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'''PREACHER'S FAVORITE'''. AKA - "[[Ladies Fancy (4)]]." Old-Time, Breakdown. D Major. ADae tuning (fiddle). AABBCD. The tune is a member of the "[[Rye Straw (1)]]" tune family, widely disseminated in the South and Mid-West. As musicologist Alan Jabbour points out (in notes to Henry Reed's "Rye Straw" at the Library of Congress [https://www.loc.gov/item/afcreed000170/]), the tune family is "characterized by an oscillation between keys, usually A and D, so that one is often uncertain which key is the true tonal center."
'''PREACHER'S FAVORITE'''. AKA - "[[Ladies Fancy (4)]]." Old-Time, Breakdown. D Major. ADae tuning (fiddle). AABBCD. The tune is a member of the "[[Rye Straw (1)]]" tune family, widely disseminated in the South and Mid-West. As musicologist Alan Jabbour points out (in notes to Virginia fiddler Henry Reed's "Rye Straw" at the Library of Congress [https://www.loc.gov/item/afcreed000170/]), the tune family is "characterized by an oscillation between keys, usually A and D, so that one is often uncertain which key is the true tonal center."
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''Source for notated version'': Jim Davidson (Lincoln County, Oklahoma) [Thede].  
''Source for notated version'': Jim Davidson (Lincoln County, Oklahoma) [Thede].  
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''Printed sources'': Thede ('''The Fiddle Book'''), 1967; p. 98.
''Printed sources'': Thede ('''The Fiddle Book'''), 1967; p. 98.
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 14:35, 6 May 2019

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PREACHER'S FAVORITE. AKA - "Ladies Fancy (4)." Old-Time, Breakdown. D Major. ADae tuning (fiddle). AABBCD. The tune is a member of the "Rye Straw (1)" tune family, widely disseminated in the South and Mid-West. As musicologist Alan Jabbour points out (in notes to Virginia fiddler Henry Reed's "Rye Straw" at the Library of Congress [1]), the tune family is "characterized by an oscillation between keys, usually A and D, so that one is often uncertain which key is the true tonal center."

Source for notated version: Jim Davidson (Lincoln County, Oklahoma) [Thede].

Printed sources: Thede (The Fiddle Book), 1967; p. 98.

Recorded sources:




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