Money Musk (1)
X:1
T:Monnymusk
T:Money Musk [1]
M:C
L:1/8
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 41)
Z:AK/Fiddler’s Companion
K:G
e|d<GB>G d>Gc>e|d<GTB>G (AB/A/) ce|d<GB>G (B/c/d) d>g|e<cA>d TB>GG:|
f|g2 (d>g) B>gd>f|g>dc>g B>gA>f|g>de>g d>gB>g|Te>cAd TB>GGf|
g>(dd)g B>gd>f|g>dc>g B>gAf|g>deg d<gc<g|B<gA>c TB>GG||
X: 2
T: Money Musk [1]
B: Peacocks' Tunes (1805)
L: 1/8
M: C
Z: Valerio M. Pelliccioni
K: G
e|d>GB>G d>Gc>e|d>GB>G (AB/A/) c>e|d>GB>G (3Bcd dg|e>cA>d A>GG:||
e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/|
g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||
X:7
T:Monie Musk [1]
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04
L:1/8
M:C
R:Strathspey
K:A
f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)|fdBe cAA :|
g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a |f>dB<e c<(AAg)|
a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]
X:1
T:Money Musk [1]
S:Micah Hawkins music manuscript collection (p. 3)
N:Hawkins (1777-1825) was a NYC tavern owner and musician who wrote the
N:first American two-act opera. He was the uncle of painter and
N:fiddler William Sidney Mount.
M:C|
L:1/8
R:Reel
Z:AK/Fiddler's Companion
K:D
f|e>Ac>A e>Ad>f|e>Ac>A Bc/B/ (df)|eAcA cd/e/ ea|fdBe cA A2:|
|:g|aeca eaca|acAa AaBg|aefa eaca|fdBe dA A2:|
X:1
T:Dannsa Gaelach
T:Monymusk
T:Money Musk [1]
M:C
L:1/16
R:Reel
B:Donald MacDonald - A Collection of Piobaireachd (1822)
Z:AK/Fiddler's Companion
K:A
f2|e3Ac3A e3Ad2f2|e3Ac3A (3B2B2B2 d3f|e3Ac3A c2e2e3a|f2dB2e2 c2A2A2:|
fg|a3ec3a e3ac3a|a3ed3a c2aB3 fg|a3ec3a e3ac3a|f3dB3e c2A2A2 fg|
a3ec3a e2ac3 fg|a3ed3a c3aB2 fg|a3ef3a e3ad3a|c3aB3a c2A2A2||
X:1
T:Money Musk [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 1, p. 98)
Z:AK/Fiddler’s Companion
K:A
{b}(a/f/)|.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) B/c/d/f/|.e/(A/c/A/) .c/(a/g/a/)|f/d/B/e/ c/A/A/f/|
.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) E/G/B/c/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
(3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/|
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
X:1
T:Second to Money Musk
M:C
L:1/8
N:William Sidney Mount music manuscript, page dated Feb. 22nd, 1848.
Z:AK/Fiddler’s Companion
K:A
(3EGB (3EGB (3EGB (3FAB|(3EGB (3EGB (3DFA (3DFA|(3EGB (3EGB (3EGB (3EGB|(3EAc (3DFB|(3EGB E:|
|:(3EGB (3EGB (3EGB (3EGB|(3EGB (3EGB (3EGB (3DFB|(3EGB (3EAc (3EGB (3EGB|1(3EAc (3DFB (3EGB (3EGB:|2 (3EAc (3DFB (3EGB E||
X:1
T:Ceòl a Bhodich
T:Carle's Delight, The
T:Monymusk
M:C
L:1/16
R:Strathspey
B:William Gunn - The Caledonian Repository of Music
B:Adapted for the Bagpipes (Glasgow, 1848, p. 35)
Z:AK/Fiddler’s Companion
K:Amix
e2|AA3c3A e3Ad3f|AA3c3A BB3d3f|e3Ac3A de3e3f|g3dB3d c3AAA3:|
e2|a3ec3a ga3c3e|a3ec3e d3gB3g|a3ec3a ga3c3e|g3dB3d c3AAe|
a3ec3a ga3c3e|a3ec3e|d3gB3g|a3fg3e f3de3c|g3dB3d c3AA3||
X:1
T:Highland Fling
T:AKA - Money Musk [1]
M:C
L:1/8
B:William Sidney Mount music manuscripts (mid-19th cent.)
