Money Musk (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Money Musk
|f_tune_title=Money Musk
|f_aka=Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's reel
|f_aka=All the Lads in Copper Alley, Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's Reel, Dannsa Gaelach, Ceòl a Bhodich, Carle's Delight (The)
|f_composer=Daniel Dow,
|f_composer=Daniel Dow
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time, Québécios/Acadian, Scottish, Texas/Oklahoma
|f_genre=Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time, Scottish, Texas/Oklahoma
|f_rhythm=Fling, Reel (single/double), Strathspey
|f_rhythm=Fling, Reel (single/double), Strathspey
|f_time_signature=4/4, 2/2
|f_time_signature=4/4, 2/2
Line 10: Line 10:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=ENGLAND(North East)
|f_history=ENGLAND(North East), USA(New England)
|f_structure=AB, AAB, AABB, AABB', AABBCC, AABBCCDD
|f_book_title=Thirty Seven New Reels and Strathspeys
|f_book_title=Thirty Seven New Reels and Strathspeys
|f_collector=Daniel Dow
|f_collector=Daniel Dow
Line 16: Line 17:
|f_page=p. 5
|f_page=p. 5
|f_theme_code_index=5354 5324
|f_theme_code_index=5354 5324
|f_pdf_score=[[File:Money_Musk.pdf|page=1|thumb|left|200px|Money Musk]]
|f_score=1
|f_player=National Promenade Band
|f_player=National Promenade Band
|f_album=Money Musk Medley
|f_album=Money Musk Medley
|f_label=Edison Blue Amberol #1522 (cylinder),
|f_label=Edison Blue Amberol #1522 (cylinder)
|f_recording_date=1912
|f_recording_date=1912
|f_media=[[File:Money Musk.mp3|thumb|left|Money Musk]] {{break|4}}
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
{{featured}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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<font face="sans-serif" size="4">
<div class="noprint">
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<pre>
<section begin=abc />
X:1
X:1
T:Money Musk
T:Monnymusk
T:Money Musk [1]
M:C
L:1/8
L:1/8
M:4/4
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 41)
Z:AK/Fiddler’s Companion
K:G
K:G
e|"G"d<GB>G d>Gc>e|"G"d<GB>G "D"A/B/A c>e|
e|d<GB>G d>Gc>e|d<GTB>G (AB/A/) ce|d<GB>G (B/c/d) d>g|e<cA>d TB>GG:|
"G"d<GB>G "G/B"B/c/d d>g|"C"e>c"D"A>d "G"B<G G:|!
f|g2 (d>g) B>gd>f|g>dc>g B>gA>f|g>de>g d>gB>g|Te>cAd TB>GGf|
f|"G"g2d>g B>gd>f|"G"g>d"Am"c>g "G/B"B>g"D"A>f|
g>(dd)g B>gd>f|g>dc>g B>gAf|g>deg d<gc<g|B<gA>c TB>GG||
"G"g>de>g "G/B"d>gB>g|"C"e>c"D"A>d "G"B<GG>f|!
<section end=abc />
f|"G"g>dd>g B>gd>f|"G"g>d"Am"c>g "G/B"B>g"D"A>f|
<section begin=X2 />
"G/B"g>d"C"e>g "G/B"d>g"Am"c<g|"G/D"B<g"D"A>c "G"B<G G|!
|:g|"G"G/G/G B>G B/dG/ c<e|"G"G/G/G B<g "D"A/A/A c<e|
"G"G/G/G B<G "G/B"B/c/d d<g|{de}"F"=f>c A/B/c "G"B<G G:|!
z/d/|"G"g>d B<g d<gB>d|"G"g>d "Am"c<g "G/B"B<g"D"A>d|
"G"g>d B<g "G/B"d<gB<g|"C"e/f/g "D"A/B/c "G"B<GG>d|!
"G"g>d B<g d<gB>d|"G"g/f/e "G/B"d<g "G"B<g"D"A>d|
"G"g>d "C"e<g "G/B"d<g"Am"c<g|"G/D"B<g"D"A<g "G"B<G G|]
</pre>
<pre>
X: 2
X: 2
T: Money Musk
T: Money Musk [1]
B: Peacocks' Tunes (1805)
B: Peacocks' Tunes (1805)
L: 1/8
L: 1/8
Line 54: Line 71:
e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/|
e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/|
g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||
g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||
</pre>
<section end=X2 />
<section begin=X3 />
X:7
X:7
T:Monie Musk
T:Monie Musk [1]
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04
N:Petrie's Second Collection, page 11
L:1/8
L:1/8
M:C
M:C
Line 67: Line 84:
g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a  |f>dB<e c<(AAg)|
g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a  |f>dB<e c<(AAg)|
a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]
a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]
</pre>
<section end=X3 />
<pre>
<section begin=X4 />
X:1
X:1
T:Money Musk
T:Dannsa Gaelach
T:Monymusk
T:Money Musk [1]
M:C
L:1/16
R:Reel
B:Donald MacDonald - A Collection of Piobaireachd (1822)
Z:AK/Fiddler's Companion
K:A
f2|e3Ac3A e3Ad2f2|e3Ac3A (3B2B2B2 d3f|e3Ac3A c2e2e3a|f2dB2e2 c2A2A2:|
fg|a3ec3a e3ac3a|a3ed3a c2aB3 fg|a3ec3a e3ac3a|f3dB3e c2A2A2 fg|
a3ec3a e2ac3 fg|a3ed3a c3aB2 fg|a3ef3a e3ad3a|c3aB3a c2A2A2||
<section end=X4 />
<section begin=X5 />
X:1
T:Money Musk [1]
M:2/4
M:2/4
L:1/8
L:1/8
Line 81: Line 113:
(3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/|
(3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/|
