Annotation:Morduant's Hornpipe: Difference between revisions
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'''MORDUANT'S | '''MORDUANT'S HORNPIPE.''' AKA - "Morduant's House." AKA and see "[[Negro Sand Dance]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Fiddler and musicologist Philippe Varlet believes the tune may have vaudeville connections and was even recorded on a 78 RPM disc as "N....r Breakdown" by Irish accordion player Terry Lane. Lane's offensive title links the Irish hornpipe with a hornpipe called "[[Negro Sand Dance]]" printed in James S. Kerr's '''Merry Melodies, vol. 4''' (c. 1880's). The Irish hornpipe is cognate, but distanced, and retains enough points of similarity to be considered a derivative. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Roche ('''Collection of Traditional Irish Music, vol. 3'''), 1927; No. 177, p. 62. | ''Printed sources'': Roche ('''Collection of Traditional Irish Music, vol. 3'''), 1927; No. 177, p. 62. | ||
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Latest revision as of 14:24, 6 May 2019
Back to Morduant's Hornpipe
MORDUANT'S HORNPIPE. AKA - "Morduant's House." AKA and see "Negro Sand Dance." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Fiddler and musicologist Philippe Varlet believes the tune may have vaudeville connections and was even recorded on a 78 RPM disc as "N....r Breakdown" by Irish accordion player Terry Lane. Lane's offensive title links the Irish hornpipe with a hornpipe called "Negro Sand Dance" printed in James S. Kerr's Merry Melodies, vol. 4 (c. 1880's). The Irish hornpipe is cognate, but distanced, and retains enough points of similarity to be considered a derivative.
Source for notated version:
Printed sources: Roche (Collection of Traditional Irish Music, vol. 3), 1927; No. 177, p. 62.
Recorded sources: