Annotation:Captain MacKenzie (3): Difference between revisions
m (Text replacement - "<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">" to "<div style="text-align: justify;">") |
No edit summary |
||
| Line 1: | Line 1: | ||
---------- | |||
{{TuneAnnotation | |||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Captain_MacKenzie_(3) > | |||
|f_annotation='''CAPTAIN MACKENZIE [3].''' Scottish (?), English; Reel (cut time). A Dorian. Standard tuning (fiddle). See also "[[Captain McKenzie (2)]]/Captain McKenzie's Strathspey" which is either a version of this tune (or vice-versa) or a strathspey setting in mixolydian mode of the same tune. The second strains differ more than do the first. | |||
---- | |f_source_for_notated_version= | ||
|f_printed_sources= '''Preston's Twenty Four Country Dances for the Year 1804''', No. 514, p. 217. | |||
---- | |f_recorded_sources= | ||
|f_see_also_listing= | |||
}} | |||
'''CAPTAIN MACKENZIE [3].''' Scottish (?), English; Reel (cut time). A Dorian. Standard tuning (fiddle). See also "[[Captain McKenzie (2)]]/Captain McKenzie's Strathspey" which is either a version of this tune (or vice-versa) or a strathspey setting in mixolydian mode of the same tune. The second strains differ more than do the first. | |||
Latest revision as of 06:24, 23 May 2023
X:1 T:Captain MacKenzie’s Reel [3] M:C| L:1/8 R:Reel B:Preston’s 24 Country Dances for the Year 1804 (No. 514, p. 217) N: “With proper tunes and directions to each dance, as they are performed at N:Court, Bath and all Public Assemblies.” Z:AK/Fiddler’s Companion K:Amin E|A/A/A cB ABcd|G/G/G dc BGdB|A/A/A cB cdec|deBe cAA:|| ^g|aece cAec|gdBg BGdB|aecB cde^f|gedB cA Ae/^f/| Aece cAec|gdBg BGdB|cAdB ec^fd|g^fgd cAA||
CAPTAIN MACKENZIE [3]. Scottish (?), English; Reel (cut time). A Dorian. Standard tuning (fiddle). See also "Captain McKenzie (2)/Captain McKenzie's Strathspey" which is either a version of this tune (or vice-versa) or a strathspey setting in mixolydian mode of the same tune. The second strains differ more than do the first.