N:Mount was a painter and fiddler from Setauket, Long Island
N:"August 31, 1855."
Z:AK/Fiddler's Companion
K:A
f|e>Ac>A e>Ad>f|e>Ac>A B>cd>f|e>Ac>A e>ag>a|f>dB>e c>A A:|
|:e|a>ec>a e>ac>a|a>ec>e d>bB>g|a>ec>a e>ag>a|f>dB>e c>AA:|
X:24
T:Money Musk. Roose.0202
B:Roose MS, 1850
%See also VMP transcriptions:
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.370);
%Rev.R.Harrison's MS, c1815, Cumbria (RH.446).
Z:Village Music Project 2019 Roger Hare
M:C
L:1/8
Q:1/4=120
K:A
|: f | e>Ac>A e>Ad>f | e>Ac>A B/c/B Bf | e>Ac>A (c/d/)e ea | e>Ac>A cAA :|
|: f/g/ | a>ec>a e>ac>a | a>ed>a c>af>g | a>ef>a e>ad>a | f>dB>e cAA f/g/ |
a>ec>a e>ac>a | a>ed>a c>aB>a | a>ef>a c>ae>a | c>aB>a cAA :|
X:182
T:Money Musk
O:No 181 William Clarke of Feltwell (1858)
Z:Transcribed by David Dolby 2010
M:4/4
L:1/8
N:In m.s. Bar B2 is |gdcg B>gA>g|
K:G
e|d>GB>G d>GB>e|d>GB>G AB/A/ c>e|d>GB>G B>cd>g|e>cA>d B>GG:|
|:e/f/|g>dB.g d>gB>g|g>dc>g B>gA>g|f>de>g d>gB>g|e>cA>d BGG e/f/|
g>dB>g d>gB>g|g>dc>g B>gA>g|g>de>g d>gc>g|B>gA>g BGG:|
X:1
T:Money Musk [1]
M:4/4
L:1/8
R:Reel
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7)
S: http://archive.org/details/MEEamesBook
N:Eames was perhaps from Philadelphia
Z:AK/Fiddler’s Companion
K:G
e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:|
|:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|
X:1
T:Money Musk
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript collection (vol. 2, c. 1883, p. 1, No. 4)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=0&z=-338.7536%2C923.1979%2C4214.9032%2C1474.4442
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:A
f2|eA cB/A/ eAdf|eA cB/A/ Bcdf|eA cB/A/ ceae|fdBd cA A2||
a2 ea caea|a2 ga bBBg|a2 ea caea|fdBd cAAg|
a2 ea caea|a2 ga bBBg|agfe fedc|defg a2||
X:1
T:Mony Musk in the Scotch Way
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript collection (1883, Book 3, No. 252)
N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally
N:from north Longford, but who moved around 1852 to Newpark,
N:Bohey, Gortletteragh, south Leitrim.
K:A
f|eAcA eAaA|eA cB/A/ GA Bc/d/|eAcA eAae|f/e/d Be/e/ cAA:|
g|aaea caAa|aa ag/a/ bBBg|aa/a/ ea caAa|f/e/d Be/e/ cAAg|
aa aa/a/ aa aa/a/|aa aa/a/ bBBc|dbca BaAa|f/e/d Be/e/ cA A2||
X:1
T:Money Musk [1]
M:2/4
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 129. Mid-19th century, County Cork
Z:AK/Fiddler’s Companion
K:A
e(c/A/) d/e/f/g/|ec/A/ B/c/d/B/|ec/A/ d/e/f/g/|a/f/e/d/ c/A/A:|
a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|ag/a/ e/a/g/a/|a/f/e/d/ cA/A/|
a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|a/g/f/e/ f/e/d/c/|d/e/f/g/ a/g/a/f/||
X:1
T:Money Musk [1]
M:C
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 129. Mid-19th century, County Cork
N:A second version of the tune on the same page.