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
</pre>
<section end=X5 />
<pre>
<section begin=X6 />
X:1
T:Second to Money Musk
M:C
L:1/8
N:William Sidney Mount music manuscript, page dated Feb. 22nd, 1848.
Z:AK/Fiddler’s Companion
K:A
(3EGB (3EGB (3EGB (3FAB|(3EGB (3EGB (3DFA (3DFA|(3EGB (3EGB (3EGB (3EGB|(3EAc (3DFB|(3EGB E:|
|:(3EGB (3EGB (3EGB (3EGB|(3EGB (3EGB (3EGB (3DFB|(3EGB (3EAc (3EGB (3EGB|1(3EAc (3DFB (3EGB (3EGB:|2 (3EAc (3DFB (3EGB E||
<section end=X6 />
<section begin=X7 />
X:1
T:Ceòl a Bhodich
T:Carle's Delight, The
T:Monymusk
M:C
L:1/16
R:Strathspey
B:William Gunn - The Caledonian Repository of Music
B:Adapted for the Bagpipes (Glasgow, 1848, p. 35)
Z:AK/Fiddler’s Companion
K:Amix
e2|AA3c3A e3Ad3f|AA3c3A BB3d3f|e3Ac3A de3e3f|g3dB3d c3AAA3:|
e2|a3ec3a ga3c3e|a3ec3e d3gB3g|a3ec3a ga3c3e|g3dB3d c3AAe|
a3ec3a ga3c3e|a3ec3e|d3gB3g|a3fg3e f3de3c|g3dB3d c3AA3||
<section end=X7 />
<section begin=X8 />
X:24
T:Money Musk. Roose.0202
B:Roose MS, 1850
%See also VMP transcriptions:
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.370);
%Rev.R.Harrison's MS, c1815, Cumbria (RH.446).
Z:Village Music Project 2019 Roger Hare
M:C
L:1/8
Q:1/4=120
K:A
|: f | e>Ac>A e>Ad>f | e>Ac>A B/c/B Bf | e>Ac>A (c/d/)e ea | e>Ac>A cAA :|
|: f/g/ | a>ec>a e>ac>a | a>ed>a c>af>g | a>ef>a e>ad>a | f>dB>e cAA f/g/ |
a>ec>a e>ac>a | a>ed>a c>aB>a | a>ef>a c>ae>a | c>aB>a cAA :|
<section end=X8 />
<section begin=X10 />
X:182
T:Money Musk
O:No 181 William Clarke of Feltwell (1858)
Z:Transcribed by David Dolby 2010
M:4/4
L:1/8
N:In m.s. Bar B2 is |gdcg B>gA>g|
K:G
e|d>GB>G d>GB>e|d>GB>G AB/A/ c>e|d>GB>G B>cd>g|e>cA>d B>GG:|
|:e/f/|g>dB.g d>gB>g|g>dc>g B>gA>g|f>de>g d>gB>g|e>cA>d BGG e/f/|
g>dB>g d>gB>g|g>dc>g B>gA>g|g>de>g d>gc>g|B>gA>g BGG:|
<section end=X10 />
<section begin=X13 />
X:1
T:Money Musk [1]
M:4/4
L:1/8
R:Reel
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7)
S: http://archive.org/details/MEEamesBook
N:Eames was perhaps from Philadelphia
Z:AK/Fiddler’s Companion
K:G
e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:|
|:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|
<section end=X13 />
<section begin=X16 />
X:1
T:Money Musk
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript  collection (vol. 2, c. 1883, p. 1, No. 4)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=0&z=-338.7536%2C923.1979%2C4214.9032%2C1474.4442
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:A
f2|eA cB/A/ eAdf|eA cB/A/ Bcdf|eA cB/A/ ceae|fdBd cA A2||
a2 ea caea|a2 ga bBBg|a2 ea caea|fdBd cAAg|
a2 ea caea|a2 ga bBBg|agfe fedc|defg a2||
<section end=X16 />
<section begin=X17 />
X:1
T:Mony Musk in the Scotch Way
M:c
L:1/8
R:Reel
B:Stephen Grier music manuscript collection (1883, Book 3, No. 252)
N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally
N:from north Longford, but who moved around 1852 to Newpark,
N:Bohey, Gortletteragh, south Leitrim.
K:A
f|eAcA eAaA|eA cB/A/ GA Bc/d/|eAcA eAae|f/e/d Be/e/ cAA:|
g|aaea caAa|aa ag/a/ bBBg|aa/a/ ea caAa|f/e/d Be/e/ cAAg|
aa aa/a/ aa aa/a/|aa aa/a/ bBBc|dbca BaAa|f/e/d Be/e/ cA A2||
<section end=X17 />
<section begin=X19 />
X:1
T:Money Musk [1]
M:2/4
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 129. Mid-19th century, County Cork
Z:AK/Fiddler’s Companion
K:A
e(c/A/) d/e/f/g/|ec/A/ B/c/d/B/|ec/A/ d/e/f/g/|a/f/e/d/ c/A/A:|
a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|ag/a/ e/a/g/a/|a/f/e/d/ cA/A/|
a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|a/g/f/e/ f/e/d/c/|d/e/f/g/ a/g/a/f/||
<section end=X19 />
<section begin=X21 />
X:1
T:Money Musk [1]
M:C
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 129. Mid-19th century, County Cork
N:A second version of the tune on the same page.
Z:AK/Fiddler’s Companion
K:A
af|eA (3cBA eAfA|eA (3cBA Bcdf|eA (3cBA eaga|feBd cA A2:|
a2 ea caea|a2 ga bB B2|a2 ea caea|gdBd cA A2|
a2 ea caea|a2 ga bB B2|g2 ga fedc|defg a2 af||
<section end=X21 />
<section begin=X24 />
X:1
T:Mony Musk [1]
M:C|
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 6)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:A
(a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf|
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:|
|:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2|
AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:|
|:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e|
aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|]
<section end=X24 />
<section begin=X25 />
X:1
T:Money Musk  [1]
M:C|
L:1/8
R:Reel
S:Philip Carolan music manuscript collection 
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 72.  Carolan ms. 1, No. 216.
K:A
(edc)(f ed)cf|(edc)(A Bc)df|(edc)(B Aa)(ga)|(fd)Bd (cA)A2:|
|:(a2e)(a ca)(eg)|a2 eg (fB)B2|(a2 e)(a ca)(eg)|(fd)Bd (cA) A2|
(a2 e)(a ca)(eg)|a2 eg (fB)B2|(agf)(e fe)dc|(def)(g ag)af:|
<section end=X25 />
<section begin=X26 />
X: 52
T: MONEY MUSK
%R: strathspey
B: Jean White "100 Popular Hornpipes, Reels, Jigs and Country Dances", Boston 1880 p.23
F: http://www.loc.gov/resource/sm1880.09124.0#seq-1
Z: 2014 John Chambers <jc:trillian.mit.edu>
%N: The triplets in the 2nd strain are missing their '3's; fixed.
%N: The unusual part of this setting is playing each strain first with dotted notes, then with triplets.
M: C|
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
f |\
e>Ac>A e>Ad>f | e>Ac>A B>cd>f |\
e>Ac>A c>de>a | f>dB>e c<AA>f |
(3ecA (3cBA (3ecA (3def | (3ecA (3cBA (3B=c^c (3def |\
(3ecA (3cBA (3cde (3fga | (3fdc (3Bed (3cec A :|
|: e |\
a>ec>a A>ae>a | a>ec>a d>aB>g |\
a>ec>a A>ae>a | f>dB>e c>AA>e |
(3aed (3cea (3Aca (3cea | (3aed (3cea (3dfb (3Beg |\
(3aed (3cea (3Aca (3cea | (3fdc (3Bed c<A A H:|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
<section end=X26 />
<section begin=X27/>
X:2
X:2
T:Monymusk
T:Monymusk [1]
M:C
M:C
L:1/8
L:1/8
Line 91: Line 311:
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:C
K:C
e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|
e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|e>cA>d ~B<GG:|
e>cA>d ~B<GG:||:f|g>dB>g d>gB>g|g>dB>g c>gA>f|
|:f|g>dB>g d>gB>g|g>dB>g c>gA>f||1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||
|1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||
<section end=X27 />
</pre>
<section begin=X30 />
<pre>
X:5
T:Moniemusk Reel [1], The
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
N:O’Neill remarks: “The first and second parts as above noted constitute the original tune
N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in
N: 1783. The third was substituted for the more difficult second by modern fiddlers, and
N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest
N: Highland piper of his day in Chicago, some fifty years ago.”
R:Reel
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:|
|:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
|:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
2gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
<section end=X30 />
<section begin=X33 />
X:1
T:Jigues
T:Money Musk [1]
N:The second tune in a set of untitled duple-time dance pieces from
N:the playing of fiddler Arthur-Joseph (A.J.) Boulay (1883-1948),
N:who was born in New Hampshire, but who spent much of his life in Quebec.
M:C|
L:1/8
R:Reel
Q:"Fast"
D:http://www.collectionscanada.ca/obj/m2/f7/16187.mp3
D:Victor 263130b (78 RPM), A.J. Bouley (1922)
Z:Andrew Kuntz
K:A
af|eAcA eAdf|eAcA Bcdf|eAcd ecde|fBBd cAAf|
eAcA eAdf|eAcA Bcdf|eAcd eaga|bgeg a2||
|:(3efg|aefe aece|aece bece|aece Aece|fefg a2:|
<section end=X33 />
<section begin=X33a />
X:1
T:Money Musk [1]
M:2/4
L:1/8
R:Air
B:E.F. Adam - Old Time Fiddlers Favorite Barn Dance Tunes (St. Louis,
B:1928, No. 59, p. 23)
Z:AK/Fiddler's Companion
K:A
f/|e/A/c/A/ e/A/d/f/|e/A/c/A/ (3B/c/B/d/-f/|e/A/c/A/ (3c/d/c/e/-a/|f/d/B/e/ (c/A/)A:|
|:a/|a/e/c/a/ e/a/c/a/|a/e/d/b/ c/a/B/g/|a/e/c/a/ e/a/c/a/|f/d/B/e/ c/-A/A:|]
<section end=X33a />
<section begin=X34 />
X:1
T:Money Musk [1]
M:2/2
L:1/8
B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 34, p. 21)
B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf]
K:A
f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:|
|:a|aefa eaca|aede ceBa|aefa eaga|fdBe cAA:|
|:e|ac'ea c'e'eg|gbeg be'ea|ac'ea c'e'eg|gbeg az z:|
|:e|e'eac' eac'e|e'egb egbe|e'eac' eac'e|e'egb ega:|]
<section end=X34 />
<section begin=X36 />
X:6
T:Money Musk [1]
C:Joseph Allard
M:2/4
L:1/16
Z:Transcribed by Bruce Osborne
K:G
ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|!
dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|!
|:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|!
gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!
<section end=X36 />
<section begin=X39 />
X:3
X:3
T:Money Musk  
T:Money Musk [1]
