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{{SheetMusic
{{SheetMusic
|f_track=Sugar In The Gourd.mp3
|f_track=GroomsTune.mp3
|f_pdf=Sugar in the Gourd.pdf
|f_pdf=Bonaparte Retreat.pdf
|f_artwork=Sherman Hammons.png
|f_artwork=GroomsPension.jpg
|f_tune_name=Sugar in the Gourd
|f_tune_name=Bonaparte's Retreat
|f_track_title=Sugar_in_the_Gourd_(1)
|f_track_title=Bonaparte's Retreat_(1)
|f_section=abc
|f_section=abc
|f_played_by=[https://soundcloud.com/hogslopstringband Hogslop String Band]
|f_played_by=[https://soundcloud.com/dollyparton Dolly Parton]
|f_notes= Sherman Hammons from the series "Sugar in the Gourd," 1978, produced by West Virginia Public Broadcasting.
|f_notes=To this day, North Carolina mountain fiddlers will refer to Bonaparte's Retreat as "Grooms' Tune".
|f_caption=There are a few explanations of the meaning of the title. Formerly it has been thought that ‘sugar in the gourd' might refer to a practice of hanging sugar-filled vegetable gourds around a dance floor—to ease the friction for dancers sugar would periodically be thrown on those sections of the floor where the traffic was the heaviest.
|f_caption=The last card in his file is from 1893. His widow was probably years obtaining a widow's pension. She had to have "deserted" cleared from his record. A notation on that last card says :{{break|2}}
|f_source=[https://soundcloud.com/hogslopstringband/sugar-in-the-gourd Soundcloud]  
"''The charge of desertion against this man has been removed. It has been determined from evidence presented, that he was killed by the enemy, April 22, 1864, while absent on recruiting service in Haywood County, NC''".
|f_source=[https://soundcloud.com/dollyparton/grooms-tune-bonapartes-retreat Soundcloud]
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Sugar_in_the_Gourd_(1) | '''Sugar in the Gourd''']]
|f_article=[[Bonaparte's Retreat_(1) | '''Bonaparte's Retreat''']]


There are several “Sugar in the Gourd” tunes, related and unrelated. This version of “Sugar in the Gourd” is melodically related to "[[Turkey in the Straw]]," and historically predates it, the words having been printed in the 1830's (Charles Wolfe).


It was mentioned in an account authored by William Byrne describing a chance encounter with West Virginia fiddler ‘Old Sol’ Nelson during a fishing trip on the Elk River. The year was around 1880, and Sol, whom Byrne said was famous for his playing “throughout the Elk Valley from Clay Courthouse to Sutton as…the Fiddler of the Wilderness,” had brought out his fiddle after supper to entertain the company on a hunting trip (Milnes, '''Play of a Fiddle''', 1999).  
According to Blue Ridge Mountain local history the tune was known in the Civil War era. Geoffrey Cantrell, writing in the '''Asheville Citizen-Times''' of Feb., 23, 2000 relates the story of the execution of three men by the Confederate Home Guard on April 10th, 1865, the day after Lee's surrender at Appomattox Courthouse.


The name proved to be popular and became attached to a number of tunes in several different genres and styles; in this sense the title was a 'floater' in much the same way that popular word couplets became attached to various melodically unrelated songs.  
That news would not have been known to them, given the difficulty with communications at that time. It is documented that Henry Grooms, his brother George and his brother-in-law Mitchell Caldwell, all of north Haywood County, North Carolina, were taken prisoner by the Guard under the command of one Captain Albert Teague-no one knows why, but the area had been ravaged by scalawags and bushwackers, and the populace had suffered numerous raids of family farms by Union troops hunting provisions.


Although there are words that are often sung to the tune, just as often it exists solely as an instrumental.  
One theory is that the men were accused of being Confederate deserters who, perhaps knowing the war was nearly over, had aided the Union cause in some way. There was much back-and-forth guerilla warfare, however, and the village of Waynesville had been burned two months earlier (by Unionists), and the citizenry was beleaguered and anxious. Caldwell and the Grooms brothers were captured in the Big Creek section of Haywood County, close to the Tennessee border.
<blockquote>
 
''Well I'm goin' down the road and I met her on a board,''<BR>
Cantrell writes: "The group traveled toward Cataloochee Valley and Henry Grooms, clutching his fiddle and bow, was asked by his captors to play a tune. Realizing he was performing for his own firing squad Grooms struck up Bonaparte's Retreat," his favorite tune.  
''And the wind from her shoes knocked Sugar in the Gourd;''<BR>
 