Z:AK/Fiddler’s Companion
K:A
af|eA (3cBA eAfA|eA (3cBA Bcdf|eA (3cBA eaga|feBd cA A2:|
a2 ea caea|a2 ga bB B2|a2 ea caea|gdBd cA A2|
a2 ea caea|a2 ga bB B2|g2 ga fedc|defg a2 af||
X:1
T:Mony Musk [1]
M:C|
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 6)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:A
(a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf|
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:|
|:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2|
AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:|
|:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e|
aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|]
X:1
T:Money Musk [1]
M:C|
L:1/8
R:Reel
S:Philip Carolan music manuscript collection
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 72. Carolan ms. 1, No. 216.
K:A
(edc)(f ed)cf|(edc)(A Bc)df|(edc)(B Aa)(ga)|(fd)Bd (cA)A2:|
|:(a2e)(a ca)(eg)|a2 eg (fB)B2|(a2 e)(a ca)(eg)|(fd)Bd (cA) A2|
(a2 e)(a ca)(eg)|a2 eg (fB)B2|(agf)(e fe)dc|(def)(g ag)af:|
X: 52
T: MONEY MUSK
%R: strathspey
B: Jean White "100 Popular Hornpipes, Reels, Jigs and Country Dances", Boston 1880 p.23
F: http://www.loc.gov/resource/sm1880.09124.0#seq-1
Z: 2014 John Chambers <jc:trillian.mit.edu>
%N: The triplets in the 2nd strain are missing their '3's; fixed.
%N: The unusual part of this setting is playing each strain first with dotted notes, then with triplets.
M: C|
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
f |\
e>Ac>A e>Ad>f | e>Ac>A B>cd>f |\
e>Ac>A c>de>a | f>dB>e c<AA>f |
(3ecA (3cBA (3ecA (3def | (3ecA (3cBA (3B=c^c (3def |\
(3ecA (3cBA (3cde (3fga | (3fdc (3Bed (3cec A :|
|: e |\
a>ec>a A>ae>a | a>ec>a d>aB>g |\
a>ec>a A>ae>a | f>dB>e c>AA>e |
(3aed (3cea (3Aca (3cea | (3aed (3cea (3dfb (3Beg |\
(3aed (3cea (3Aca (3cea | (3fdc (3Bed c<A A H:|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
X:2
T:Monymusk [1]
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:C
e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|e>cA>d ~B<GG:|
|:f|g>dB>g d>gB>g|g>dB>g c>gA>f||1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||
X:5
T:Moniemusk Reel [1], The
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
N:O’Neill remarks: “The first and second parts as above noted constitute the original tune
N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in
N: 1783. The third was substituted for the more difficult second by modern fiddlers, and
N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest
N: Highland piper of his day in Chicago, some fifty years ago.”
R:Reel
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:|
|:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
|:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
2gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
X:1
T:Money Musk
M:C
L:1/8
B:Reilly MSS, Drumreilly, Co Leitrim (MS2, ref RY2.151)
N:Transcribed by fiddle player Philip Reilly (1860-1932)
Z:Conor Ward
K:A
f||:!segno! eAcA eAdf|eAcA Bcdf|eAcA cdea|fdBd cAaf:||
aece aece|aece dBBg|afge fdec|dfed cA Ag|
aece Aece|aece bBBg|(3agf (3gfe (3fed (3edc| dfed (3cBA af||
X:1
T:Jigues
T:Money Musk [1]
N:The second tune in a set of untitled duple-time dance pieces from
N:the playing of fiddler Arthur-Joseph (A.J.) Boulay (1883-1948),
N:who was born in New Hampshire, but who spent much of his life in Quebec.
