|
|
| Line 1: |
Line 1: |
| {{SheetMusic | | ---------- |
| |f_track=Leo Rowsome - St Patrick's Day.mp3 | | {{TuneAnnotation |
| |f_pdf=St.Patricks Day.pdf
| | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Farmer's_Reel_(1) > |
| |f_artwork=Irish brigade.jpg
| | |f_annotation='''FARMER'S REEL [1]'''. AKA - "The Farmer." AKA and see "[[Boys from Scart (The)]]," "[[Coquette (1)]]," "[[Delaware Hornpipe]]," "[[Ottawa Valley Reel (1) (The)]]." Canadian, Reel. G Major. Standard tuning (fiddle). AABB. The second strain is cognate with the first three alternate titles, and both strains are cognate with "[[Ottawa Valley Reel (1) (The)]]." See note for "[[annotation:Ottawa Valley Reel (1) (The)|Ottawa Valley Reel]]" for more. |
| |f_tune_name=St. Patrick's Day
| | |f_source_for_notated_version= |
| |f_track_title=St. Patrick's Day
| | |f_printed_sources=Corfield ('''Tunes from New Brunswick'''), 2024; p. 41. Messer ('''Way Down East'''), 1948; No. 14. Messer ('''Anthology of Favorite Fiddle Tunes'''), 1980; p. 55. |
| |f_section=X11
| | |f_recorded_sources= |
| |f_played_by=[https://open.spotify.com/artist/5ZIhbzIF7v2lYvU6Xoogn6?si=rKsfUZJNTBm2ULon6nJQOQ Leo Rowsome]
| | |f_see_also_listing= |
| |f_notes=The Irish Brigade attached to the French forces which helped turn the tide of battle against the English troops at the battle of Fontenoy.
| |
| |f_caption=This is the only occasion on which country dances are performed at the Irish court. The ball on Patrick’s night is always opened by the lively dance of “Patrick’s day.” The dowagers of both sexes then come into play; and “the Irish trot” of many a veteran belle, recalls the good old times of the Rutland Court: when French quadrilles were “undreamed of in philosophy” of the dancing of that noted epoch.
| |
| |f_source=[https://open.spotify.com/track/1sCZEFYWr8558PJQy2Y9PH?si=54e4302356dd4aa3 Spotify]
| |
| |f_pix=420
| |
| |f_picpix=200
| |
| |f_article=[[St. Patrick's Day | '''St. Patrick's Day''']] | |
| | |
| The first mention of the tune is that it was one of two tunes (with "The White Cockade") played by the pipers of the Irish Brigade attached to the French forces which helped turn the tide of battle against the English troops at the battle of Fontenoy on May 11, 1745.
| |
| | |
| Flood (1906) and O’Neill (1913) believe was probably the last appearance in battle of the Irish Piob mor (war pipes or great pipes, which survived only in Scotland) of which there is any mention.
| |
| | |
| '''Rutherford's 200 Country Dances, volume 1''', 1756, contains the first country dance printing of the tune, which also appears in English collections as a jig by the name "[[Barbary Bell]]."
| |
| | |
| Typically for popular melodies of the time, it also became the vehicle for many songs, including air 35, "A plague of these wenches," in the opera '''Love in a Village''' by T.A.
| |
| Arne and I. Bickerstaffe (London, 1762). As song, country dance or quickstep it remained popular for many years. In later military tradition it was played on December 31, 1811 by the 87th Regiment band as a French attack became a rout at Tarifa, and Winstock (1970) remarks it was a favourite quickstep of the Napoleonic era Peninsular War in the British army.
| |
| | |
| Queen Victoria requested the melody from piper Thomas Mahon when she and the Prince Consort visited Ireland for the first time in 1849. Mahon was surprised to learn that she and the Prince were familiar “with the best gems in Irish music,” and he also played “The Royal Irish Quadrilles” and “Garryowen” at their behest.
| |
| | |
| The Queen must have been impressed with his playing, for she directed that henceforth Mahon have the title “Professor of the Irish Union Bagpipers to Her Most Gracious Majesty, Queen Victoria” (O’Neill, 1913). English country dance versions appear several times in James Oswald’s '''Caledonian Pocket Companion''' (London, 1760), and James Aird printed it in Glasgow in his '''Selection of Scotch, English, Irish and Foreign Airs, vol. 1''' (1782). In fact, English printings of the tune by far predate Irish ones, and it may be the provenance is English, despite the Irish-sounding title.
| |
| }} | | }} |
| | ------------- |
X: 1
T:Farmer's Reel [1], The
R:Reel
M:4/4
L:1/8
Z:Transcribed by Bruce Osborne
K:G
d>c|BGBd BGBd|gfge dBGB|ecdB cABG|E2A2 A2dc|
BGBd BGBd|gfge dBGB|ecdB cABG|D2G2 G2:|
|:g2|dgBg dgBg|dgba gfed|ea^ca ea^ca|e2ag fed^c|
dgBg dgBg|dgba gfed|faba gfef|g2g2 g2:|
|:B>c|dBgB dgBg|ecgc egce|dBgB dgBd|AGFE D2Bc|
dBgB dgBd|ecgc egce|dBGB cAFA|G2B2 G2:||
Additional notes
Printed sources : - Corfield (Tunes from New Brunswick), 2024; p. 41. Messer (Way Down East), 1948; No. 14. Messer (Anthology of Favorite Fiddle Tunes), 1980; p. 55.
Back to Farmer's Reel (1)
