Annotation:Bride is a Boanie Ting (Da): Difference between revisions
m (Text replacement - "<p><font face="sans-serif" size="2">" to "<p><font face="sans-serif" size="3">") |
Alan Snyder (talk | contribs) m (fix citation) |
||
(2 intermediate revisions by 2 users not shown) | |||
Line 8: | Line 8: | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<div style="text-align: justify | <div style="text-align: justify;"> | ||
<br> | <br> | ||
'''BRIDE IS A BOANIE TING, DA.''' AKA "Bride is a Bonny Thing (The)." Scotland, Slow Air (6/8 time). G Major (Shuldham-Shaw): A Major (Anderson & Swing). Standard or AEae tuning (fiddle). Pat Shuldham-Shaw says this tune is another example of a Bride's March (i.e. a processional tune from the Kirk after the wedding nuptials). "The repetition of a short motif in the second parts of both these tunes is very typical." The tune may be a derivative of the Scottish "[[Bride's a Bonnie Thing (The)]]," printed in the 1atter 18th century by the Thompsons in London, and Oswald, Bremner and the Gows in Edinburgh. The tunes are different but have some similarities in the second strain. | '''BRIDE IS A BOANIE TING, DA.''' AKA "Bride is a Bonny Thing (The)." Scotland, Slow Air (6/8 time). G Major (Shuldham-Shaw): A Major (Anderson & Swing). Standard or AEae tuning (fiddle). Pat Shuldham-Shaw says this tune is another example of a Bride's March (i.e. a processional tune from the Kirk after the wedding nuptials). "The repetition of a short motif in the second parts of both these tunes is very typical." The tune may be a derivative of the Scottish "[[Bride's a Bonnie Thing (The)]]," printed in the 1atter 18th century by the Thompsons in London, and Oswald, Bremner and the Gows in Edinburgh. The tunes are different but have some similarities in the second strain. | ||
Line 22: | Line 22: | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Printed sources''</font> : - Anderson & Swing ('''Haand Me Doon da Fiddle'''), 1979. Pat Shuldham Shaw | <font color=red>''Printed sources''</font> : - Anderson & Swing ('''Haand Me Doon da Fiddle'''), 1979. Pat Shuldham Shaw, "Folk Music and Dance in Shetland", ''Journal of the English Folk Dance and Song Society'', vol. 5, no. 2, 1947; p. 80. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - | <font color=red>''Recorded sources'': </font> <font color=teal> -Park Records PRKCD90, Kathryn Tickell - Strange but True" (2006).</font> | ||
</font></p> | </font></p> | ||
<br> | <br> |
Latest revision as of 17:39, 12 November 2021
X:1 T:Bride is a Boanie Ting, Da T:Bride is a Bonny Thing, The S:John Stickle (1875-1957, Unst and Lerwick) N:Collected July, 1946, by Pat Shaw from the playing N:of Stickle at Baltasound, Unst. M:3/4 L:1/8 Q:"Slow" B:Pat Shuldham Shaw - "Folk Music and Dance in Shetland" B:Journal of the English Folk Dance and Song Society, vol. V, No. 2, 1947, p. 80. Z:AK/Fiddler's Companion K:G G3G3|AFA ABc|G3G3|e^ce dBd| G3 G3|AFA ABc|dBd cBA|G3 G3:| |:def {gf}g2e|f2A ABA|d3 gdB|def {gf}gdB| def {gf}gfe|g2A ABc|dBd cBA|G3 G3:|]
BRIDE IS A BOANIE TING, DA. AKA "Bride is a Bonny Thing (The)." Scotland, Slow Air (6/8 time). G Major (Shuldham-Shaw): A Major (Anderson & Swing). Standard or AEae tuning (fiddle). Pat Shuldham-Shaw says this tune is another example of a Bride's March (i.e. a processional tune from the Kirk after the wedding nuptials). "The repetition of a short motif in the second parts of both these tunes is very typical." The tune may be a derivative of the Scottish "Bride's a Bonnie Thing (The)," printed in the 1atter 18th century by the Thompsons in London, and Oswald, Bremner and the Gows in Edinburgh. The tunes are different but have some similarities in the second strain.