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Created page with " ---------- {{TuneAnnotation |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Gigue_de_l'Aveugle_(La) > |f_annotation='''GIGUE DE L'AVEUGLE, LA.''' French-Canadian, Reel (2/4 time). E Major. Standard tuning (fiddle). AABB'. Mme. Catherine Dagenais-Major (Montreal) leaned the tune as a girl from the playing of a middle-aged blind man named Forget, who busked for dancing at the foot of Nelson's Column in Montreal. The dance he played she remembered as "Gigue..."
 
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{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Gigue_de_l'Aveugle_(La) >
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Gigue_de_l'Aveugle_(La) >
|f_annotation='''GIGUE DE L'AVEUGLE, LA.''' French-Canadian, Reel (2/4 time). E Major. Standard tuning (fiddle). AABB'. Mme. Catherine Dagenais-Major (Montreal) leaned the tune as a girl from the playing of a middle-aged blind man named Forget, who busked for dancing at the foot of Nelson's Column in Montreal. The dance he played she remembered as "Gigue de l'aveugle."   
|f_annotation='''GIGUE DE L'AVEUGLE, LA.''' French-Canadian, Reel (2/4 time). E Major (Barbeau & Massicotte): A Major (Demers). Standard tuning (fiddle) if played in E; tune AEae for key of A. AABB' (Barbeau & Massicotte): AABBC (Demers). Mme. Catherine Dagenais-Major (Montreal) leaned the tune as a girl from the playing of a middle-aged blind man named Forget, who busked for dancing at the foot of Nelson's Column in Montreal. The dance he played she remembered as "Gigue de l'aveugle."   
|f_source_for_notated_version=
|f_source_for_notated_version=Daniel Roy [Demers].
|f_printed_sources=Barbeau &  
|f_printed_sources=Barbeau & Massicotte - "Veillees du bon vieux temps" (1920, pp. 88-89). Demers ('''1000 airs du Quebec et de l'Amerique francophone'''), 2020; p. 84.
|f_recorded_sources=
|f_recorded_sources=
|f_see_also_listing=
|f_see_also_listing=
}}
}}

Latest revision as of 18:33, 11 December 2024





X:1 T:Gigue de l'aveugle, La S:Mme. Catherine Dagenais-Major (Montreal) M:2/4 L:1/8 B:Barbeau & Massicotte - "Veillees du bon vieux temps" (1920, pp. 88-89) Z:AK/Fiddler's Companion K:E z B/A/ G/E/E/G/|F/E/G/B,/ B,E/F/|G/E/G/E/ A/F/F/F/4A/4|G/E/A/F/ F(3G/A/B/|c/>d/e/>c/ B/>AG/>E/|!fine!E:| "II"(z) G/B/B/B/|:G/B/B/B/ G/B/e/B/|(5c/B/A/G/F/ A/c/c/c/|A/c/c/c/ A/c/f/e/|d/c/B G/B/B/B/|G/B/B/B/ G/B/e/B/| |1 c/B/A/G/ A/c/c/c/|A/c/c/c/ A/c/f/e/|d/c/B G/B/B/B/:|2 c/B/A/G/ F/G/A/B/|c/d/e/e/ d/e/f/e/|e/>c/B/>A/ G/>E/E/>E/|E2 z!D.C.!||



GIGUE DE L'AVEUGLE, LA. French-Canadian, Reel (2/4 time). E Major (Barbeau & Massicotte): A Major (Demers). Standard tuning (fiddle) if played in E; tune AEae for key of A. AABB' (Barbeau & Massicotte): AABBC (Demers). Mme. Catherine Dagenais-Major (Montreal) leaned the tune as a girl from the playing of a middle-aged blind man named Forget, who busked for dancing at the foot of Nelson's Column in Montreal. The dance he played she remembered as "Gigue de l'aveugle."


Additional notes
Source for notated version : - Daniel Roy [Demers].

Printed sources : - Barbeau & Massicotte - "Veillees du bon vieux temps" (1920, pp. 88-89). Demers (1000 airs du Quebec et de l'Amerique francophone), 2020; p. 84.






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