Annotation:Limber Elbow: Difference between revisions
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'''LIMBER ELBOW, THE.''' AKA and see "[[Greig's Pipes]]," "[[Kerry Huntsman (The)]]," "[[Willy Wilkie]]." Irish, Reel. A Major. Standard tuning (fiddle). ABB'. Breathnach (1963) calls this a poor version of "[[Greig's Pipes]]." | '''LIMBER ELBOW, THE.''' AKA and see "[[Greig's Pipes]]," "[[Kerry Huntsman (The)]]," "[[Willy Wilkie]]." Irish, Reel. A Major. Standard tuning (fiddle). ABB'. Breathnach (1963) calls this a poor version of "[[Greig's Pipes]]." | ||
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[[File:stack.jpg|200px|thumb|left|Patrick Stack]] | [[File:stack.jpg|200px|thumb|left|Patrick Stack]] | ||
''Source for notated version'': Chicago fiddler Patrick Stack (1888-?) [O'Neill], originally from Ballyconry, North Kerry, whom O'Neill characterized as "...a fiddler whose execution was no less admirable than his modesty." Stack made several 78 RPM recordings for Victor in 1926, with uilleann piper Tom Mullaney. | ''Source for notated version'': Chicago fiddler Patrick Stack (1888-?) [O'Neill], originally from Ballyconry, North Kerry, whom O'Neill characterized as "...a fiddler whose execution was no less admirable than his modesty." Stack made several 78 RPM recordings for Victor in 1926, with uilleann piper Tom Mullaney. | ||
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''Printed sources'': O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 251. | ''Printed sources'': O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 251. | ||
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Latest revision as of 14:15, 6 May 2019
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LIMBER ELBOW, THE. AKA and see "Greig's Pipes," "Kerry Huntsman (The)," "Willy Wilkie." Irish, Reel. A Major. Standard tuning (fiddle). ABB'. Breathnach (1963) calls this a poor version of "Greig's Pipes."
Source for notated version: Chicago fiddler Patrick Stack (1888-?) [O'Neill], originally from Ballyconry, North Kerry, whom O'Neill characterized as "...a fiddler whose execution was no less admirable than his modesty." Stack made several 78 RPM recordings for Victor in 1926, with uilleann piper Tom Mullaney.
Printed sources: O'Neill (Waifs and Strays of Gaelic Melody), 1922; No. 251.
Recorded sources:
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