Annotation:Here's to the Maiden: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| (2 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''HERE'S TO THE MAIDEN (OF BASHFUL FIFTEEN)'''. AKA and see "[[General Toast (The)]]." English, Scottish; Country Dance Tune (6/8 time). D Major (Raven): G Major (Kerr, Sweet): F Major (Howe). Standard tuning (fiddle). One part (Howe): AB (Raven): AABB (Kerr, Sweet). The tune to a song by playwright and politician Richard Brinsley Sheridan (1751-1816), for his comedy '''The School for Scandal''' (1780). It begins: | '''HERE'S TO THE MAIDEN (OF BASHFUL FIFTEEN)'''. AKA and see "[[General Toast (The)]]." English, Scottish; Country Dance Tune (6/8 time). D Major (Raven): G Major (Kerr, Lees, Sweet): F Major (Howe). Standard tuning (fiddle). One part (Howe): AB (Raven): AABB (Kerr, Sweet). The tune to a song by playwright and politician Richard Brinsley Sheridan (1751-1816), for his comedy '''The School for Scandal''' (1780). It begins: | ||
<blockquote> | <blockquote> | ||
''Here's to the maiden of bashful fifteen;''<br> | ''Here's to the maiden of bashful fifteen;''<br> | ||
| Line 18: | Line 18: | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Howe ('''1000 Jigs and Reels'''), c. 1867; p. 156. Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 403, p. 44. J. Kenyon Lees ('''Balmoral Reel Book'''), Glasgow, 1910; p. 30. Raven ('''English Country Dance Tunes'''), 1984; p. 121. Sweet ('''Fifer's Delight'''), 1964/1981; p. 38 (includes a harmony part). | ''Printed sources'': Howe ('''1000 Jigs and Reels'''), c. 1867; p. 156. Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 403, p. 44. J. Kenyon Lees ('''Balmoral Reel Book'''), Glasgow, 1910; p. 30. Manson ('''Hamilton’s Universal Tune Book vol. 1'''), 1854; p. 102. Raven ('''English Country Dance Tunes'''), 1984; p. 121. Sweet ('''Fifer's Delight'''), 1964/1981; p. 38 (includes a harmony part). | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal>Empty Pockets Productions, Skip Healy - "Purgatory Chasm" (2000). </font> | ''Recorded sources'': <font color=teal>Empty Pockets Productions, Skip Healy - "Purgatory Chasm" (2000). </font> | ||
</font></p> | </font></p> | ||
Latest revision as of 13:23, 6 May 2019
Back to Here's to the Maiden
HERE'S TO THE MAIDEN (OF BASHFUL FIFTEEN). AKA and see "General Toast (The)." English, Scottish; Country Dance Tune (6/8 time). D Major (Raven): G Major (Kerr, Lees, Sweet): F Major (Howe). Standard tuning (fiddle). One part (Howe): AB (Raven): AABB (Kerr, Sweet). The tune to a song by playwright and politician Richard Brinsley Sheridan (1751-1816), for his comedy The School for Scandal (1780). It begins:
Here's to the maiden of bashful fifteen;
Here's to the widow of fifty;
Here's to the flaunting extravagant quean,
And here's to the housewife that's thrifty.
Cho.:
Let the toast pass,--
Drink to the lass,
I'll warrant she'll prove an excuse for the glass. (x2)
The melody frequently appears in fife and drum repertoire.
Source for notated version:
Printed sources: Howe (1000 Jigs and Reels), c. 1867; p. 156. Kerr (Merry Melodies, vol. 3), c. 1880's; No. 403, p. 44. J. Kenyon Lees (Balmoral Reel Book), Glasgow, 1910; p. 30. Manson (Hamilton’s Universal Tune Book vol. 1), 1854; p. 102. Raven (English Country Dance Tunes), 1984; p. 121. Sweet (Fifer's Delight), 1964/1981; p. 38 (includes a harmony part).
Recorded sources: Empty Pockets Productions, Skip Healy - "Purgatory Chasm" (2000).