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|f_structure=AABB
|f_structure=AABB
|f_book_title=Dance Music of Ireland 2nd Collection
|f_book_title=Dance Music of Ireland 2nd Collection
|f_collector=R.M. Levey,  
|f_collector=R.M. Levey,
|f_year=1873
|f_year=1873
|f_page=No. 69, p. 31
|f_page=No. 69, p. 31
|f_theme_code_index=1313 1H2H1H6
|f_theme_code_index=1313 1H2H1H6
|f_score=1
}}
}}
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'''CORK HORNPIPE [1], THE'''. AKA and see  "Cincinnati Hornpipe [1]," "Dundee Hornpipe," "Fred Wilson's Clog," "Granny Will Your Dog Bite?" (Pa.), "Harvest Home [1]," "Higgin's Hornpipe," "Kephart's Clog" (Pa.), "Kildare Fancy," "Snyder's Jig" (Pa.), "Standard Hornpipe," "Wilson's Clog [1]," "Zig-Zag Hornpipe/Clog." Irish, Hornpipe. D Major. Standard tuning (fiddle). ABB' (Moylan): AABB (Levey, Roche). The name Cork is derived from the Gaelic word coraigh, a swamp. The tune was known under this title by central New York fiddler Winifred "Murph" Baker (Champion, NY), a regionally significant traditional fiddler in the mid-late 20th century. Most American versions were learned under a variety of alternate titles (the most popular being "Harvest Home"), with "Cork Hornpipe" appearing exclusively in Irish publications.  
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''Sources for notated versions'': Tom Billy Murphy via accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]; uilleann piper Andy Conroy (New York, originally from Lough Glynn and Dublin) [Breathnach].
''Printed source:'' Breathnach ('''Ceol II''', 1), 1965; No. 1. Breathnach ('''The Man and His Music'''), 1997; No. 1, p. 7. Levey ('''Dance Music of Ireland''', 2nd Collection), 1873; No. 69, p. 31. Moylan ('''Johnny O'Leary'''), 1994; No. 292, p. 169. '''Roche Collection''', 1982; vol. 2, pg. 14, No. 223.
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<pre>
X:1
T:Cork Hornpipe [1]
M:C|
L:1/8
R:Hornpipe
S:Philip Carolan music manuscript collection 
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p.132.  Carolan ms. 2, No. 79.
K:D
FE|DAFA DAFA|dfec dcBA|((3cBA) eA fAeA|((3efe) ((3dcB) ((3ABA) ((3GFE)|
DAFA DAFA|dfec dcBA|BcdB Agec|d2d2d2:|
|:cd|eAAA fAAA|gAAA fAAA|eAfA gAfA|((3efe) ((3dcB) ((3ABA) ((3GFE)|
DAFA DAFA|dfec dcBA|BcdB Agec|d2 d>d d2:|
<section end=X1 />
<section begin=abc />
X:1
X:1
T:The Cork Hornpipe [1]
T:Cork Hornpipe [1], The
T:Harvest Home
T:Harvest Home
M:C
M:C
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|:eAAA fAAA | gAAA aAAA | eA fA gA aA | (3efd (3cdB (3ABG (3FGE |  
|:eAAA fAAA | gAAA aAAA | eA fA gA aA | (3efd (3cdB (3ABG (3FGE |  
DAFA DAFA | dfed dcBA | dfaf bgec | d2d2d2 z2 :||
DAFA DAFA | dfed dcBA | dfaf bgec | d2d2d2 z2 :||
 
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X:1
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T:Cork Hornpipe [1], The
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
M:2/4
<br>
L:1/8
Engraver Valerio M. Pelliccioni
R:Hornpipe
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S:Belfast piper R.L. O'Mealy (1873-1947) music transcription c. 1945
N:Robbie Hannan notes O'Mealy recorded the tune for the BBC in Belfast in 1943, 
N:and it appears to have been his curtain-call piece.
B:Séan Reid Society Journal No. 1 (March, 1999)
Z:AK/Fiddler's Companion
K:D
{A}F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|
(3e/f/e/ (3d/c/B/ (3A/G/F/ {A}(3G/F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3e/c/A/ d/c/{c}B/A/|
e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d::c/d/|e/A/ (3{B}A/G/A/ f/A/ {B}(3A/G/A/|
(3e/f/g/ f/e/ e/A/ {B}(3A/G/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/ (3d/c/B (3A/G/F/ {A}(3G/F/E/|
D/A/F/A/ D/A/F/A/|d/f/(3e/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d:||
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<section begin=X7 />
X:1
T:Cork Hornpipe
C:Andy Conroy
N:Conroy (1911-1999) was a piper originally from Lough Glynn, Co. Roscommon,
N:who lived in Dublin as a young man, taking lessons from Leo Rowsome. He
N:was profoundly influenced by the tght Connaught style piping
N:of Patsy Tuohey. Conroy lived for 22 years in New York City playing
N:with the mid-20th century great players of the time in the city. After
N:he retired he returned to Ireland.
M:C
L:1/8
B:Ceol II, vol. 1 (1965)
Z:AK/Fiddler's Companion
K:D
AF|DAFA DAFA|dfec dcBA|(3fga fa (3gag (3fgf|edcB (3ABA (3GFE|
DAFA DAFA|dfec dcBA|(3efg fa gece|(3dcA (3DFA d2:|
|:cd|eA ~A2 fA ~A2|(3gag (3fgf eA~A2|egfa .g2 (3fgf|(3efe (3dcB (3ABA (3GFE|
DAFA DAFA|dfec dcBA|(3efg fa gece|dfec d2:|
|:AF|DA (3FGA DAFA|dfec dcBA|(3ecA (3fcA (3gcA (3fcA|(3efe (3dcB (3ABA (3GFE|
DA (3FGA DA (3FGA|dfec dcBA|(3ecA (3fcA (3gfe ce|dfec d2:|
|:(3Bcd|eA (3BcA fA (3BcA|(3ecA (3fcA eA (3BcA|(3ecA (3fcA (3gec (3fcA|(3efe (3dcB (3ABA (3GFE|
DA (3FGA DA (3FGA|Bfec dcBA|(3efg fa gece|dfec d2:|
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Latest revision as of 03:01, 2 February 2024


