Annotation:Rye Waltz: Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| (3 intermediate revisions by one other user not shown) | |||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''RYE WALTZ.''' American, Schottische-Waltz. USA; Washington, Arizona, Michigan, New York, New England, Ohio, West Virginia. D Major (Ford, Ruth): G Major (Johnson). Standard tuning (fiddle). AB. | '''RYE WALTZ.''' American, Canadian; Schottische-Waltz. USA; Washington, Arizona, Michigan, New York, New England, Ohio, West Virginia. Canada, Nova Scotia. D Major (Ford, Ruth): G Major (Johnson). Standard tuning (fiddle). AB. "Rye Waltz" is a version of the air "[[Comin' Thro' the Rye (1)]]," the dance for which (the "Rye Waltz") combines a waltz step with a schottische step (Linscott, 1939), and is particularly associated with the American Mid-west and West, although it has wide dissemination. The tune is the one Arizona fiddler Kenner C. Kartchner described as the first part in 2/4 time and the second sixteen bars in waltz time. "Rye Waltz" dates to the 1890's, although the dance's hey-day was in the early 20th century, and it was a staple for early 20th century dance musicians. It survived in tradition through the 20th century; during the latter years of which it was played by at least one old-time fiddler for a dance in Champion, western New York state, according to fiddler Chad Miller, although he only knew of one other fiddler who played the tune in that region. Musicologist Paul Gifford remarks that it is still well-known by old-time square dancers in Michigan, and Peter Yarensky reported that it was still performed occasionally in New Hampshire. Similarly, old-time music historian Kerry Blech says it was known among older informants in Ohio and West Virginia. The dance and tune also had currency in the 20th century in Nova Scotia. | ||
<br> | <br> | ||
</div> | </div> | ||
| Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Ford ('''Traditional Music in America'''), 1940; p. 137. Johnson ('''The Kitchen Musician's No. 7: Michigan Tunes, vol. 7'''), 1986-87; p. 8. Ruth ('''Pioneer Western Folk Tunes'''), 1948; No. 31, p. 12. Shaw ('''Cowboy Dances'''), 1943; p. 394. | <font color=red>''Printed sources''</font> : - Ford ('''Traditional Music in America'''), 1940; p. 137. Johnson ('''The Kitchen Musician's No. 7: Michigan Tunes, vol. 7'''), 1986-87; p. 8. Ruth ('''Pioneer Western Folk Tunes'''), 1948; No. 31, p. 12. Shaw ('''Cowboy Dances'''), 1943; p. 394. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - Folkways FW8827, Arbuckle, Mikkelson & Clifton - "Old Time Couple Dances" (1961). Victor Vi 23619 (78 RPM), White Mountain Orchestra (New Mexico?) –“Maxwell's Old Rye Waltz.” </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Folkways FW8827, Arbuckle, Mikkelson & Clifton - "Old Time Couple Dances" (1961). Victor Vi 23619 (78 RPM), White Mountain Orchestra (New Mexico?) –“Maxwell's Old Rye Waltz.” </font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
See also listing at:<br> | See also listing at:<br> | ||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/r11.htm#Ryewa]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/r11.htm#Ryewa]<br> | ||
Read more about the dance at the Capering and Kickery site [http://www.kickery.com/2009/01/rye-waltz.html]<br> | |||
</font></p> | </font></p> | ||
<br> | <br> | ||
Latest revision as of 21:00, 6 May 2019
X:1 % T:Rye Waltz, The M:2/4 L:1/8 B:Ford - Traditional Music in America (1940, p. 137) Z:AK/Fiddler's Companion K:D A>A A<f|e>d e<f|A<A B>A|d3z|A>A a>f|e>d e<f|A>A B>A|d3z|| M:3/4 L:1/8 (a4f2)|(d4f2)|(e4d2)|(e4f2)|(a4f2)|(g4 a2)|(b6|b4)b2| a4f2|(g4e2)|f4d2|(e4f2)|A4 A2|(B4A2)|(d6|d4)z2||
RYE WALTZ. American, Canadian; Schottische-Waltz. USA; Washington, Arizona, Michigan, New York, New England, Ohio, West Virginia. Canada, Nova Scotia. D Major (Ford, Ruth): G Major (Johnson). Standard tuning (fiddle). AB. "Rye Waltz" is a version of the air "Comin' Thro' the Rye (1)," the dance for which (the "Rye Waltz") combines a waltz step with a schottische step (Linscott, 1939), and is particularly associated with the American Mid-west and West, although it has wide dissemination. The tune is the one Arizona fiddler Kenner C. Kartchner described as the first part in 2/4 time and the second sixteen bars in waltz time. "Rye Waltz" dates to the 1890's, although the dance's hey-day was in the early 20th century, and it was a staple for early 20th century dance musicians. It survived in tradition through the 20th century; during the latter years of which it was played by at least one old-time fiddler for a dance in Champion, western New York state, according to fiddler Chad Miller, although he only knew of one other fiddler who played the tune in that region. Musicologist Paul Gifford remarks that it is still well-known by old-time square dancers in Michigan, and Peter Yarensky reported that it was still performed occasionally in New Hampshire. Similarly, old-time music historian Kerry Blech says it was known among older informants in Ohio and West Virginia. The dance and tune also had currency in the 20th century in Nova Scotia.