M:2/4  
M:2/4  
L:1/16  
L:1/16  
Line 107: Line 405:
D:taken from the playing of Cyril Stinnett  
D:taken from the playing of Cyril Stinnett  
Z:B. Shull, trans.; R. P. LaVaque, ABCs  
Z:B. Shull, trans.; R. P. LaVaque, ABCs  
K:A (
K:A  
e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|!  
(e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|!  
eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|!  
eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|!  
|Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|!  
|Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|!  
Line 114: Line 412:
|a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|!  
|a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|!  
(ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|!  
(ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|!  
|a2c'(a ba)c'b|(ae)ac' (bc')d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|!  
|a2c'(a ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|!  
-a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]
-a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]
</pre>
<section end=X39 />
<pre>
<section begin=X42 />
X:4
X:4
T:Moneymusk
T:Moneymusk [1]
M:4/4
M:4/4
L:1/8
L:1/8
Line 128: Line 426:
a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg |  
a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg |  
a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||
a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||
</pre>
<section end=X42 />
<pre>
<section begin=X44 />
X:5
X:1
T:Moniemusk Reel, The
T:Money Musk [1]
L:1/8
M:4/4
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
N:O’Neill remarks: “The first and second parts as above noted constitute the original tune
N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in
N: 1783. The third was substituted for the more difficult second by modern fiddlers, and
N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest
N: Highland piper of his day in Chicago, some fifty years ago.”
R:Reel
K:G
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:|
e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g|e>c A>d B<G G:|
|:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
f|g2d>g B>gd>f|g>d c>g B>g A>f|g>de>g d>gB>g|e>c A>d B<GG>f||
|:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
f|g>dd>g B>gd>f|g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G||
2gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
|:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g|{de} =f>c A/B/c B<G G:|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d|g>d B<g d<gB<g|e/f/g A/B/c B<G G>d|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
g>d B<g d<gB>d|g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|]
</pre>
<section end=X44 />
<pre>
<section begin=X47 />
X:6
X:18
T:Money Musk
T: Money Musk
C:Joseph Allard
C:  
B:Good Morning: After a Sleep of Twenty-five Years, Old-fasioned Dancing is
B:Being Revived by Mr. and Mr. Henry Ford.  Dearborn, Michigan, 1926.
N:This is very close to the way that Phil Cook, an Akwesasne Mohawk fiddler
N:from upstate New York who moved to Richland, Washington, played this tune.
M:2/4
M:2/4
L:1/16
K:A
Z:Transcribed by Bruce Osborne
f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAf
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAe||
aeca eace|aedb caBg|aeca eaga|fdBe cAAe|
aeca eace|aedb caBg|aeca eaga|fdBe cAAB||
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a2 AB|
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a4||
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a4|
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a3|]
<section end=X47 />
<section begin=X50 />
X:1
T:Money Musk [1]
M:C|
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 3 -21:26 on the tape)
Z:Transcribed by Andrew Kuntz
K:G
K:G
ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|!
P:A
dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|!
e|:dGBG dGce|SdGBG ABce|dGBG dGBd|1ecAc BGGe:|2ecAc BG .[GB]z||
|:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|!
P:B
gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!
g(deg) ddBd|.gzce BdAd|gdeg dgBd|ecAc BGGd|
</pre>
g(deg) ddBd|ggce dGBB|[M:2/4].AzAA|[M:C|] gdeg d2 Bd| {ef}edef gfge||
----
P:Var. 1
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
dGBG dGce|dGBG ABce|dGBG dGBd|ecAc BGG(e/g/|
 
