Annotation:Down the Burn Davie Lad (1): Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''DOWN THE BURN, DAVIE LAD [1]'''. AKA and see "By the Brookside". ...") |
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{{TuneAnnotation | |||
|f_annotation='''DOWN THE BURN, DAVIE LAD [1]'''. AKA and see "[[By the Brookside]]". Scottish, Slow Air (whole time). D Major. Standard tuning (fiddle). One part. Mulhollan (Edinburgh, 1804) notes that the version he prints is a 'New Sett', contrasting with the older air "[[Down the Burn Davie (2)]]" that first appears in William Thompson's '''Orpheus Caledonius''' (1733). Keith MacDonald's 1887 setting is a reprint of Gow, who remarks that his is a "Modern set by particular desire." See also O'Neill's Irish version as "[[By the Brookside]]." | |||
|f_printed_sources=Gow ('''Sixth Collection of Strathspey Dances'''), 1822; p. 23. MacDonald ('''The Skye Collection'''), 1887; p. 182. Mulhollan ('''Selection of Irish and Scots Tunes'''), Edinburgh, 1804; p. 27. Edward Riley ('''Riley's Flute Melodies, vol. 1'''), 1814; No. 261; p. 70. | |||
'''DOWN THE BURN, DAVIE LAD [1]'''. AKA and see "[[By the Brookside]]". Scottish, Slow Air. D Major. Standard tuning (fiddle). One part. MacDonald's setting is a reprint of Gow, who remarks that his is a "Modern set by particular desire." See also O'Neill's version as "By the Brookside." | |f_recorded_sources=Rounder 82161-7032-2, Bill Lamey - "From Cape Breton to Boston and Back: Classic House Sessions of Traditional Cape Breton Music 1956-1977" (2000). | ||
|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recordings [http://www.cbfiddle.com/rx/tune/t2544.html]. | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Down_the_Burn_Davie_Lad_(1) > | |||
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Latest revision as of 01:35, 10 March 2024
X:1 T:Down the Burn Davie [1] N:"New Sett" M:C L:1/8 Q:"Amoroso" R:Air or Strathspey B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 27) Z:AK/Fiddler's Companion K:D d>e|(f>e)(dB) (A>F)(E>D)|(F>A)(A>d) d3e|(f>e)(f>a) (A>d)(g>f)|(f2e2) z2(d>e)| (f>e)(d>B) (A>F)T(E>D)|(F>A)(A>d) d3e|!fermata!f>e(f>a) (A>d)(f>e)|(e2d2) z2f2| Te>de>f B2 zf|e>de>f B3c|!fermata!d>edB A>dg>f|(e2d2) z2 e2|f>gf>d B>c d2| g>a!fermata!g>e c>d e2|a>b!fermata!a>f d>ef>d|Ad(f>e) {e}d2 z2|F>E D2 d>e f2| G>F E2 e>f g2|AG F2 f>g!fermata!a>g|f>ef>a d>BA>F|A>df>e d3||
DOWN THE BURN, DAVIE LAD [1]. AKA and see "By the Brookside". Scottish, Slow Air (whole time). D Major. Standard tuning (fiddle). One part. Mulhollan (Edinburgh, 1804) notes that the version he prints is a 'New Sett', contrasting with the older air "Down the Burn Davie (2)" that first appears in William Thompson's Orpheus Caledonius (1733). Keith MacDonald's 1887 setting is a reprint of Gow, who remarks that his is a "Modern set by particular desire." See also O'Neill's Irish version as "By the Brookside."
