Annotation:Glenbucket Castle: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''GLENBUCKET CASTLE'''. Scottish, Strathspey. C Minor. Standard tuning ...") |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
(4 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
[[{{BASEPAGENAME}} | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''GLENBUCKET CASTLE'''. Scottish, Strathspey. C Minor. Standard tuning (fiddle). AB. Composed by Alexander Walker. Glenbucket Castle [ | '''GLENBUCKET CASTLE'''. Scottish, Strathspey. C Minor. Standard tuning (fiddle). AB. Composed by Alexander Walker. Glenbucket Castle [http://en.wikipedia.org/wiki/Glenbuchat_Castle], or Glenbucket, was built in 1590 by John Gordone and Helen Carnagie on land between the Water of Bucket and the Don rivers, Aberdeenshire. It was confiscated by the crown in 1745 due to Brigadier General Gordon's involvement in the Jacobite uprising of Bonnie Prince Charlie. The castle remained a private residence until the mid-20th century, and is now managed by Historic Scotland. | ||
<br> | <br> | ||
<br> | <br> | ||
The melody was composed by Alexander Walker, born in Rhynie, Strathbogie, | The melody was composed by Aberdeenshire fiddler-composer [[biography:Alexander Walker]], born in Rhynie, Strathbogie, in 1819. Walker was an inventor (of surveying instruments, for example), agriculturalist, fiddler and composer of works collected in a volume published in Aberdeen in 1866. He was employed as a gardener for Sir Charles Forbes at Castle Newe, who was also his patron. While in Scotland he took a wife, Jean (11 years his junior), and at age 40 became father of a daughter, Maggie, followed by three sons (Charles, Alexander and George—Charles perhaps named after Sir Charles Forbes). Walker knew a young J. Scott Skinner, who was employed as a dancing master for the tenantry of the Queen’s residence at Balmoral, and co-wrote a tune with him. Walker himself played in bands for entertainments given by the Royal Family [Allan Thomas, ‘’’A New Most Excellent Dancing Master’’’, 1992 ]. | ||
<br> | <br> | ||
<br> | <br> | ||
Line 12: | Line 12: | ||
''...but the Berlin road goes past pretty good farms, and the last one (the old'' | ''...but the Berlin road goes past pretty good farms, and the last one (the old'' | ||
''toll-gate farm) became noted for its productiveness under the ownership of'' | ''toll-gate farm) became noted for its productiveness under the ownership of'' | ||
''Alexander Walker and his family, canny Scotch people from Aberdeenshire; the'' ''parents married there Aug. 6, 1856. Mr. Walker could handle the fiddle bow and'' | ''Alexander Walker and his family, canny Scotch people from Aberdeenshire; the'' | ||
''parents married there Aug. 6, 1856. Mr. Walker could handle the fiddle bow and'' | |||
''the surveyor's instruments with about equal facility; but as the lines fell to him in'' | ''the surveyor's instruments with about equal facility; but as the lines fell to him in'' | ||
''this country in prosy times and non-piping localities, the Scotch reels and'' | ''this country in prosy times and non-piping localities, the Scotch reels and'' | ||
''strathspeys, of which he was a master and even a successful composer and'' | ''strathspeys, of which he was a master and even a successful composer and'' | ||
''publisher, slumbered for the most part on the bridge of his fiddles, of which he'' ''invented and perhaps patented a prized improvement. Nevertheless, his residence'' | ''publisher, slumbered for the most part on the bridge of his fiddles, of which he'' | ||
''invented and perhaps patented a prized improvement. Nevertheless, his residence'' | |||
''at the head of the gorge, where the Fosters had lived for three generations, threw'' | ''at the head of the gorge, where the Fosters had lived for three generations, threw'' | ||
''a sort of halo of music and good cheer up and down the valley, and proved to'' | ''a sort of halo of music and good cheer up and down the valley, and proved to'' | ||
''many persons a kind of subtle attraction not only for the Pass by Mount Hopkins | ''many persons a kind of subtle attraction not only for the Pass by Mount Hopkins beyond it.'' | ||
</blockquote> | </blockquote> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Walker ('''A Collection of Strathspeys, Reels, Marches, &c.'''), 1866; No. 72, p. 25. | ''Printed sources'': Walker ('''A Collection of Strathspeys, Reels, Marches, &c.'''), 1866; No. 72, p. 25. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Line 40: | Line 42: | ||
<br> | <br> | ||
---- | ---- | ||
[[{{BASEPAGENAME}} | =='''Back to [[{{BASEPAGENAME}}]]'''== |
Latest revision as of 12:52, 6 May 2019
Back to Glenbucket Castle
GLENBUCKET CASTLE. Scottish, Strathspey. C Minor. Standard tuning (fiddle). AB. Composed by Alexander Walker. Glenbucket Castle [1], or Glenbucket, was built in 1590 by John Gordone and Helen Carnagie on land between the Water of Bucket and the Don rivers, Aberdeenshire. It was confiscated by the crown in 1745 due to Brigadier General Gordon's involvement in the Jacobite uprising of Bonnie Prince Charlie. The castle remained a private residence until the mid-20th century, and is now managed by Historic Scotland.
The melody was composed by Aberdeenshire fiddler-composer biography:Alexander Walker, born in Rhynie, Strathbogie, in 1819. Walker was an inventor (of surveying instruments, for example), agriculturalist, fiddler and composer of works collected in a volume published in Aberdeen in 1866. He was employed as a gardener for Sir Charles Forbes at Castle Newe, who was also his patron. While in Scotland he took a wife, Jean (11 years his junior), and at age 40 became father of a daughter, Maggie, followed by three sons (Charles, Alexander and George—Charles perhaps named after Sir Charles Forbes). Walker knew a young J. Scott Skinner, who was employed as a dancing master for the tenantry of the Queen’s residence at Balmoral, and co-wrote a tune with him. Walker himself played in bands for entertainments given by the Royal Family [Allan Thomas, ‘’’A New Most Excellent Dancing Master’’’, 1992 ].
After the American Civil War, probably around 1870, Walker emigrated to the United States, and settled near Williamstown, Massachusetts, where family (parents) had previously settled, and established a prosperous farm of his own. He and Jean had a daughter in America, Jeosie, born in New York in 1872. In the 1880 census for Williamstown his occupation is listed as a “surveyor and gardener,” while Jean “kept house” and “farmed”. Alexander also continued to compose music (according to Paul Cranford, who has found evidence he mailed compositions home to Aberdeenshire) although his American output is now lost. He is recorded as having helped survey areas of Williamstown in 1892 (at age 73), where it was noted that he was “a Scotch surveyor of some attainments and reputation”, and he lived to see the 20th century. This passage (from Arthur Latham Perry's Origins in Williamstown: A History, 1894, p. 28 ) is thought to refer to him:
...but the Berlin road goes past pretty good farms, and the last one (the old toll-gate farm) became noted for its productiveness under the ownership of Alexander Walker and his family, canny Scotch people from Aberdeenshire; the parents married there Aug. 6, 1856. Mr. Walker could handle the fiddle bow and the surveyor's instruments with about equal facility; but as the lines fell to him in this country in prosy times and non-piping localities, the Scotch reels and strathspeys, of which he was a master and even a successful composer and publisher, slumbered for the most part on the bridge of his fiddles, of which he invented and perhaps patented a prized improvement. Nevertheless, his residence at the head of the gorge, where the Fosters had lived for three generations, threw a sort of halo of music and good cheer up and down the valley, and proved to many persons a kind of subtle attraction not only for the Pass by Mount Hopkins beyond it.
Source for notated version:
Printed sources: Walker (A Collection of Strathspeys, Reels, Marches, &c.), 1866; No. 72, p. 25.
Recorded sources: