Love in Secret: Difference between revisions

Latest revision as of 08:37, 13 June 2019

Love in Secret Click on the tune title to see or modify Love in Secret's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Love in Secret Query the Archive
Theme code Index	135 225
Also known as
Composer/Core Source	Biography:Thomas O'Connellan
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	3/4
History
Structure	AB
Editor/Compiler	Biography:Edward Bunting
Book/Manuscript title	Book:General Collection of the Ancient Irish Music
Tune and/or Page number	No. 14, p. 8
Year of publication/Date of MS	1796
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Love in Secret: Annotations

X:1
T:Love in Secret
M:3/4
L:1/8
R:Air
N:"Moderato"
B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 14)
Z:AK/Fiddler's Companion
K:G
(G/A/B) (B/A/G) (dB)|A3G  !fermata!G(3d/e/f/|g2 (g/f/e) .f.d|T[G3^c3e3]d [F2d2]|
{g}(f>e d).f.a.f|Te2 (deg).e|~d>e {e}(d/B/A/G/ D).B|[D3F3A3]G [B,2G2]||
(G/A/B) {c}(B/A/G) (A/B/d)|{E}F2 {G}(F/E/D) (E/F/A)|[^C2E2] (F/E/D) (F/G/A)|
TE3D  !fermata!D(3d/e/f/|g{f}e/>d/ [Gg]{f}e/>d/ [Gg]{f}e/>d/|B2 {c}B/A/G (B/c/d)|
(A2G)A B/c/d|{B}TA3G !fermata!GG/A/|B2 (c/B/A/G/) (B/c/d)|F2 (G/F/E/D/) (F/G/A)|
[^C2E2] (G/F/E/D/) (F/G/A)|(E>FED) D(3d/e/f/|.g/.f/.e/.d/ .g/.f/.e/.d/ .g/.f/.e/.d/|
B2 (c/B/A/G/) (B/c/d)|\
L:1/16
(A3B/A/) .G2.A2 (Bcd2)|T(A3BA2).G2 !fermata![B,4G4]||

X:1
T:Love in Secret
M:3/4
L:1/8
R:Air
N:”Moderato”
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 111, p. 56)
N:Irish-born John Clinton was a flute player and teacher at the 
N:Royal Conservatory, London.
Z:AK/Fiddler’s Companion
K:G
(G/A/B) (B/A/G) (dB)|(A3G) !fermata!G (3d/e/f/|.g2 (g/f/).e|(Te3d) d2|
{g}(f>e) .d.f.a.f|Te2 (de).g.e|d>{ed^cd}e {e}(d/B/A/G/)|(A3G).G2||
(G/A/).B {c}(B/A/).G (A/B/).d|{E}F2 {G}F/E/.D (E/F/).A|.E2 (F/E/D) (F/G/A)|TE3D !fermata!D (3d/e/f/|
.g{f}(e/>d/) .g{f}(e/>d/) .g{f}(e/>d/)|B2 {c}(B/A/).G (B/c/).d|(A2 G).A (B/c/d)|T(A3G) !fermata!.G(G/A/)|
.B2 (c/B/A/G/) (B/c/).d|.F2 (G/F/E/D/) (F/G/).A|.E2 (G/F/E/D/) (F/G/.A)|(E>F)(ED) !fermata!D (3d/e/f/|
.g/.f/.e/.d/ .g/.f/.e/.d/ .g/.f/.e/.d/|.B2 (c/B/A/G/) (B/c/).d|(A>B/4A/4) .G.A (B/c/).d|(A>B)T(A>G) !fermata!G2||

Love in Secret: Annotations

@@ Line 10: / Line 10: @@
 |f_mode=Ionian (Major)
 |f_structure=AB
-|f_book_title=Gems of Ireland: 200 Airs
+|f_book_title=General Collection of the Ancient Irish Music
-|f_collector=John Clinton
+|f_collector=Edward Bunting
-|f_year=1841
+|f_year=1796
-|f_page=No. 111, p. 56
+|f_page=No. 14, p. 8
 |f_theme_code_index=135 225
 }}
-=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
+[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
 <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
 ----
@@ Line 34: / Line 34: @@
 TE3D  !fermata!D(3d/e/f/|g{f}e/>d/ [Gg]{f}e/>d/ [Gg]{f}e/>d/|B2 {c}B/A/G (B/c/d)|
 (A2G)A B/c/d|{B}TA3G !fermata!GG/A/|B2 (c/B/A/G/) (B/c/d)|F2 (G/F/E/D/) (F/G/A)|
-[^C2E2] (G/F/E/D/) (F/G/A)|(E>FED) D(3d/e/f/|g/f/e/d/ g/f/e/d/ g/f/e/d/|
+[^C2E2] (G/F/E/D/) (F/G/A)|(E>FED) D(3d/e/f/|.g/.f/.e/.d/ .g/.f/.e/.d/ .g/.f/.e/.d/|
 B2 (c/B/A/G/) (B/c/d)|\
-/16
+L:1/16
-(A3B/A/ .G2.A2 (Bcd2)|T(A3BA2).G2 !fermata![B,4G4]||
+(A3B/A/) .G2.A2 (Bcd2)|T(A3BA2).G2 !fermata![B,4G4]||
 </pre>
@@ Line 61: / Line 61: @@
 </pre>
 ----
-=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
+[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
 <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->