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'''EARL'S CHAIR, THE''' (Cathaoir an Iarla). Irish, Reel. D Major {Mallinson, Taylor}: B Minor ('A' part) & D Major ('B' part) {Songer}. Standard tuning (fiddle). AABB (Breathnach, Harker/Rafferty, Mallinson, Miller & Perron, Taylor): AA'BB' (O'Malley, Songer). The chordal backing to the tune is more complicated than most, and there are discrepancies between those who hear it in B minor and those who hear it in D major (the beginning chord can be a G major chord as well as a B minor or even E minor). The melody actually resolves to D Major in both parts, though the accompaniment in the 'A' part starts on either a G Major or B Minor chord and the 'B' part starts either on E Minor or A Major. Historian and concertina player Gearoid Ó hAllmhuráin relates that the tune's origins lie with an East Galway flute player by the name of Pakie Moloney (who was an uncle of Galway-born New Jersey flute player Mike Rafferty). Moloney is said to have composed "The Earls Chair" while sitting on a large rock in the Derrycrag Wood, East Galway. Since he was mid-way between the townlands of Derryoober East and Derryoober West at the time he originally entitled the piece "Down between the two Derryoobers," although he fortunately rethought this later and changed the name to the name of the rock, "The Earl's Chair." That formation is named after the Earl of Clanrickard who reportedly rested there during his hunts (Clanrickard territories comprised much of south Galway, from Oranmore East to Portumna). Joe Burke has said the tune was popularised by fiddler P.J. Hayes and the Tulla Ceili Band, who had the tune from accordion player Joe Cooley. Bronx flute player Jack Coen, originally from Woodford, East Galway, learned it from local flute players back home who told him it was composed by another local flute player named Pato Maloney. Philippe Varlet suggests that fiddle player Aggie Whyte was instrumental in disseminating the tune. 
|f_annotation='''EARL'S CHAIR, THE''' (Cathaoir an Iarla). Irish, Reel. D Major {Mallinson, Taylor}: B Minor ('A' part) & D Major ('B' part) {Songer}. Standard tuning (fiddle). AABB (Breathnach, Harker/Rafferty, Mallinson, Miller & Perron, Taylor): AA'BB' (O'Malley, Songer). The chordal backing to the tune is more complicated than most, and there are discrepancies between those who hear it in B minor and those who hear it in D major (the beginning chord can be a G major chord as well as a B minor or even E minor). The melody actually resolves to D Major in both parts, though the accompaniment in the 'A' part starts on either a G Major or B Minor chord and the 'B' part starts either on E Minor or A Major.  
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Historian and concertina player Gearoid Ó hAllmhuráin relates that the tune's origins lie with an East Galway flute player by the name of Pakie Moloney (who was an uncle of Galway-born New Jersey flute player Mike Rafferty). Moloney is said to have composed "The Earls Chair" while sitting on a large rock in the Derrycrag Wood, East Galway. Since he was mid-way between the townlands of Derryoober East and Derryoober West at the time he originally entitled the piece "Down between the two Derryoobers," although he fortunately rethought this at a later time and changed the title to the name of the rock, "The Earl's Chair." That formation is named after the Earl of Clanrickard<ref>Clanrickard territories comprised much of south Galway, from Oranmore East to Portumna.</ref> who owned the hunting rights of the area and used the rock as a resting place there during his hunts, the rock being big enough for the entire hunting party to have lunch on it.
