Annotation:Robertson's Reel: Difference between revisions
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== Additional notes == | == Additional notes == | ||
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<font color=red>''Source for notated version''</font>: - Portland contra dance musicians Christy Keevil via George Penk via Dennis Rothrock [Songer]. | <font color=red>''Source for notated version''</font>: - Portland contra dance musicians Christy Keevil via George Penk via Dennis Rothrock [Songer]. | ||
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<font color=red>''Printed sources''</font> : - Callaghan ('''Hardcore English'''), 2007; p. 47. Songer ('''Portland Collection'''), 1997; p. 168. | <font color=red>''Printed sources''</font> : - Callaghan ('''Hardcore English'''), 2007; p. 47. Songer ('''Portland Collection'''), 1997; p. 168. | ||
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See also listing at:<br> | See also listing at:<br> | ||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/r07.htm#Robre]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/r07.htm#Robre]<br> | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - Leader LED2052, “Shetland Fiddlers” (1973). Philo 1051, Boys of the Lough - "Good Friends, Good Music" (1977). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Leader LED2052, “Shetland Fiddlers” (1973). Philo 1051, Boys of the Lough - "Good Friends, Good Music" (1977). Smithsonian Folkways SFW CD 40473, Willie Taylor - "Northumberland Rant: Traditional Music from the Edge of England" (1999. Various artists). David Surette - "The Green Mandolin." </font> | ||
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Latest revision as of 19:08, 6 May 2019
X:1 % T:Robertson's Reel M:4/4 L:1/8 R:Reel K:A AB|c2 Bc e2 cB|ABAF E2 AB|c2 Bc ecAc|B6 AB| c2 Bc e2 cB|ABAF E2 AB|cBce BABe|A6:| |:cd|e2 ce a2 ga|fecd e2 cd|e2 ce a2 ga|f4 ef| a2A2A2 cB|ABAF E2 AB|cBce BABe|A6:|
ROBERTSON'S REEL. Shetland, Reel. A Major (Songer): G Major (Callaghan). Standard tuning (fiddle). AABB. Composed by the late Shetland fiddler, teacher, collector and composer biography:Tom Anderson (1910-1991).
The tune was quite popular among Portland, Oregon, contra dance musicians (who play it in the key of ‘A’) for a while. It has also gained some currency in England, where it was popularized by Northumbrian shepherds Willy Taylor, Joe Hutton and Will Atkinson (played in the key of ‘G’). Perhaps titled in honor of Scottish fiddler Arthur S. Robertson?