Cork Hornpipe (1) (The)  Click on the tune title to see or modify Cork Hornpipe (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cork Hornpipe (1) (The)
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 Theme code Index    1313 1H2H1H6
 Also known as    Cincinnati Hornpipe (1), Dundee Hornpipe, Fred Wilson's Clog, Granny Will Your Dog Bite?, Harvest Home (1), Higgin's Hornpipe, Kephart's Clog, Kildare Fancy, Snyder's Jig, Standard Hornpipe, Wilson's Clog (1), Zig-Zag Hornpipe, Zig Zag Clog
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Hornpipe/Clog
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABB
 Editor/Compiler    R.M. Levey
 Book/Manuscript title    Book:Dance Music of Ireland 2nd Collection
 Tune and/or Page number    No. 69, p. 31
 Year of publication/Date of MS    1873
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Cork Hornpipe [1] M:C| L:1/8 R:Hornpipe S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p.132. Carolan ms. 2, No. 79. K:D FE|DAFA DAFA|dfec dcBA|((3cBA) eA fAeA|((3efe) ((3dcB) ((3ABA) ((3GFE)| DAFA DAFA|dfec dcBA|BcdB Agec|d2d2d2:| |:cd|eAAA fAAA|gAAA fAAA|eAfA gAfA|((3efe) ((3dcB) ((3ABA) ((3GFE)| DAFA DAFA|dfec dcBA|BcdB Agec|d2 d>d d2:|


X:1 T:Cork Hornpipe [1], The T:Harvest Home M:C L:1/8 R:Hornpipe S:Levey - Dance Music of Ireland, 2nd Collection (1873) Z:AK/Fiddler's Companion K:D DAFD DAFA | dfed dcBA | eAfA gAfA | (3efd (3cdB (3ABG (3FGE | DAFA DAFA | dfed dcBA | efge aece | d2d2d2 z2 :| |:eAAA fAAA | gAAA aAAA | eA fA gA aA | (3efd (3cdB (3ABG (3FGE | DAFA DAFA | dfed dcBA | dfaf bgec | d2d2d2 z2 :||


X:1 T:Cork Hornpipe [1], The M:2/4 L:1/8 R:Hornpipe S:Belfast piper R.L. O'Mealy (1873-1947) music transcription c. 1945 N:Robbie Hannan notes O'Mealy recorded the tune for the BBC in Belfast in 1943, N:and it appears to have been his curtain-call piece. B:Séan Reid Society Journal No. 1 (March, 1999) Z:AK/Fiddler's Companion K:D {A}F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/| (3e/f/e/ (3d/c/B/ (3A/G/F/ {A}(3G/F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3e/c/A/ d/c/{c}B/A/| e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d::c/d/|e/A/ (3{B}A/G/A/ f/A/ {B}(3A/G/A/| (3e/f/g/ f/e/ e/A/ {B}(3A/G/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/ (3d/c/B (3A/G/F/ {A}(3G/F/E/| D/A/F/A/ D/A/F/A/|d/f/(3e/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d:||


X:1 T:Cork Hornpipe C:Andy Conroy N:Conroy (1911-1999) was a piper originally from Lough Glynn, Co. Roscommon, N:who lived in Dublin as a young man, taking lessons from Leo Rowsome. He N:was profoundly influenced by the tght Connaught style piping N:of Patsy Tuohey. Conroy lived for 22 years in New York City playing N:with the mid-20th century great players of the time in the city. After N:he retired he returned to Ireland. M:C L:1/8 B:Ceol II, vol. 1 (1965) Z:AK/Fiddler's Companion K:D AF|DAFA DAFA|dfec dcBA|(3fga fa (3gag (3fgf|edcB (3ABA (3GFE| DAFA DAFA|dfec dcBA|(3efg fa gece|(3dcA (3DFA d2:| |:cd|eA ~A2 fA ~A2|(3gag (3fgf eA~A2|egfa .g2 (3fgf|(3efe (3dcB (3ABA (3GFE| DAFA DAFA|dfec dcBA|(3efg fa gece|dfec d2:| |:AF|DA (3FGA DAFA|dfec dcBA|(3ecA (3fcA (3gcA (3fcA|(3efe (3dcB (3ABA (3GFE| DA (3FGA DA (3FGA|dfec dcBA|(3ecA (3fcA (3gfe ce|dfec d2:| |:(3Bcd|eA (3BcA fA (3BcA|(3ecA (3fcA eA (3BcA|(3ecA (3fcA (3gec (3fcA|(3efe (3dcB (3ABA (3GFE| DA (3FGA DA (3FGA|Bfec dcBA|(3efg fa gece|dfec d2:|