Annotation:Caney Mountain Hornpipe: Difference between revisions
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'''CANEY MOUNTAIN HORNPIPE'''. Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AA'BB'. Composed by Missouri fiddler Lonnie Robertson (1908-1981), who named it after a mountain near where he grew up, in Long Run, Missouri [Beisswenger, 2008]. Beisswenger & McCann (2008) note similarities with Art Galbraith's "[[Ladies Fancy (7)]]." | '''CANEY MOUNTAIN HORNPIPE'''. Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AA'BB'. Composed by Missouri fiddler Lonnie Robertson (1908-1981), who named it after a mountain near where he grew up, in Long Run, Missouri [Beisswenger, 2008]. Beisswenger & McCann (2008) note similarities with Art Galbraith's "[[Ladies Fancy (7)]]." | ||
[[File:robertson.jpg| | [[File:robertson.jpg|260px|thumb|left|Lonnie Robertson]] | ||
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''Source for notated version'': Lonnie Robertson (1908-1991, ) [Beisswenger & McCann]. | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - Lonnie Robertson (1908-1991, ) [Beisswenger & McCann]. | |||
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''Printed sources'': Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 115. | <font color=red>''Printed sources''</font> : - Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 115. | ||
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''Recorded sources'': <font color=teal>Caney Mountain Records CEP 109 (privately issued extended play LP), Lonnie Robertson (Mo.), c. 1965-66.</font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Caney Mountain Records CEP 109 (privately issued extended play LP), Lonnie Robertson (Mo.), c. 1965-66. </font> | ||
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Latest revision as of 17:26, 11 June 2019
X:0 T: No Score C: The Traditional Tune Archive M: K: x
CANEY MOUNTAIN HORNPIPE. Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AA'BB'. Composed by Missouri fiddler Lonnie Robertson (1908-1981), who named it after a mountain near where he grew up, in Long Run, Missouri [Beisswenger, 2008]. Beisswenger & McCann (2008) note similarities with Art Galbraith's "Ladies Fancy (7)."
