Crop the Croppies: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
(8 intermediate revisions by one other user not shown)
Line 1: Line 1:
{{Abctune
{{Abctune
|f_tune_title=Crop the Coppice
|f_tune_title=Crop the Croppies
|f_aka=Crop the Croppers
|f_country=England
|f_country=England
|f_genre=English
|f_genre=English
|f_rhythm=Country Dance
|f_rhythm=Country Dance
|f_time_signature=2/4
|f_time_signature=2/4, 2/2
|f_key=D
|f_key=F
|f_accidental=2 sharps
|f_accidental=1 flat
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=ENGLAND(East Midlands)
|f_history=ENGLAND(East Midlands)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Lincolnshire Collections vol. 1: The Joshua Gibbons Manuscript
|f_book_title=Preston's Twenty Four Country Dances for the Year 1798
|f_collector=Peter D. Sumner,
|f_collector=Preston
|f_year=1997
|f_year=1798
|f_page=p. 27
|f_theme_code_index=7161 6665
|f_theme_code_index=7161 6665
}}
}}
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''CROP THE COPPICE'''.  English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. A coppice is a managed woodland area in which trees are cut down and encouraged to grow from the stump. The coppicing produces a number of relatively thin stems that are harvested ('cropped') in regular cycles, sometimes in sections from the same stump as to insure some stems each year. Typically some woods are favored for coppicing; ash (ideal for tool handles), oak (the bark was formerly used in the tanning process) and hazel (for brooms, wicker, and brushes), are typical examples. Henry VIII is recorded as having regulated to coppicing of timber for the ironmaking industry, requiring that a small section of woodland be enclosed after cutting and twelve standels to be left in each acre to grow into timber, thus insuring a continued growth of the wood. Gibbon's set the tune in the key of 'F' major in his mss.  
'''CROP THE CROPPIES'''.  English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. The title is a reference to the slang term (''croppies'') for the rebellious peasant population of Ireland, largely Catholic, who, at the time the tune was published by Preston in 1798 were in the midst of a serious uprising against English rule.  They were aided in their efforts by the French, who were then at war with England. Anne Gilchrist, in her article "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 21), writes:
<br>
<blockquote>
<br>
''"Crop the Croppies" is a lively country-dance tune which has evidently been associated with some political song about the Irish'' ''Rebellion of 1798. "Croppy" or "Croppy Boy" was a name given to the rebels by the loyalists, and the title may refer to a'' ''barbarous practice (of which I read somewhere) of capping the rebels' heads, when they were caught, with a pitch helmet and'' ''cropping their locks below its edge. Another "Croppy" song , to the tune of "Down, derry, down," had a chorus of "Down, down,'' ''Croppies lie Down!" This was once rashly played by a morris-dancers' band as the morris-men danced their way through the Irish'' ''quarter of a Lancashire town. As soon as the irish heard the haed tune they fell upon the morris-dancers, and a terrific fracas'' ''ensued, in which the offenders had to retreat with torn clothes, broken instruments and broken heads.  (There was also a'' ''counter-blast called "Croppies, get up again!).''
</blockquote>
''Source for notated version'': the 1823-26 music mss of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].  
''Source for notated version'': the 1823-26 music mss of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].  
<br>
<br>
<br>
<br>
''Printed source:'' Sumner ('''Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript'''), 1997; p. 27.
''Printed source:'' Preston ('''Preston's Twenty Four Country Dances for the Year 1798'''), 1798. Sumner ('''Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript'''), 1997; p. 27.
   
   


Line 41: Line 42:
fcAc fcAc|fgef g2g2|fgab bagf|efge f2f2:|
fcAc fcAc|fgef g2g2|fgab bagf|efge f2f2:|
|:c2 cA c2 cA|dcBA B2G2|B2 BG B2 Bd|cBAG F2F2:|]
|:c2 cA c2 cA|dcBA B2G2|B2 BG B2 Bd|cBAG F2F2:|]
</pre>
<pre>
X:2
T:Crop the Croppies, 2 voices. JGi.183
M:2/4
L:1/8
Q:1/4=120
S:Joshua Gibbons MS,1823,Tealby,Lincs.
R:march
O:Tealby,Lincolnshire
Z:VMP/R.Greig, 2009
K:F
[V:1]|:fcAc|fcAc|fcfa|f2e2|ffga|bagf|ecde|f2f2:|
[V:2]|:F,2CA,|F,2CA,|F,2A,2|C2CB,|A,2F,2|G,A,B,B,|C2C,2|F,2F,,2:|
[V:1]|:c2cA|c2cA|dc BA|B2G2|B2BG|B2BG|cBAG|B2F2:|
[V:2]|:F,CA,C|F,CF,C|^F,DA,D|G,DB,D|G,DB,D|F,DB,D|E,CG,C|F,CA,C:|
</pre>
<pre>
X:3
T:Crop the Croppies TS.130
M:C|
L:1/8
Q:1/2=70
S:Thomas Sands' MS,1810,Lincolnshire
R:reel
N:Similar to version in Gibbons MS
O:Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
f>cA>c f>cA>c|(fg)ef g2g2|f>ga>a bagf|e>fg>ef2f2:|!
|:c2cA c2cA|dcBA B2G2|B2BGB2BG|cBAGA2F2:|]
</pre>
<pre>
X:4
T:Crop the Croppies
M:C|
L:1/8
R:Country Dance
S: : Gilchrist "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 21)
N:from the Carlisle MS (c. 1810)
K:G
B>dB>d g>dB>d|g>af>g a2a2|g>ab>g c'>ba>g|f>ga>f g2g2:||
d2 d>B d2 d>B|e>dc>B c2A2|c2 c>A c2 c>g|d>cB>A G2 G,2||
</pre>
</pre>
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<br>
<br>
Engraver Valerio M. Pelliccioni
Engraver Valerio M. Pelliccioni
</font></p>
</font></p>