M:C|
L:1/8
R:Reel
Q:"Fast"
D:http://www.collectionscanada.ca/obj/m2/f7/16187.mp3
D:Victor 263130b (78 RPM), A.J. Bouley (1922)
Z:Andrew Kuntz
K:A
af|eAcA eAdf|eAcA Bcdf|eAcd ecde|fBBd cAAf|
eAcA eAdf|eAcA Bcdf|eAcd eaga|bgeg a2||
|:(3efg|aefe aece|aece bece|aece Aece|fefg a2:|
X:1
T:Money Musk [1]
M:2/4
L:1/8
R:Air
B:E.F. Adam - Old Time Fiddlers Favorite Barn Dance Tunes (St. Louis,
B:1928, No. 59, p. 23)
Z:AK/Fiddler's Companion
K:A
f/|e/A/c/A/ e/A/d/f/|e/A/c/A/ (3B/c/B/d/-f/|e/A/c/A/ (3c/d/c/e/-a/|f/d/B/e/ (c/A/)A:|
|:a/|a/e/c/a/ e/a/c/a/|a/e/d/b/ c/a/B/g/|a/e/c/a/ e/a/c/a/|f/d/B/e/ c/-A/A:|]
X:1
T:Money Musk [1]
M:2/2
L:1/8
B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 34, p. 21)
B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1]
K:A
f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:|
|:a|aefa eaca|aede ceBa|aefa eaga|fdBe cAA:|
|:e|ac'ea c'e'eg|gbeg be'ea|ac'ea c'e'eg|gbeg az z:|
|:e|e'eac' eac'e|e'egb egbe|e'eac' eac'e|e'egb ega:|]
X:6
T:Money Musk [1]
C:Joseph Allard
M:2/4
L:1/16
Z:Transcribed by Bruce Osborne
K:G
ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|!
dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|!
|:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|!
gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!
X:3
T:Money Musk [1]
M:2/4
L:1/16
Q:122 C:Trad.
S:from Cyril Stinnett (Mo.)
R:Reel
A:Missouri
B:transcribed in OTFR as #18
D:taken from the playing of Cyril Stinnett
Z:B. Shull, trans.; R. P. LaVaque, ABCs
K:A
(e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|!
eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|!
|Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|!
Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAe-|!
|a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|!
(ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|!
|a2c'(a ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|!
-a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]
X:4
T:Moneymusk [1]
M:4/4
L:1/8
O:Probably a version from Teelin, County Donegal.
K:A
af || eAcA e2 (3agf | eAdc BEGB | eAcA e3a | fdBa (3gfe (3agf |
eAcAe2(3agf |eAcA Bcdf | eccB cdea | fdBc defg ||
a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg |
a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||
X:1
T:Money Musk [1]
L:1/8
M:4/4
K:G
e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g|e>c A>d B<G G:|
f|g2d>g B>gd>f|g>d c>g B>g A>f|g>de>g d>gB>g|e>c A>d B<GG>f||
f|g>dd>g B>gd>f|g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G||
|:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g|{de} =f>c A/B/c B<G G:|
z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d|g>d B<g d<gB<g|e/f/g A/B/c B<G G>d|
g>d B<g d<gB>d|g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|]
X:18
T: Money Musk
C:
B:Good Morning: After a Sleep of Twenty-five Years, Old-fasioned Dancing is
B:Being Revived by Mr. and Mr. Henry Ford. Dearborn, Michigan, 1926.
N:This is very close to the way that Phil Cook, an Akwesasne Mohawk fiddler
N:from upstate New York who moved to Richland, Washington, played this tune.
M:2/4
K:A
f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAf
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAe||
aeca eace|aedb caBg|aeca eaga|fdBe cAAe|
aeca eace|aedb caBg|aeca eaga|fdBe cAAB||
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a2 AB|
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a4||
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a4|
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a3|]
X:1
T:Money Musk [1]
M:C|
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 3 -21:26 on the tape)
Z:Transcribed by Andrew Kuntz
K:G
P:A
e|:dGBG dGce|SdGBG ABce|dGBG dGBd|1ecAc BGGe:|2ecAc BG .[GB]z||
P:B
g(deg) ddBd|.gzce BdAd|gdeg dgBd|ecAc BGGd|
g(deg) ddBd|ggce dGBB|[M:2/4].AzAA|[M:C|] gdeg d2 Bd| {ef}edef gfge||
P:Var. 1
dGBG dGce|dGBG ABce|dGBG dGBd|ecAc BGG(e/g/|
d)GBd Gdce| dGBd ABcd|d(GBG) dGBG|A(c/B/A)d BG.[G2B2]||
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |ecAc BG [G2B2]|
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |{ef}edef (g/f/g)ge||.G>GBG dGceS|
P:Var. 2
GGBd gggg|dGBd aaaa|ddBd azgg|{ef}edef ggg(e/f/|
d)BBd gggg|ddBd aaaa|dGBd gggg|fdef ggge||