Lady Dillon: Difference between revisions
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abc' c'd'c'|efg gab|agf efg|c3 c3| | abc' c'd'c'|efg gab|agf efg|c3 c3| | ||
AFc AFc|dBf dBb|{b}agf (e/f/g)e|f3 f3|| | AFc AFc|dBf dBb|{b}agf (e/f/g)e|f3 f3|| | ||
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<pre> | |||
X:1 | |||
% | |||
T:Rose Dillon | |||
M:C | |||
L:1/8 | |||
R:Air | |||
C:”Carolan” | |||
Q:“Largo” | |||
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 167, p. 85) | |||
N:Clinton, a master flutist, made his setting an octave higher, to | |||
N:sit better on his instrument. | |||
Z:AK/Fiddler’s Companion | |||
K:F | |||
.f2(d>e) .f2.f2|(ag) {a}(3gfe (f>f) .f2|(g>agc) .g2.g2|.a2 (f/a/)b .b2z2| | |||
.a.c' (a/b/).c' .b.d' (b/c'/).d'|ac' (a/b/).c' (bagf)|{f}e2 dc T(d4{cd}|c2) c4 z2|| | |||
f>gab c'2c'2|(b/c'/).d' T(c'>b) b2 z2|(a>b) (a/b/).c' (bagf)|{a}.g>.f.e>.f .g2.g2| | |||
G2 f2 (ef)(ge)|(fe)(dc) {B}b3 (a/b/)|(c'bag) (f<e)(ce)|(f4 f2)z2|| | |||
.c'2 .a>.g f2 z2|(e>fd>e) c3.f|(e>fd>e) c.f.e.f|(g3a g2)z2| | |||
L:1/6 | |||
A4 T(b3a/b/) (c'a3)(bg3)|f4 T(f3e/f/) (ge3) (fF3)|c'4 T(c'3b/c'/) (dB3)(c'a3)| | |||
L:1/8 | |||
(g>fga) b2 (a<f)|(g<e)(f<d) c2 (fe|f2) (F>G) .F2z2|| | |||
</pre> | </pre> | ||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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Latest revision as of 08:32, 13 June 2019
X:1
%
T:Lady Dillon
M:C
L:1/8
R:Air
C:Carolan
B:Samuel, Anne & Peter Thompson – The Hibernian Muse
B:(London, 1787, No. 96, p. 60)
N:”A Collection of the most Favorite Compositions
N:of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:Dmin
F2 DE F2F2|AGTFE F2F2|GAGC G2G2|{B}A2 FA B4|
(A/B/c) Ac (B/c/d) Bd|AcAc BAGF|{F}E2 DC {E}D2 C=B,|C4 C4||
FGAB c2c2|d2 TcB B4|AB c2 BAGF|F2 GF E2 {A}G2|TG4 F2f2|
efge fedc|{c}TB2 AB cBAG|{F}E2 CE AGTFE|F4 F4||
c'6 (b<a) (g<f)|(f<e)(f<d) (e<c)(f<e)|(f<d)(e<c) defg|ag z a b<ga<f|
F>DE<C (b<g)(a<f)|(G<E)F<D d'<bc'<a|(B<G)(A<F) (g<e)(f<d)|c2Te2 f4||
M:6/8
L:1/8
cdc cAF|{e}f3 e2d|cdc cAF|B3 TA2G|
(A/B/c) cdc|{a}b3 a2g|gag gec|f3 f3|
abc' c'd'c'|efg gab|agf efg|c3 c3|
AFc AFc|dBf dBb|{b}agf (e/f/g)e|f3 f3||
X:1
%
T:Rose Dillon
M:C
L:1/8
R:Air
C:”Carolan”
Q:“Largo”
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 167, p. 85)
N:Clinton, a master flutist, made his setting an octave higher, to
N:sit better on his instrument.
Z:AK/Fiddler’s Companion
K:F
.f2(d>e) .f2.f2|(ag) {a}(3gfe (f>f) .f2|(g>agc) .g2.g2|.a2 (f/a/)b .b2z2|
.a.c' (a/b/).c' .b.d' (b/c'/).d'|ac' (a/b/).c' (bagf)|{f}e2 dc T(d4{cd}|c2) c4 z2||
f>gab c'2c'2|(b/c'/).d' T(c'>b) b2 z2|(a>b) (a/b/).c' (bagf)|{a}.g>.f.e>.f .g2.g2|
G2 f2 (ef)(ge)|(fe)(dc) {B}b3 (a/b/)|(c'bag) (f<e)(ce)|(f4 f2)z2||
.c'2 .a>.g f2 z2|(e>fd>e) c3.f|(e>fd>e) c.f.e.f|(g3a g2)z2|
L:1/6
A4 T(b3a/b/) (c'a3)(bg3)|f4 T(f3e/f/) (ge3) (fF3)|c'4 T(c'3b/c'/) (dB3)(c'a3)|
L:1/8
(g>fga) b2 (a<f)|(g<e)(f<d) c2 (fe|f2) (F>G) .F2z2||