|f_annotation='''MARY'S RETURN.''' AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB. A version of the first strain can also be found in Elias Howe's "[[Flynn's Jig]]" (the second strains differ).
'''MARY'S RETURN.''' AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB.
|f_source_for_notated_version="O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes. [[File:JamesONeill.jpg|200px|thumb|left|James O'Neill]]
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|f_printed_sources=O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 23, p. 4.
''Source for notated version'': "O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes.
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''Printed sources'': O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 23, p. 4.
MARY'S RETURN. AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB. A version of the first strain can also be found in Elias Howe's "Flynn's Jig" (the second strains differ).
Additional notes
Source for notated version : - "O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes.
Printed sources : - O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 23, p. 4.