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{{SheetMusic
{{SheetMusic
|f_track=Rattlin Roarin Willie.mp3
|f_track=GroomsTune.mp3
|f_pdf=Ranting Roaring Willie.pdf
|f_pdf=Bonaparte Retreat.pdf
|f_artwork=Rattlin Roaring Willie.jpg
|f_artwork=GroomsPension.jpg
|f_tune_name=Rantin' Roarin' Willie
|f_tune_name=Bonaparte's Retreat
|f_track_title=Rantin'_Roarin'_Willie_(1)
|f_track_title=Bonaparte's Retreat_(1)
|f_section=abc
|f_section=abc
|f_played_by=[https://soundcloud.com/danny-mcnab-93215924 Danny Mc Nab]
|f_played_by=[https://soundcloud.com/dollyparton Dolly Parton]
|f_notes= Glen Collection of printed music: Songs of Scotland prior to Burns.
|f_notes=To this day, North Carolina mountain fiddlers will refer to Bonaparte's Retreat as "Grooms' Tune".
|f_caption=The song is a description of the adventures of a whirligig maker or wood turner in the pursuit of a runaway galloway or pony, and the ingenious way in which the names of the different localities are interwoven with the story reveal a marvelous command of the rhyming faculty.  
|f_caption=The last card in his file is from 1893. His widow was probably years obtaining a widow's pension. She had to have "deserted" cleared from his record. A notation on that last card says :{{break|2}}
|f_source=[https://soundcloud.com/danny-mcnab-93215924/rattlin-roaring-willie-bon Soundcloud]  
"''The charge of desertion against this man has been removed. It has been determined from evidence presented, that he was killed by the enemy, April 22, 1864, while absent on recruiting service in Haywood County, NC''".
|f_source=[https://soundcloud.com/dollyparton/grooms-tune-bonapartes-retreat Soundcloud]
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Rantin'_Roarin'_Willie_(1) | '''Rantin' Roarin' Willie''']]
|f_article=[[Bonaparte's Retreat_(1) | '''Bonaparte's Retreat''']]


'''Old and New Edinburgh, vol. 2''' (p. 55) gives that Burns’ poem was inspired by a member of the Crochallan Fencibles, a convivial society in Edinburgh that met at Dawney Douglas’s tavern, to which Burns was introduced in 1787. The member’s name was Wiliam Dunbar, W.S., and he was the “Colonel” of the club and a predominant wit. A different tale has it that Rattlin' Willie was a wandering fiddler famous as both a musician and as a brawler in the Jedburgh (Jeddart) area, whose "sword-hand was dreaded as much as his bowing arm was admired". He fell out with another fiddler named Robin Rool (Robin of Rule Water) after an argument over their respective musical abilities and in the fight that ensued Robin was killed. His death was avenged at the hands of two of the Elliots, who in turn slew Willie. Scott alludes to Rattlin' Roarin' Willie (described as “the jovial harper”) in his The Lay of the Last Minstrel, noting that he was a real person. Other accounts say that Willie, still a ‘rantin’, roarin’ lad, lived in the 17th century and did business in the Hawick and Langholm districts, until, having had the misfortune to murder a brother in trade who passed by the name of 'Sweet Milk', he was executed at Jedburgh. Neil (1991) quotes the following verse:
 
<blockquote>
According to Blue Ridge Mountain local history the tune was known in the Civil War era. Geoffrey Cantrell, writing in the '''Asheville Citizen-Times''' of Feb., 23, 2000 relates the story of the execution of three men by the Confederate Home Guard on April 10th, 1865, the day after Lee's surrender at Appomattox Courthouse. 
''The Lasses of Ousenam Water''<br>
 
''Are rugging and riving their hair,''<br>
That news would not have been known to them, given the difficulty with communications at that time. It is documented that Henry Grooms, his brother George and his brother-in-law Mitchell Caldwell, all of north Haywood County, North Carolina, were taken prisoner by the Guard under the command of one Captain Albert Teague-no one knows why, but the area had been ravaged by scalawags and bushwackers, and the populace had suffered numerous raids of family farms by Union troops hunting provisions.
''And a' for the sake O' Willie—''<br>
 
''They'll hear his sangs nae mair,''<br>
One theory is that the men were accused of being Confederate deserters who, perhaps knowing the war was nearly over, had aided the Union cause in some way. There was much back-and-forth guerilla warfare, however, and the village of Waynesville had been burned two months earlier (by Unionists), and the citizenry was beleaguered and anxious. Caldwell and the Grooms brothers were captured in the Big Creek section of Haywood County, close to the Tennessee border.
''Nae mair to his merry fiddle''<br>
 
