Annotation:Innocent Maid: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
(One intermediate revision by one other user not shown)
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''INNOCENT MAID'''. English, Country Dance (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody appears to have been first printed by Longman, Lukey & Broderip in London in 1776 in '''Bride's Favourite Collection of 200 Select Country Dances, Cotillons''', followed by the Thompson's printing in 1780 (see below). It was popular, particularly in the United States, where it appears in a number of musicians' manuscript collections, including those of Jeremiah Brown (Seabrook, N.H., 1782), Luther Kingsley (Mansfield, Conn., 1795), Cushing Ells (Norwich, Conn., 1785), and Eleazer Cary (Mansfield, Conn., 1797), and the dance instructions (without music) appear in several more American copybooks of the period. An entry in the diary of Elizabeth Bancroft (Groton, Mass.), April, 1794, reads:  
'''INNOCENT MAID'''. English, Country Dance (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody appears to have been first printed by Longman, Lukey & Broderip in London in 1776 in '''Bride's Favourite Collection of 200 Select Country Dances, Cotillons''', followed by the Thompson's printing in 1780 (see below). It was popular, particularly in the United States, where it appears in a number of musicians' manuscript collections, including those of Jeremiah Brown (Seabrook, N.H., 1782), Luther Kingsley (Mansfield, Conn., 1795), Cushing Ells (Norwich, Conn., 1785), and Eleazer Cary (Mansfield, Conn., 1797), and the dance instructions (without music) appear in several more American copybooks of the period. An entry in the diary of Elizabeth Bancroft (Groton, Mass.), April, 1794, reads:  
<blockquote>
</font></p>
<blockquote><font face="sans-serif" size="4"><i>
''Tuesd 15 Went to the dancing school danced a number of set dances, a room full of spectators. Wed 16 Was at the dancing, a number'' ''of spectators. we danced the soldiers Joy, York Fuzilier, Innocent Maid, White Cockade, Rural Felicity, &c.'' (Morrison, 1976).  
''Tuesd 15 Went to the dancing school danced a number of set dances, a room full of spectators. Wed 16 Was at the dancing, a number'' ''of spectators. we danced the soldiers Joy, York Fuzilier, Innocent Maid, White Cockade, Rural Felicity, &c.'' (Morrison, 1976).  
</blockquote>
</i></font></blockquote>
<p><font face="sans-serif" size="4">
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'': Cushing Eells' 1785 music manuscript collection, p. 61 [Morrison].  
''Source for notated version'': Cushing Eells' 1785 music manuscript collection, p. 61 [Morrison].  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Morrison ('''Twenty-Four Early American Country Dances, Cotillions & Reels, for the Year 1976'''), 1976; p. 27. Thomson ('''24 Country Dances for the Year 1780'''), 1780.  
''Printed sources'': Morrison ('''Twenty-Four Early American Country Dances, Cotillions & Reels, for the Year 1976'''), 1976; p. 27. Thomson ('''24 Country Dances for the Year 1780'''), 1780; p. 88.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Latest revision as of 13:27, 6 May 2019

Back to Innocent Maid


INNOCENT MAID. English, Country Dance (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody appears to have been first printed by Longman, Lukey & Broderip in London in 1776 in Bride's Favourite Collection of 200 Select Country Dances, Cotillons, followed by the Thompson's printing in 1780 (see below). It was popular, particularly in the United States, where it appears in a number of musicians' manuscript collections, including those of Jeremiah Brown (Seabrook, N.H., 1782), Luther Kingsley (Mansfield, Conn., 1795), Cushing Ells (Norwich, Conn., 1785), and Eleazer Cary (Mansfield, Conn., 1797), and the dance instructions (without music) appear in several more American copybooks of the period. An entry in the diary of Elizabeth Bancroft (Groton, Mass.), April, 1794, reads:

Tuesd 15 Went to the dancing school danced a number of set dances, a room full of spectators. Wed 16 Was at the dancing, a number of spectators. we danced the soldiers Joy, York Fuzilier, Innocent Maid, White Cockade, Rural Felicity, &c. (Morrison, 1976).

Source for notated version: Cushing Eells' 1785 music manuscript collection, p. 61 [Morrison].

Printed sources: Morrison (Twenty-Four Early American Country Dances, Cotillions & Reels, for the Year 1976), 1976; p. 27. Thomson (24 Country Dances for the Year 1780), 1780; p. 88.

Recorded sources:




Back to Innocent Maid