''Sugar in the Gourd and the gourd upon the ground,''<BR>
When he finished the three men were lined up against an oak tree and shot, the bodies left where they fell. Henry's wife gathered the bodies and buried them in a single grave in the family plot at Sutton Cemetery No. 1 in the Mount Sterling community, the plain headstone reading only "Murdered."
''Well you wanna get to sugar got to break it all around.''<BR>
 
<br>
The original source for the story is George A. Miller, in his book '''Cemeteries and Family Graveyards in Haywood County, N.C.'''
Refrain:<br>
''Sugar in the Gourd and you can't get it out,''<BR>
''When you wanna get to sugar got to break it all about.''<BR>
}}
}}

Latest revision as of 19:03, 12 January 2025


The last card in his file is from 1893. His widow was probably years obtaining a widow's pension. She had to have "deserted" cleared from his record. A notation on that last card says :

"The charge of desertion against this man has been removed. It has been determined from evidence presented, that he was killed by the enemy, April 22, 1864, while absent on recruiting service in Haywood County, NC".
Bonaparte's Retreat

Played by: Dolly Parton
Source: Soundcloud
Image: To this day, North Carolina mountain fiddlers will refer to Bonaparte's Retreat as "Grooms' Tune".

Bonaparte's Retreat


According to Blue Ridge Mountain local history the tune was known in the Civil War era. Geoffrey Cantrell, writing in the Asheville Citizen-Times of Feb., 23, 2000 relates the story of the execution of three men by the Confederate Home Guard on April 10th, 1865, the day after Lee's surrender at Appomattox Courthouse.

That news would not have been known to them, given the difficulty with communications at that time. It is documented that Henry Grooms, his brother George and his brother-in-law Mitchell Caldwell, all of north Haywood County, North Carolina, were taken prisoner by the Guard under the command of one Captain Albert Teague-no one knows why, but the area had been ravaged by scalawags and bushwackers, and the populace had suffered numerous raids of family farms by Union troops hunting provisions.

One theory is that the men were accused of being Confederate deserters who, perhaps knowing the war was nearly over, had aided the Union cause in some way. There was much back-and-forth guerilla warfare, however, and the village of Waynesville had been burned two months earlier (by Unionists), and the citizenry was beleaguered and anxious. Caldwell and the Grooms brothers were captured in the Big Creek section of Haywood County, close to the Tennessee border.

Cantrell writes: "The group traveled toward Cataloochee Valley and Henry Grooms, clutching his fiddle and bow, was asked by his captors to play a tune. Realizing he was performing for his own firing squad Grooms struck up Bonaparte's Retreat," his favorite tune.

When he finished the three men were lined up against an oak tree and shot, the bodies left where they fell. Henry's wife gathered the bodies and buried them in a single grave in the family plot at Sutton Cemetery No. 1 in the Mount Sterling community, the plain headstone reading only "Murdered."

The original source for the story is George A. Miller, in his book Cemeteries and Family Graveyards in Haywood County, N.C.

...more at: Bonaparte's Retreat - full Score(s) and Annotations



X:1 T:Bonaparte's Retreat [1] M:C L:1/8 Q:"Andante" N:DDAd tuning N:Drone strings throughout. B:Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:D % V:1 clef=treble name="0." [V:1] [G,2D2] [G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]:| "accelerando"(3A/B/c/|d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d[D2A2]|(FD) (EF) (GF) (EF)| [G,D][G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]z2|| (3A/B/c/|[G,2D2]d>"poco"f d2 (3A/B/c/|[G,D]>B (AG) (FD) "poco"(3A/B/c/|[G,2D2]|d>f d2A2|(F>D) (EF) (GF) (EF)| [G,2D2][GD]F [D2A2]F2|"Piu moto"(ED) (EF) (GF) (EF)|[G,2D2] {G,D]F [D2A2]F2|(ED) (EF) [G,4D4]|"Coda"[A8e8]|| M:2/4 L:1/8 "Allegro"(g/e/g/e/ bg|g/e/f/g/ a/g/f)|(g/e/g/e/ bg|1 f/e/f/g/ [A2e2]):| |2f/e/f/g/ [Ae](3A/B/c/||"Allegretto"d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d2A2|(FD) (EF) (GF) (EF)|


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