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''Source for notated version'': flute player Éamonn de Stabaltún (Ireland) [Breathnach]; a recording by Chris Droney [O'Malley]; a 1959 recording of east Clare fiddlers Paddy Canny and P.J. Hayes [Miller & Perron]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926, who's maternal uncle is the tune's composer, Pa(c)kie Moloney [Harker].  
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Accordion player Joe Burke has said the tune was popularized by fiddler P.J. Hayes and the Tulla Ceili Band, who had the tune from accordion player Joe Cooley. Bronx flute player Jack Coen, originally from Woodford, East Galway, learned it from local flute players back home who told him it was composed by another local flute player named Pato (Pakie) Maloney. Philippe Varlet suggests that fiddle player Aggie Whyte was instrumental in disseminating the tune. 
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|f_source_for_notated_version=flute player Éamonn de Stabaltún (Ireland) [Breathnach]; a recording by Chris Droney [O'Malley]; a 1959 recording of east Clare fiddlers Paddy Canny and P.J. Hayes [Miller & Perron]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926, who's maternal uncle is the tune's composer, Pa(c)kie Moloney [Harker].
''Printed sources'': Breathnach ('''CRÉ I'''), 1963; No. 142, p. 57. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 61, p. 19. Mallinson ('''100 Essential'''), 1995; No. 6, pg. 3. Miller & Perron ('''Irish Tradtional Fiddle Music'''), 1977; vol. 2, No. 28. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 67. O'Malley ('''Luke O'Malley's Collection of Irish Music''', vol. 1), 1976; No. 45, p. 23. Songer ('''Portland Collection'''), 1997; p. 69. Taylor ('''Through the Half-door'''), 1992; No. 14, p. 11.  
|f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. I'''), 1963; No. 142, p. 57. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 61, p. 19. Mallinson ('''100 Essential'''), 1995; No. 6, p. 3. Miller & Perron ('''Irish Tradtional Fiddle Music vol. 2'''), 1977; No. 28. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 67. O'Malley ('''Luke O'Malley's Collection of Irish Music''', vol. 1), 1976; No. 45, p. 23. Songer ('''Portland Collection'''), 1997; p. 69. Taylor ('''Through the Half-door'''), 1992; No. 14, p. 11.  
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|f_recorded_sources=Coleman Music Center CHC 009, fiddler P. Fitzpatrick & flutist Desmond Higgins - "The Coleman Archive, vol. 2: The Home Place" (2005. Various artists). Green Linnett SIF1071, "Patrick Street." Green Linnet GLCD 3009, Kevin Burke - "If the Cap Fits" (1978). Harp 10, Paddy Canny & P.J. Hayes - "All Ireland Champions - Violin" (1959. Various artists). Shaskeen - "The Joys of Life". Shaskeen - "Shaskeen Live."
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|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/e01.htm#Earch]<br>
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''Recorded sources'': <font color=teal>Coleman Music Center CHC 009, fiddler P. Fitzpatrick & flutist Desmond Higgins - "The Coleman Archive, vol. 2: The Home Place" (2005. Various artists). Green Linnett SIF1071, "Patrick Street." Green Linnet GLCD 3009, Kevin Burke - "If the Cap Fits" (1978). Harp 10, Paddy Canny & P.J. Hayes - "All Ireland Champions - Violin" (1959. Various artists). Shaskeen - "The Joys of Life". Shaskeen - "Shaskeen Live."</font>
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See also listings at:<br>
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/e01.htm#Earch]<br>
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/566/]<br>
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/566/]<br>
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See Gearóid Ó hAllmhuráin's article "To each tune its place", '''Treoir''', vol. 31, No. 4, 1999, p. 8[https://www.yumpu.com/en/document/read/50826816/r-comhaltas-archive]
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Latest revision as of 01:21, 11 January 2025