d)GBd Gdce| dGBd ABcd|d(GBG) dGBG|A(c/B/A)d BG.[G2B2]||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |ecAc BG [G2B2]|
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |{ef}edef (g/f/g)ge||.G>GBG dGceS|
P:Var. 2
GGBd gggg|dGBd aaaa|ddBd azgg|{ef}edef ggg(e/f/|
d)BBd gggg|ddBd aaaa|dGBd gggg|fdef ggge||
<section end=X50 />
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<section begin=X1 />
<section end=X1 />
</font>   
<font face="sans-serif" size="4">
<div class="noprint">
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
__NOTITLE__

Latest revision as of 05:25, 26 January 2024


Money Musk (1)  Click on the tune title to see or modify Money Musk (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Money Musk (1)
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 Theme code Index    5354 5324
 Also known as    All the Lads in Copper Alley, Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's Reel, Dannsa Gaelach, Ceòl a Bhodich, Carle's Delight (The)
 Composer/Core Source    Daniel Dow
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time, Scottish, Texas/Oklahoma
 Meter/Rhythm    Fling, Reel (single/double), Strathspey
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    ENGLAND(North East), USA(New England)
 Structure    AB, AAB, AABB, AABB', AABBCC, AABBCCDD
 Editor/Compiler    Daniel Dow
 Book/Manuscript title    Book:Thirty Seven New Reels and Strathspeys
 Tune and/or Page number    p. 5
 Year of publication/Date of MS    c. 1780
 Artist    Biography:National Promenade Band
 Title of recording    Money Musk Medley
 Record label/Catalogue nr.    Edison Blue Amberol #1522 (cylinder)
 Year recorded    1912
 Media    
Money Musk
 Score   (1)   
Money Musk




Money Musk (1): Annotations

X:1 T:Monnymusk T:Money Musk [1] M:C L:1/8 R:Strathspey B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 41) Z:AK/Fiddler’s Companion K:G e|d<GB>G d>Gc>e|d<GTB>G (AB/A/) ce|d<GB>G (B/c/d) d>g|e<cA>d TB>GG:| f|g2 (d>g) B>gd>f|g>dc>g B>gA>f|g>de>g d>gB>g|Te>cAd TB>GGf| g>(dd)g B>gd>f|g>dc>g B>gAf|g>deg d<gc<g|B<gA>c TB>GG||


X: 2 T: Money Musk [1] B: Peacocks' Tunes (1805) L: 1/8 M: C Z: Valerio M. Pelliccioni K: G e|d>GB>G d>Gc>e|d>GB>G (AB/A/) c>e|d>GB>G (3Bcd dg|e>cA>d A>GG:|| e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/| g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||


