 fge| a3 fge|fa/f/ e2T^d2|e3 ef>e|dcBde>d|cBAef>e| dcBde>d|cBAaga|g2f2e>f|e2d2c2|cBAGFE!D.C.!||


Minuet de la Cour: Annotations

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