Annotation:General Elliot's Delight: Difference between revisions

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'''GENERAL ELLIOT'S DELIGHT'''.  English, Jig. A Major. Standard tuning (fiddle). AA'BB. The melody is unique to London publisher Charles and Samuel Thompson's 1765 country dance collection. General George Augustus Elliot (c. 1718-1790) was a Roxburghshire-born career military officer renowned for his intellect, austerity, self-discipline, and his skilful handling of troops. Many of his regiments were held up as military models. He was an aide-de-camp to George II in 1759, and later defended Gibraltar from siege by the French and Spanish.  
'''GENERAL ELLIOT'S DELIGHT'''.  English, Jig. A Major. Standard tuning (fiddle). AA'BB. The melody is unique to London publisher Charles and Samuel Thompson's 1765 country dance collection. General George Augustus Elliot (c. 1718-1790) was a Roxburghshire-born career military officer renowned for his intellect, austerity, self-discipline, and his skilful handling of troops. Many of his regiments were held up as military models. He was an aide-de-camp to George II in 1759, and later defended Gibraltar from siege by the French and Spanish.  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 90.
''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 90.
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Latest revision as of 12:51, 6 May 2019

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GENERAL ELLIOT'S DELIGHT. English, Jig. A Major. Standard tuning (fiddle). AA'BB. The melody is unique to London publisher Charles and Samuel Thompson's 1765 country dance collection. General George Augustus Elliot (c. 1718-1790) was a Roxburghshire-born career military officer renowned for his intellect, austerity, self-discipline, and his skilful handling of troops. Many of his regiments were held up as military models. He was an aide-de-camp to George II in 1759, and later defended Gibraltar from siege by the French and Spanish.

Source for notated version:

Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 90.

Recorded sources:




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