Latest revision as of 10:35, 6 May 2019


Crop the Croppies  Click on the tune title to see or modify Crop the Croppies's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Crop the Croppies
Query the Archive
Query the Archive
 Theme code Index    7161 6665
 Also known as    Crop the Croppers
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Country Dance
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    2/4, 2/2
 History    ENGLAND(East Midlands)
 Structure    AABB
 Editor/Compiler    Biography:Preston
 Book/Manuscript title    Book:Preston's Twenty Four Country Dances for the Year 1798
 Tune and/or Page number    
 Year of publication/Date of MS    1798
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


CROP THE CROPPIES. English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. The title is a reference to the slang term (croppies) for the rebellious peasant population of Ireland, largely Catholic, who, at the time the tune was published by Preston in 1798 were in the midst of a serious uprising against English rule. They were aided in their efforts by the French, who were then at war with England. Anne Gilchrist, in her article "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 21), writes:

"Crop the Croppies" is a lively country-dance tune which has evidently been associated with some political song about the Irish Rebellion of 1798. "Croppy" or "Croppy Boy" was a name given to the rebels by the loyalists, and the title may refer to a barbarous practice (of which I read somewhere) of capping the rebels' heads, when they were caught, with a pitch helmet and cropping their locks below its edge. Another "Croppy" song , to the tune of "Down, derry, down," had a chorus of "Down, down, Croppies lie Down!" This was once rashly played by a morris-dancers' band as the morris-men danced their way through the Irish quarter of a Lancashire town. As soon as the irish heard the haed tune they fell upon the morris-dancers, and a terrific fracas ensued, in which the offenders had to retreat with torn clothes, broken instruments and broken heads. (There was also a counter-blast called "Croppies, get up again!).

Source for notated version: the 1823-26 music mss of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].

Printed source: Preston (Preston's Twenty Four Country Dances for the Year 1798), 1798. Sumner (Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript), 1997; p. 27.



X:1
T:Crop the Croppers
M:C|
L:1/8
R:Country Dance
B:Preston's Twenty Four Country Dances for the Year 1798
Z:AK/Fiddler's Companion
K:F
fcAc fcAc|fgef g2g2|fgab bagf|efge f2f2:|
|:c2 cA c2 cA|dcBA B2G2|B2 BG B2 Bd|cBAG F2F2:|]
X:2
T:Crop the Croppies, 2 voices. JGi.183
M:2/4
L:1/8
Q:1/4=120
S:Joshua Gibbons MS,1823,Tealby,Lincs.
R:march
O:Tealby,Lincolnshire
Z:VMP/R.Greig, 2009
K:F
[V:1]|:fcAc|fcAc|fcfa|f2e2|ffga|bagf|ecde|f2f2:|
[V:2]|:F,2CA,|F,2CA,|F,2A,2|C2CB,|A,2F,2|G,A,B,B,|C2C,2|F,2F,,2:|
[V:1]|:c2cA|c2cA|dc BA|B2G2|B2BG|B2BG|cBAG|B2F2:|
[V:2]|:F,CA,C|F,CF,C|^F,DA,D|G,DB,D|G,DB,D|F,DB,D|E,CG,C|F,CA,C:|
X:3
T:Crop the Croppies TS.130
M:C|
L:1/8
Q:1/2=70
S:Thomas Sands' MS,1810,Lincolnshire
R:reel
N:Similar to version in Gibbons MS
O:Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
f>cA>c f>cA>c|(fg)ef g2g2|f>ga>a bagf|e>fg>ef2f2:|!
|:c2cA c2cA|dcBA B2G2|B2BGB2BG|cBAGA2F2:|]
X:4
T:Crop the Croppies
M:C|
L:1/8
R:Country Dance
S: : Gilchrist "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 21)
N:from the Carlisle MS (c. 1810)
K:G
B>dB>d g>dB>d|g>af>g a2a2|g>ab>g c'>ba>g|f>ga>f g2g2:||
d2 d>B d2 d>B|e>dc>B c2A2|c2 c>A c2 c>g|d>cB>A G2 G,2||

© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni