Annotation:Molly My Dear
X:1 T:O! Molly Dear M:9/8 L:1/8 R:Air Q: "Mod." B:Bunting – Ancient Music of Ireland (1840, No. 118, p. 87) Z:AK/Fiddler’s Companion K:Eb (G/A/)|(.B.B.c) (A2B) (G2E)|{G}(.F.E.E) (E3E2) (G/A/)|(.B.B.c) (A2B) (G2E)| {G}(.F.E.E) (E3E2) (.e|.d.B) (c/d/) e2 (e/f/) (g2.e)-|(.d.B) {B}(A/G/) (A3 A2) (._e| .d.B) (c/d/) e2 (e/f/) g2 (.e|.d.B) {B}(A/G/) (A3 A2) (G/A/|B).B.c (A2B) (G2E)|{G}(.F.E.E) (E3 E2)||
MOLLY MY DEAR (Maire a Run). AKA - "Ó Máire Dhlis," "O! Molly Dear," "O Molly My Dear." Irish, Air (3/8 time). G Major (most versions): C Major (Holden): F Major (O'Flannagan). Standard tuning (fiddle). AB. The air was employed by Thomas Moore (1779-1852) for his song "At the Mid Hour of Night," but seems to have been based on a harp air with a faster (9/8) tempo.
O Molly my dear, I hear you're getting a man.
It would make my heart ache to see your wedding go on.
For fear of a fall, recall your senses in time,
For in spite of them all, sweet charming Molly, you're mine! ... [O'Sullivan/Bunting]