X:7 T:Monie Musk [1] S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04 L:1/8 M:C R:Strathspey K:A f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)|fdBe cAA :| g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a |f>dB<e c<(AAg)| a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]


X:1 T:Dannsa Gaelach T:Monymusk T:Money Musk [1] M:C L:1/16 R:Reel B:Donald MacDonald - A Collection of Piobaireachd (1822) Z:AK/Fiddler's Companion K:A f2|e3Ac3A e3Ad2f2|e3Ac3A (3B2B2B2 d3f|e3Ac3A c2e2e3a|f2dB2e2 c2A2A2:| fg|a3ec3a e3ac3a|a3ed3a c2aB3 fg|a3ec3a e3ac3a|f3dB3e c2A2A2 fg| a3ec3a e2ac3 fg|a3ed3a c3aB2 fg|a3ef3a e3ad3a|c3aB3a c2A2A2||


X:1 T:Money Musk [1] M:2/4 L:1/8 R:Reel B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 1, p. 98) Z:AK/Fiddler’s Companion K:A {b}(a/f/)|.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) B/c/d/f/|.e/(A/c/A/) .c/(a/g/a/)|f/d/B/e/ c/A/A/f/| .e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) E/G/B/c/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a|| (3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/| .a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||


X:1 T:Second to Money Musk M:C L:1/8 N:William Sidney Mount music manuscript, page dated Feb. 22nd, 1848. Z:AK/Fiddler’s Companion K:A (3EGB (3EGB (3EGB (3FAB|(3EGB (3EGB (3DFA (3DFA|(3EGB (3EGB (3EGB (3EGB|(3EAc (3DFB|(3EGB E:| |:(3EGB (3EGB (3EGB (3EGB|(3EGB (3EGB (3EGB (3DFB|(3EGB (3EAc (3EGB (3EGB|1(3EAc (3DFB (3EGB (3EGB:|2 (3EAc (3DFB (3EGB E||


X:1 T:Ceòl a Bhodich T:Carle's Delight, The T:Monymusk M:C L:1/16 R:Strathspey B:William Gunn - The Caledonian Repository of Music B:Adapted for the Bagpipes (Glasgow, 1848, p. 35) Z:AK/Fiddler’s Companion K:Amix e2|AA3c3A e3Ad3f|AA3c3A BB3d3f|e3Ac3A de3e3f|g3dB3d c3AAA3:| e2|a3ec3a ga3c3e|a3ec3e d3gB3g|a3ec3a ga3c3e|g3dB3d c3AAe| a3ec3a ga3c3e|a3ec3e|d3gB3g|a3fg3e f3de3c|g3dB3d c3AA3||


X:24 T:Money Musk. Roose.0202 B:Roose MS, 1850 %See also VMP transcriptions: %John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.370); %Rev.R.Harrison's MS, c1815, Cumbria (RH.446). Z:Village Music Project 2019 Roger Hare M:C L:1/8 Q:1/4=120 K:A |: f | e>Ac>A e>Ad>f | e>Ac>A B/c/B Bf | e>Ac>A (c/d/)e ea | e>Ac>A cAA :| |: f/g/ | a>ec>a e>ac>a | a>ed>a c>af>g | a>ef>a e>ad>a | f>dB>e cAA f/g/ | a>ec>a e>ac>a | a>ed>a c>aB>a | a>ef>a c>ae>a | c>aB>a cAA :|


X:182 T:Money Musk O:No 181 William Clarke of Feltwell (1858) Z:Transcribed by David Dolby 2010 M:4/4 L:1/8 N:In m.s. Bar B2 is |gdcg B>gA>g| K:G e|d>GB>G d>GB>e|d>GB>G AB/A/ c>e|d>GB>G B>cd>g|e>cA>d B>GG:| |:e/f/|g>dB.g d>gB>g|g>dc>g B>gA>g|f>de>g d>gB>g|e>cA>d BGG e/f/| g>dB>g d>gB>g|g>dc>g B>gA>g|g>de>g d>gc>g|B>gA>g BGG:|


X:1 T:Money Musk [1] M:4/4 L:1/8 R:Reel S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:| |:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|


X:1 T:Money Musk M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (vol. 2, c. 1883, p. 1, No. 4) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=0&z=-338.7536%2C923.1979%2C4214.9032%2C1474.4442 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:A f2|eA cB/A/ eAdf|eA cB/A/ Bcdf|eA cB/A/ ceae|fdBd cA A2|| a2 ea caea|a2 ga bBBg|a2 ea caea|fdBd cAAg| a2 ea caea|a2 ga bBBg|agfe fedc|defg a2||


