Annotation:Turner's Hornpipe: Difference between revisions
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{{TuneAnnotation | |||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Turner's_Hornpipe > | |||
|f_annotation='''TURNER'S HORNPIPE.''' AKA and see "[[Fair Maidens_(1)_(The)]]," "[[Rival Hornpipe]]," "[[Rival Reel]]." American, Hornpipe (2/4 time). G Major. Standard tuning (fiddle). AABB. The melody was later printed in '''Ryan's Mammoth Collection'''(1883) as "[[Rival Hornpipe]]" and as "[[Fair Maidens (1) (The)]]" by Francis O'Neill. Boston music publisher Elias Howe printed "[[Turner's Reel]]" in his '''Musician's Omnibus Nos. 6 & 7''' (1880-1882), and, while there is no musical relationship between the two tunes, it may be that the title refers to a Turner who was a bandleader or soloist in the Boston area active in the mid-19th century. | |||
---- | |f_source_for_notated_version= | ||
|f_printed_sources=Oliver Ditson ('''The Boston Collection of Instrumental Music'''), c. 1850; p. 61. | |||
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|f_see_also_listing= | |||
}} | |||
'''TURNER'S HORNPIPE.''' AKA and see "[[Rival Hornpipe]]," "[[Rival Reel]]." American, Hornpipe (2/4 time). G Major. Standard tuning (fiddle). AABB. The melody was later printed in '''Ryan's Mammoth Collection''' as "[[Rival Hornpipe]] | |||
Latest revision as of 23:56, 13 January 2024
X:1 T:Turner's Hornpipe M:2/4 L:1/8 B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 61) Z:AK/Fiddler’s Companion K:G D|G/D/G/B/ d/G/B/d/|g/f/e/d/ c/B/A/G/|A/B/c/d/ e/c/A/G/|G/F/A/F/ DE/F/| G/D/G/B/ d/c/B/d/|g/f/e/d/ c/B/A/G/|A/B/c/d/ e/c/A/F/|GGG:| |:F/G/|A/D/F/D/ A/D/F/D/|c/D/B/D/ AG/A/|B/D/G/D/ B/D/G/D/|d/D/c/D/ BD| G/D/G/B/ d/G/B/d/|g/f/e/d/ c/B/A/G/|A/B/c/d/ e/c/A/F/|GGG:|]
TURNER'S HORNPIPE. AKA and see "Fair Maidens_(1)_(The)," "Rival Hornpipe," "Rival Reel." American, Hornpipe (2/4 time). G Major. Standard tuning (fiddle). AABB. The melody was later printed in Ryan's Mammoth Collection(1883) as "Rival Hornpipe" and as "Fair Maidens (1) (The)" by Francis O'Neill. Boston music publisher Elias Howe printed "Turner's Reel" in his Musician's Omnibus Nos. 6 & 7 (1880-1882), and, while there is no musical relationship between the two tunes, it may be that the title refers to a Turner who was a bandleader or soloist in the Boston area active in the mid-19th century.
