Annotation:Molly My Dear: Difference between revisions

Latest revision as of 03:20, 28 November 2019

X:1 T:O! Molly Dear M:9/8 L:1/8 R:Air Q: "Mod." B:Bunting – Ancient Music of Ireland (1840, No. 118, p. 87) Z:AK/Fiddler’s Companion K:Eb (G/A/)|(.B.B.c) (A2B) (G2E)|{G}(.F.E.E) (E3E2) (G/A/)|(.B.B.c) (A2B) (G2E)| {G}(.F.E.E) (E3E2) (.e|.d.B) (c/d/) e2 (e/f/) (g2.e)-|(.d.B) {B}(A/G/) (A3 A2) (._e| .d.B) (c/d/) e2 (e/f/) g2 (.e|.d.B) {B}(A/G/) (A3 A2) (G/A/|B).B.c (A2B) (G2E)|{G}(.F.E.E) (E3 E2)||

MOLLY MY DEAR (Maire a Run). AKA - "Ó Máire Dhlis," "O! Molly Dear," "O Molly My Dear." Irish, Air (3/8 time). G Major (most versions): C Major (Holden): F Major (O'Flannagan). Standard tuning (fiddle). AB. The air was employed by Thomas Moore (1779-1852) for his song "At the Mid Hour of Night," but seems to have been based on a harp air with a faster (9/8) tempo.

O Molly my dear, I hear you're getting a man.
It would make my heart ache to see your wedding go on.
For fear of a fall, recall your senses in time,
For in spite of them all, sweet charming Molly, you're mine! ... [O'Sullivan/Bunting]

Additional notes

Source for notated version: - the index to the Irish collector Edward Bunting's 1840 collection states the tune was noted from "Patrick Quin, harper, 1800," though his MS copy (titled "If you were shaved you would make a handsome young man") gives the date "28th October 1807."

Printed sources : - Bunting (Ancient Music of Ireland), 1840; No. 118, p. 87. Clinton (Gems of Ireland: 200 Airs), 1841; No. 87, p. 44. P.M. Haverty (One Hundred Irish Airs vol. 1), 1858; No. 53, p. 22. Smollet Holden (Collection of Favourite Irish Airs), London, c. 1841; p. 29. O'Flannagan (The Hibernia Collection), 1860; p. 24. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 452, p. 79. O'Sullivan/Bunting, 1983; No. 118, pp. 167-168.

Recorded sources: -

Back to Molly My Dear

@@ Line 10: / Line 10: @@
 <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
 <br>
-'''MOLLY MY DEAR''' (Maire a Run). AKA - "Ó Máire Dhlis," "O! Molly Dear," "[[O Molly My Dear]]." Irish, Air (3/8 time). G Major (most versions): F Major (O'Flannagan). Standard tuning (fiddle). AB. The air was employed by Thomas Moore (1779-1852) for his song "At the Mid Hour of Night," but seems to have been based on a harp air with a faster (9/8) tempo.
+'''MOLLY MY DEAR''' (Maire a Run). AKA - "Ó Máire Dhlis," "O! Molly Dear," "[[O Molly My Dear]]." Irish, Air (3/8 time). G Major (most versions): C Major (Holden): F Major (O'Flannagan). Standard tuning (fiddle). AB. The air was employed by Thomas Moore (1779-1852) for his song "At the Mid Hour of Night," but seems to have been based on a harp air with a faster (9/8) tempo.
 <blockquote>
 ''O Molly my dear, I hear you're getting a man.''<br>
@@ Line 29: / Line 29: @@
 </font></p>
 <p><font face="Century Gothic" size="3">
-<font color=red>''Printed sources''</font> : - Bunting ('''Ancient Music of Ireland'''), 1840; No. 118, p. 87. Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 87, p. 44. P.M. Haverty ('''One Hundred Irish Airs vol. 1'''), 1858; No. 53, p. 22. O'Flannagan ('''The Hibernia Collection'''), 1860; p. 24. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 452, p. 79. O'Sullivan/Bunting, 1983; No. 118, pp. 167-168.
+<font color=red>''Printed sources''</font> : - Bunting ('''Ancient Music of Ireland'''), 1840; No. 118, p. 87. Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 87, p. 44. P.M. Haverty ('''One Hundred Irish Airs vol. 1'''), 1858; No. 53, p. 22.  Smollet Holden ('''Collection of Favourite Irish Airs'''), London, c. 1841; p. 29. O'Flannagan ('''The Hibernia Collection'''), 1860; p. 24. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 452, p. 79. O'Sullivan/Bunting, 1983; No. 118, pp. 167-168.
 <br>
 <br>