X:1 T:Mony Musk in the Scotch Way M:c L:1/8 R:Reel B:Stephen Grier music manuscript collection (1883, Book 3, No. 252) N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally N:from north Longford, but who moved around 1852 to Newpark, N:Bohey, Gortletteragh, south Leitrim. K:A f|eAcA eAaA|eA cB/A/ GA Bc/d/|eAcA eAae|f/e/d Be/e/ cAA:| g|aaea caAa|aa ag/a/ bBBg|aa/a/ ea caAa|f/e/d Be/e/ cAAg| aa aa/a/ aa aa/a/|aa aa/a/ bBBc|dbca BaAa|f/e/d Be/e/ cA A2||


X:1 T:Money Musk [1] M:2/4 L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 129. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:A e(c/A/) d/e/f/g/|ec/A/ B/c/d/B/|ec/A/ d/e/f/g/|a/f/e/d/ c/A/A:| a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|ag/a/ e/a/g/a/|a/f/e/d/ cA/A/| a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|a/g/f/e/ f/e/d/c/|d/e/f/g/ a/g/a/f/||


X:1 T:Money Musk [1] M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 129. Mid-19th century, County Cork N:A second version of the tune on the same page. Z:AK/Fiddler’s Companion K:A af|eA (3cBA eAfA|eA (3cBA Bcdf|eA (3cBA eaga|feBd cA A2:| a2 ea caea|a2 ga bB B2|a2 ea caea|gdBd cA A2| a2 ea caea|a2 ga bB B2|g2 ga fedc|defg a2 af||


X:1 T:Mony Musk [1] M:C| L:1/8 S:Anonymous 1862 American music manuscript collection (p. 6) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:A (a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf| eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| |:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2| AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:| |:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e| aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|]


X:1 T:Money Musk [1] M:C| L:1/8 R:Reel S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 72. Carolan ms. 1, No. 216. K:A (edc)(f ed)cf|(edc)(A Bc)df|(edc)(B Aa)(ga)|(fd)Bd (cA)A2:| |:(a2e)(a ca)(eg)|a2 eg (fB)B2|(a2 e)(a ca)(eg)|(fd)Bd (cA) A2| (a2 e)(a ca)(eg)|a2 eg (fB)B2|(agf)(e fe)dc|(def)(g ag)af:|


X: 52 T: MONEY MUSK %R: strathspey B: Jean White "100 Popular Hornpipes, Reels, Jigs and Country Dances", Boston 1880 p.23 F: http://www.loc.gov/resource/sm1880.09124.0#seq-1 Z: 2014 John Chambers <jc:trillian.mit.edu> %N: The triplets in the 2nd strain are missing their '3's; fixed. %N: The unusual part of this setting is playing each strain first with dotted notes, then with triplets. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - f |\ e>Ac>A e>Ad>f | e>Ac>A B>cd>f |\ e>Ac>A c>de>a | f>dB>e c<AA>f | (3ecA (3cBA (3ecA (3def | (3ecA (3cBA (3B=c^c (3def |\ (3ecA (3cBA (3cde (3fga | (3fdc (3Bed (3cec A :| |: e |\ a>ec>a A>ae>a | a>ec>a d>aB>g |\ a>ec>a A>ae>a | f>dB>e c>AA>e | (3aed (3cea (3Aca (3cea | (3aed (3cea (3dfb (3Beg |\ (3aed (3cea (3Aca (3cea | (3fdc (3Bed c<A A H:| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - -


X:2 T:Monymusk [1] M:C L:1/8 R:Strathspey B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:C e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|e>cA>d ~B<GG:| |:f|g>dB>g d>gB>g|g>dB>g c>gA>f||1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||


X:5 T:Moniemusk Reel [1], The M:4/4 L:1/8 S:Capt. F. O'Neill Z:Paul Kinder N:O’Neill remarks: “The first and second parts as above noted constitute the original tune N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in N: 1783. The third was substituted for the more difficult second by modern fiddlers, and N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest N: Highland piper of his day in Chicago, some fifty years ago.” R:Reel K:G e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:| |:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:| |:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:| 2gefd ecdc|BcAc BG G2||g2 gf g2 (3def| g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def| g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||


X:1 T:Jigues T:Money Musk [1] N:The second tune in a set of untitled duple-time dance pieces from N:the playing of fiddler Arthur-Joseph (A.J.) Boulay (1883-1948), N:who was born in New Hampshire, but who spent much of his life in Quebec. M:C| L:1/8 R:Reel Q:"Fast" D:http://www.collectionscanada.ca/obj/m2/f7/16187.mp3 D:Victor 263130b (78 RPM), A.J. Bouley (1922) Z:Andrew Kuntz K:A af|eAcA eAdf|eAcA Bcdf|eAcd ecde|fBBd cAAf| eAcA eAdf|eAcA Bcdf|eAcd eaga|bgeg a2|| |:(3efg|aefe aece|aece bece|aece Aece|fefg a2:|