''Dance Teviot's maidens free;''<br>
Cantrell writes: "The group traveled toward Cataloochee Valley and Henry Grooms, clutching his fiddle and bow, was asked by his captors to play a tune. Realizing he was performing for his own firing squad Grooms struck up Bonaparte's Retreat," his favorite tune.
''My curses on their cunning''<br>
 
''That gar'd sweet Willie dee!''<br>
When he finished the three men were lined up against an oak tree and shot, the bodies left where they fell. Henry's wife gathered the bodies and buried them in a single grave in the family plot at Sutton Cemetery No. 1 in the Mount Sterling community, the plain headstone reading only "Murdered."
</blockquote>
 
The original source for the story is George A. Miller, in his book '''Cemeteries and Family Graveyards in Haywood County, N.C.'''
}}
}}

Latest revision as of 19:03, 12 January 2025


The last card in his file is from 1893. His widow was probably years obtaining a widow's pension. She had to have "deserted" cleared from his record. A notation on that last card says :

"The charge of desertion against this man has been removed. It has been determined from evidence presented, that he was killed by the enemy, April 22, 1864, while absent on recruiting service in Haywood County, NC".
Bonaparte's Retreat

Played by: Dolly Parton
Source: Soundcloud
Image: To this day, North Carolina mountain fiddlers will refer to Bonaparte's Retreat as "Grooms' Tune".

Bonaparte's Retreat


According to Blue Ridge Mountain local history the tune was known in the Civil War era. Geoffrey Cantrell, writing in the Asheville Citizen-Times of Feb., 23, 2000 relates the story of the execution of three men by the Confederate Home Guard on April 10th, 1865, the day after Lee's surrender at Appomattox Courthouse.

That news would not have been known to them, given the difficulty with communications at that time. It is documented that Henry Grooms, his brother George and his brother-in-law Mitchell Caldwell, all of north Haywood County, North Carolina, were taken prisoner by the Guard under the command of one Captain Albert Teague-no one knows why, but the area had been ravaged by scalawags and bushwackers, and the populace had suffered numerous raids of family farms by Union troops hunting provisions.

One theory is that the men were accused of being Confederate deserters who, perhaps knowing the war was nearly over, had aided the Union cause in some way. There was much back-and-forth guerilla warfare, however, and the village of Waynesville had been burned two months earlier (by Unionists), and the citizenry was beleaguered and anxious. Caldwell and the Grooms brothers were captured in the Big Creek section of Haywood County, close to the Tennessee border.

Cantrell writes: "The group traveled toward Cataloochee Valley and Henry Grooms, clutching his fiddle and bow, was asked by his captors to play a tune. Realizing he was performing for his own firing squad Grooms struck up Bonaparte's Retreat," his favorite tune.

When he finished the three men were lined up against an oak tree and shot, the bodies left where they fell. Henry's wife gathered the bodies and buried them in a single grave in the family plot at Sutton Cemetery No. 1 in the Mount Sterling community, the plain headstone reading only "Murdered."

The original source for the story is George A. Miller, in his book Cemeteries and Family Graveyards in Haywood County, N.C.

...more at: Bonaparte's Retreat - full Score(s) and Annotations



X:1 T:Bonaparte's Retreat [1] M:C L:1/8 Q:"Andante" N:DDAd tuning N:Drone strings throughout. B:Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:D % V:1 clef=treble name="0." [V:1] [G,2D2] [G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]:| "accelerando"(3A/B/c/|d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d[D2A2]|(FD) (EF) (GF) (EF)| [G,D][G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]z2|| (3A/B/c/|[G,2D2]d>"poco"f d2 (3A/B/c/|[G,D]>B (AG) (FD) "poco"(3A/B/c/|[G,2D2]|d>f d2A2|(F>D) (EF) (GF) (EF)| [G,2D2][GD]F [D2A2]F2|"Piu moto"(ED) (EF) (GF) (EF)|[G,2D2] {G,D]F [D2A2]F2|(ED) (EF) [G,4D4]|"Coda"[A8e8]|| M:2/4 L:1/8 "Allegro"(g/e/g/e/ bg|g/e/f/g/ a/g/f)|(g/e/g/e/ bg|1 f/e/f/g/ [A2e2]):| |2f/e/f/g/ [Ae](3A/B/c/||"Allegretto"d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d2A2|(FD) (EF) (GF) (EF)|


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