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(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''WELCOME TO THE TOWN AGAIN'''. AKA Talk:Eight men of moidert, [[Ta...")
 
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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
=='''Back to [[{{BASEPAGENAME}}]]'''==
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<p><font face="sans-serif" size="4">
'''WELCOME TO THE TOWN AGAIN'''. AKA [[Talk:Eight men of moidert]], [[Talk:I won't go a gossiping]], [[Talk:I'll gae nae mair to your town]], [[Talk:I'll gang nae mair to yon town]. English, Reel. England, Northumberland. G Major. Standard tuning. AAB.
'''WELCOME TO THE TOWN AGAIN'''. AKA and see: "[[Eight Men of Moidart (2)]]," "[[I won't go a gossiping]]," "[[I'll gae nae mair to your town]]," "[[I'll Gang Nae Mair to Yon Town]]." English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AAB. The melody appears in Northumbrian piper John Peacock's collection '''A Favorite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes Violin or Flute''' published around 1805, a collection known as '''Peacock's Tunes''' nowadays. The [http://www.asaplive.com/archive/detail.asp?id=K0100102 FARNE] site records that the title "[[I'll Gang Nae Mair to Yon Town]]" is the one most commonly employed for the reel and that many variants of the melody can be found. FARNE also concludes that the version printed by Peocock is entirely compatable with 8-note smallpipe playing and that it appears to be the basis for the Clough family variation set.
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''I'll Gang Nae Mair To Yon Toun is the most common title for this Scottish reel, of which there are many slightly different versions. This is a convincing 8-note smallpipe version, and the basis of the Clough family variation set.''
''The tune forms part of 'Peacock's Tunes' a collection originally entitled 'A Favorite Collection of Tunes with Variations adapted for the Northumberland small pipes, violin or flute' and was 'Printed by W. WRIGHT at His Music Shop, High Bridge'. John Peacock's name does not appear as editor or author, but the book includes 'A Compleat Drawing of J. Peacock's New Invented Pipe Chanter', and it is accepted that, as one of the best smallpipers of his time, Peacock is responsible for the music, or most of it. - It has been plausibly argued that Wright may have contributed some of the shorter tunes. No date appears in the book, but c. 1800-1805 is generally agreed. To read more about the rest of the collection click the link below. To read more about the collection click the link below.''[FARNE, 2003]
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Peacock ('''Peacock’s Tunes'''), c. 1805/1980; No. 2, pg. 1.
''Printed sources'': Peacock ('''Peacock’s Tunes'''), c. 1805; No. 2, p. 1.
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<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
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'''<u>[[Favorite_collection_of_tunes_with_variations_adapted_for_the_Northumberland_small_pipes_violin_or_flute| UR-TEXT]] Editorial annotation</u>''':
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<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;When the Copyist has made a choice, this has been marked with brackets "[ ]" or
parenthesis "( )".
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;For example in [[Frisky]], where there is no time signature in the original
edition, or in [[Meggy's Foot]] (8<sup>th</sup>) and [[Over the Border]] (9<sup>th</sup>)
and 11(<sup>th</sup>) where there is a rhythmic inconsistency.
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<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicedefault =  {
%%%% START PASTE AREA  %%%%
\key g \major
  \override Staff.TimeSignature #'stencil = #(lambda (grob)
  (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
      \time 2/4
      %\override Staff.TimeSignature #'stencil = ##f
      \set Staff.instrumentName = "1."
     
      \relative c'' {
      \stemDown d16^\markup{ Frisky } b g' d\bar"|"
      \stopStaff
      s4
      \startStaff
      b16^\markup{Meggy's foot} c \parenthesize d8\staccatissimo g,8\staccatissimo r8\bar"|"
     
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicedefault                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \remove "Bar_number_engraver"
          }
        }
}
</score>
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
''"his lilts, his pauses, and his variations"'' [L.Jessop], suggested to the copyist that
ornaments, dotted notes, slurs, staccatos and
graces must be left unaltered in this Urtext because they are expressions of the author.
Nevertheless, the trill signs have been subsituted with the ''inverted mordent''.
This ornament is sometimes called a ''transient shake'' because it is really only a part of the more
elaborate grace known as the "perfect trill"'.[K.W.Gehrkens]
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<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicechange =  {
%%%% START PASTE AREA  %%%%
\key c \major
      \time 4/4
      \override Staff.TimeSignature #'stencil = ##f
      \override NonMusicalPaperColumn #'line-break-permission = ##f
      %\set Staff.instrumentName = "34."
      \relative c''{
        e16.[\trill d32 e16 f]
        \stopStaff
        s1_\markup{changes to}
        \startStaff
        e16.[\prall  d32 e16 f]\bar"|"
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicechange                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \remove "Bar_number_engraver"
          }
        }
}
</score>
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<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the
following 34<sup>th</sup> measure of [[Felton Lonning]]:
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<br>
<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicemistake =  {
%%%% START PASTE AREA  %%%%
\key g \major
      \time 6/8
      \override TupletBracket #'direction = #UP
      \override Staff.TimeSignature #'stencil = ##f
      \override NonMusicalPaperColumn #'line-break-permission = ##f
      %\set Staff.instrumentName = "34."
      \relative c''{
      \once \override HorizontalBracket #'direction = #UP
      %\override NoteHead #'color = #grey
      g'16[\startGroup fis e fis g e]\stopGroup
      %\override NoteHead #'color = #black
      d16[ c b c d b]|
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicemistake                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \consists "Horizontal_bracket_engraver"
          \remove "Bar_number_engraver"
          }
        }
}
</score>
<br>
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</font></p>
----
----
[[{{BASEPAGENAME}}|Tune properties and standard notation]]
=='''Back to [[{{BASEPAGENAME}}]]'''==

Latest revision as of 14:44, 6 May 2019

Back to Welcome to the Town Again

WELCOME TO THE TOWN AGAIN. AKA and see: "Eight Men of Moidart (2)," "I won't go a gossiping," "I'll gae nae mair to your town," "I'll Gang Nae Mair to Yon Town." English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AAB. The melody appears in Northumbrian piper John Peacock's collection A Favorite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes Violin or Flute published around 1805, a collection known as Peacock's Tunes nowadays. The FARNE site records that the title "I'll Gang Nae Mair to Yon Town" is the one most commonly employed for the reel and that many variants of the melody can be found. FARNE also concludes that the version printed by Peocock is entirely compatable with 8-note smallpipe playing and that it appears to be the basis for the Clough family variation set.

Source for notated version:

Printed sources: Peacock (Peacock’s Tunes), c. 1805; No. 2, p. 1.

Recorded sources:

UR-TEXT Editorial annotation:

     When the Copyist has made a choice, this has been marked with brackets "[ ]" or parenthesis "( )".
     For example in Frisky, where there is no time signature in the original edition, or in Meggy's Foot (8th) and Over the Border (9th) and 11(th) where there is a rhythmic inconsistency.

Unable to compile LilyPond input file: 





     Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
"his lilts, his pauses, and his variations" [L.Jessop], suggested to the copyist that 
ornaments, dotted notes, slurs, staccatos and
graces must be left unaltered in this Urtext because they are expressions of the author.
Nevertheless, the trill signs have been subsituted with the inverted mordent.
This ornament is sometimes called a transient shake because it is really only a part of the more 
elaborate grace known as the "perfect trill"'.[K.W.Gehrkens]





Unable to copy the generated files to their final location:
Directory "mwstore://score-backend/score-render/3/w/3w61tj2krt8nj4rhs2eg2op9x2ki2pl" is read-only.




     Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the 
following 34th measure of Felton Lonning:





Unable to compile LilyPond input file:



line 15 - column 51:
GUILE signaled an error for the expression beginning here
--------
line 20 - column 66:
GUILE signaled an error for the expression beginning here











Back to Welcome to the Town Again


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