{{#seo: |type=article |author=https://www.tunearch.org/wiki/User:Andrew |published_time=2025-01-11 |description=The Internet Archive of traditional Irish, Scottish, British and North American tunes with annotations and free sheet music in pdf |keywords=fiddle tune finder, find recordings, irish traditional music, tune name finder, tunes in abc format, english country dance, old-time music |image=TUC-160x120.png |image_alt=tune name finder }} __NOABC__


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EARL'S CHAIR, THE (Cathaoir an Iarla). Irish, Reel. D Major {Mallinson, Taylor}: B Minor ('A' part) & D Major ('B' part) {Songer}. Standard tuning (fiddle). AABB (Breathnach, Harker/Rafferty, Mallinson, Miller & Perron, Taylor): AA'BB' (O'Malley, Songer). The chordal backing to the tune is more complicated than most, and there are discrepancies between those who hear it in B minor and those who hear it in D major (the beginning chord can be a G major chord as well as a B minor or even E minor). The melody actually resolves to D Major in both parts, though the accompaniment in the 'A' part starts on either a G Major or B Minor chord and the 'B' part starts either on E Minor or A Major.

Historian and concertina player Gearoid Ó hAllmhuráin relates that the tune's origins lie with an East Galway flute player by the name of Pakie Moloney (who was an uncle of Galway-born New Jersey flute player Mike Rafferty). Moloney is said to have composed "The Earls Chair" while sitting on a large rock in the Derrycrag Wood, East Galway. Since he was mid-way between the townlands of Derryoober East and Derryoober West at the time he originally entitled the piece "Down between the two Derryoobers," although he fortunately rethought this at a later time and changed the title to the name of the rock, "The Earl's Chair." That formation is named after the Earl of Clanrickard[1] who owned the hunting rights of the area and used the rock as a resting place there during his hunts, the rock being big enough for the entire hunting party to have lunch on it.

Accordion player Joe Burke has said the tune was popularized by fiddler P.J. Hayes and the Tulla Ceili Band, who had the tune from accordion player Joe Cooley. Bronx flute player Jack Coen, originally from Woodford, East Galway, learned it from local flute players back home who told him it was composed by another local flute player named Pato (Pakie) Maloney. Philippe Varlet suggests that fiddle player Aggie Whyte was instrumental in disseminating the tune.

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Additional notes {{safesubst:#invoke:string|rep|
|1}} Source for notated version : - flute player Éamonn de Stabaltún (Ireland) [Breathnach]; a recording by Chris Droney [O'Malley]; a 1959 recording of east Clare fiddlers Paddy Canny and P.J. Hayes [Miller & Perron]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926, who's maternal uncle is the tune's composer, Pa(c)kie Moloney [Harker]. {{safesubst:#invoke:string|rep|
|2}} Printed sources : - Breathnach (Ceol Rince na hÉireann vol. I), 1963; No. 142, p. 57. Harker (300 Tunes from Mike Rafferty), 2005; No. 61, p. 19. Mallinson (100 Essential), 1995; No. 6, p. 3. Miller & Perron (Irish Tradtional Fiddle Music vol. 2), 1977; No. 28. Miller & Perron (Irish Traditional Fiddle Music), 2nd Edition, 2006; p. 67. O'Malley (Luke O'Malley's Collection of Irish Music, vol. 1), 1976; No. 45, p. 23. Songer (Portland Collection), 1997; p. 69. Taylor (Through the Half-door), 1992; No. 14, p. 11. {{safesubst:#invoke:string|rep|
|2}} Recorded sources : - Coleman Music Center CHC 009, fiddler P. Fitzpatrick & flutist Desmond Higgins - "The Coleman Archive, vol. 2: The Home Place" (2005. Various artists). Green Linnett SIF1071, "Patrick Street." Green Linnet GLCD 3009, Kevin Burke - "If the Cap Fits" (1978). Harp 10, Paddy Canny & P.J. Hayes - "All Ireland Champions - Violin" (1959. Various artists). Shaskeen - "The Joys of Life". Shaskeen - "Shaskeen Live." {{safesubst:#invoke:string|rep|
|2}} See also listing at : {{safesubst:#invoke:string|rep|
|1}} Jane Keefer's Folk Music Index: An Index to Recorded Sources [1]
Alan Ng's Irishtune.info [2]
See Gearóid Ó hAllmhuráin's article "To each tune its place", Treoir, vol. 31, No. 4, 1999, p. 8[3]
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  1. Clanrickard territories comprised much of south Galway, from Oranmore East to Portumna.