X:1 T:Money Musk [1] M:2/4 L:1/8 R:Air B:E.F. Adam - Old Time Fiddlers Favorite Barn Dance Tunes (St. Louis, B:1928, No. 59, p. 23) Z:AK/Fiddler's Companion K:A f/|e/A/c/A/ e/A/d/f/|e/A/c/A/ (3B/c/B/d/-f/|e/A/c/A/ (3c/d/c/e/-a/|f/d/B/e/ (c/A/)A:| |:a/|a/e/c/a/ e/a/c/a/|a/e/d/b/ c/a/B/g/|a/e/c/a/ e/a/c/a/|f/d/B/e/ c/-A/A:|]


X:1 T:Money Musk [1] M:2/2 L:1/8 B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 34, p. 21) B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1] K:A f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| |:a|aefa eaca|aede ceBa|aefa eaga|fdBe cAA:| |:e|ac'ea c'e'eg|gbeg be'ea|ac'ea c'e'eg|gbeg az z:| |:e|e'eac' eac'e|e'egb egbe|e'eac' eac'e|e'egb ega:|]


X:6 T:Money Musk [1] C:Joseph Allard M:2/4 L:1/16 Z:Transcribed by Bruce Osborne K:G ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|! dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|! |:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|! gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!


X:3 T:Money Musk [1] M:2/4 L:1/16 Q:122 C:Trad. S:from Cyril Stinnett (Mo.) R:Reel A:Missouri B:transcribed in OTFR as #18 D:taken from the playing of Cyril Stinnett Z:B. Shull, trans.; R. P. LaVaque, ABCs K:A (e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! |Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAe-|! |a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|! (ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|! |a2c'(a ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|! -a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]


X:4 T:Moneymusk [1] M:4/4 L:1/8 O:Probably a version from Teelin, County Donegal. K:A af || eAcA e2 (3agf | eAdc BEGB | eAcA e3a | fdBa (3gfe (3agf | eAcAe2(3agf |eAcA Bcdf | eccB cdea | fdBc defg || a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg | a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||


X:1 T:Money Musk [1] L:1/8 M:4/4 K:G e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g|e>c A>d B<G G:| f|g2d>g B>gd>f|g>d c>g B>g A>f|g>de>g d>gB>g|e>c A>d B<GG>f|| f|g>dd>g B>gd>f|g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G|| |:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g|{de} =f>c A/B/c B<G G:| z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d|g>d B<g d<gB<g|e/f/g A/B/c B<G G>d| g>d B<g d<gB>d|g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|]


X:18 T: Money Musk C: B:Good Morning: After a Sleep of Twenty-five Years, Old-fasioned Dancing is B:Being Revived by Mr. and Mr. Henry Ford. Dearborn, Michigan, 1926. N:This is very close to the way that Phil Cook, an Akwesasne Mohawk fiddler N:from upstate New York who moved to Richland, Washington, played this tune. M:2/4 K:A f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAf eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAe|| aeca eace|aedb caBg|aeca eaga|fdBe cAAe| aeca eace|aedb caBg|aeca eaga|fdBe cAAB|| c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a2 AB| c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a4|| Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a4| Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a3|]


X:1 T:Money Musk [1] M:C| L:1/8 N:From an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 F:UGA Brown Media Archives: identifier artrosen_0056 (Track 3 -21:26 on the tape) Z:Transcribed by Andrew Kuntz K:G P:A e|:dGBG dGce|SdGBG ABce|dGBG dGBd|1ecAc BGGe:|2ecAc BG .[GB]z|| P:B g(deg) ddBd|.gzce BdAd|gdeg dgBd|ecAc BGGd| g(deg) ddBd|ggce dGBB|[M:2/4].AzAA|[M:C|] gdeg d2 Bd| {ef}edef gfge|| P:Var. 1 dGBG dGce|dGBG ABce|dGBG dGBd|ecAc BGG(e/g/| d)GBd Gdce| dGBd ABcd|d(GBG) dGBG|A(c/B/A)d BG.[G2B2]|| gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |ecAc BG [G2B2]| gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |{ef}edef (g/f/g)ge||.G>GBG dGceS| P:Var. 2 GGBd gggg|dGBd aaaa|ddBd azgg|{ef}edef ggg(e/f/| d)BBd gggg|ddBd aaaa|dGBd gggg|fdef ggge||


Money Musk (1): Annotations

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