Annotation:Young May Moon (1) (The): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Young_May_Moon_(1)_(The) > | |||
'''YOUNG MAY MOON, THE.''' AKA and see "[[Dandy O (2) (The)]]," "[[Gallant Tipperary]]," "[[Gallant Tippeary Boys (The)]]," "[[New May Moon]]," "[[Old Figary O']]." English, Jig and Morris Dance Tune; Scottish, Jig. England, North West, Dorset. Scotland, Low Lands. D Major (Raven, Trim, Wade): C Major (Carlin, Kerr, Williamson). Standard tuning (fiddle). AB (Raven): AAB (Williamson): ABB (Wade): AABB (Kerr, Trim): AA'BB (Carlin). According to Robin Williamson, the tune was popular in the 19th century as a jig for country dances in South Scotland. The tune is in use as accompaniment for a single step dance in the North West (England) morris dance tradition, and (as "[[New May Moon]]") appears in a Yorkshire MS collection of the mid-19th century. It appears in a number of English and Scottish musicians' music manuscripts and printed collections of the early 19th century, including '''Davie's Caledonian Repository for Violin''' (1816), Glazier, Masters & Co. '''A Complete Preceptor for the Clarionet''' (c. 1828), and Z.T. Purday's '''Royal Keyed Bugle Tutor''' (c. 1830). However, the | |f_annotation='''YOUNG MAY MOON [1], THE.''' AKA and see "[[Dandy O (2) (The)]]," "[[Gallant Tipperary]]," "[[Gallant Tippeary Boys (The)]]," "[[New May Moon]]," "[[Old Figary O']]." English, Jig and Morris Dance Tune; Scottish, Jig. England, North West, Dorset. Scotland, Low Lands. D Major (Barber, Raven, Trim, Wade): C Major (Carlin, Kerr, Robbins, Williamson). Standard tuning (fiddle). AB (Raven): AAB (Williamson): ABB (Wade): AABB (Barber, Kerr, Robbins, Trim): AA'BB (Carlin). According to Robin Williamson, the tune was popular in the 19th century as a jig for country dances in South Scotland. The tune is in use as accompaniment for a single step dance in the North West (England) morris dance tradition, and (as "[[New May Moon]]") appears in a Yorkshire MS collection of the mid-19th century as well as the Hardy family mss. (Dorset) and Welch ms. It appears in a number of English and Scottish musicians' music manuscripts and printed collections of the early 19th century, including '''Davie's Caledonian Repository for Violin''' (1816), Glazier, Masters & Co. '''A Complete Preceptor for the Clarionet''' (c. 1828), and Z.T. Purday's '''Royal Keyed Bugle Tutor''' (c. 1830). However, the earliest appearance of the melody was printed as “[[Irish Air from Robin Hood]]” in Thompson’s '''Hibernian Muse''' of 1786 (No. 38). | ||
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The title "Young May Moon" comes from a song set to the tune by | The title "Young May Moon" comes from a song set to the tune by [[wikipedia:Thomas_Moore]] (1779–1852) and published in his '''Irish Melodies'''; specified to be played to the air of "[[Dandy O (2) (The)]]." It begins: | ||
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''The young May moon is beaming, love,''<br> | ''The young May moon is beaming, love,''<br> | ||
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''Is to steal a few hours from the night, my dear!''<br> | ''Is to steal a few hours from the night, my dear!''<br> | ||
</blockquote> | </blockquote> | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Barber ('''Nick Barber's English Choice'''), 2002; No. 23, p. 14. Carlin ('''Master Collection'''), 1984; No. 50, p. 38. Frank Harding ('''Harding’s Original Collection'''), 1897; No. 135, p. 43. Kerr ('''Merry Melodies, vol. 2'''); No. 260, p. 28. Raven ('''English Country Dance Tunes'''), 1984; p. 118. Robbins Music Corp. ('''The Robbins collection of 200 jigs, reels and country dances'''), New York, 1933; No. 27, p. 9. Trim ('''The Musical Heritage of Thomas Hardy'''), 1990; No. 48. Wade ('''Mally’s North West Morris Book'''), 1988; p. 5. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 20. | |||
'' | |f_recorded_sources=DMPCD0203, Nick & Mary Barber with Huw Jones - "Bonnie Kate." | ||
|f_see_also_listing= | |||
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Latest revision as of 01:39, 17 November 2022
X:1 T:Young May Moon [1] M:6/8 L:1/8 K:D A | d2d d2A | B2A A2A | d2d ede | f2d def | g2g f2f | efd cBA | BAG FGA | B2A A2 || B/c/ | d2A d2A | B2A A2A | d2d efg | f2d def | g2g f2f | efd cBA | BAG FGA | B2A A2 ||
YOUNG MAY MOON [1], THE. AKA and see "Dandy O (2) (The)," "Gallant Tipperary," "Gallant Tippeary Boys (The)," "New May Moon," "Old Figary O'." English, Jig and Morris Dance Tune; Scottish, Jig. England, North West, Dorset. Scotland, Low Lands. D Major (Barber, Raven, Trim, Wade): C Major (Carlin, Kerr, Robbins, Williamson). Standard tuning (fiddle). AB (Raven): AAB (Williamson): ABB (Wade): AABB (Barber, Kerr, Robbins, Trim): AA'BB (Carlin). According to Robin Williamson, the tune was popular in the 19th century as a jig for country dances in South Scotland. The tune is in use as accompaniment for a single step dance in the North West (England) morris dance tradition, and (as "New May Moon") appears in a Yorkshire MS collection of the mid-19th century as well as the Hardy family mss. (Dorset) and Welch ms. It appears in a number of English and Scottish musicians' music manuscripts and printed collections of the early 19th century, including Davie's Caledonian Repository for Violin (1816), Glazier, Masters & Co. A Complete Preceptor for the Clarionet (c. 1828), and Z.T. Purday's Royal Keyed Bugle Tutor (c. 1830). However, the earliest appearance of the melody was printed as “Irish Air from Robin Hood” in Thompson’s Hibernian Muse of 1786 (No. 38).
The tune was employed as the regimental march-past of the 22nd (Cheshire) Regiment of the British army until 1881 (after which “Wha Wadnae Fecht for Charlie” was adopted (Murray, Music of the Scottish Regiments, 1994, p. 207).
The title "Young May Moon" comes from a song set to the tune by wikipedia:Thomas_Moore (1779–1852) and published in his Irish Melodies; specified to be played to the air of "Dandy O (2) (The)." It begins:
The young May moon is beaming, love,
The glow-worm's lamp is gleaming, love;
How sweet to rove
Through Morna's grove,
When the drowsy world is dreaming, love!
5 Then awake!—the heavens look bright, my dear,
'Tis never too late for delight, my dear;
And the best of all ways
To lengthen our days
Is to steal a few hours from the night, my dear!
