Annotation:Invitation (The): Difference between revisions
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'''INVASION, THE'''. AKA - "[[Invitation (The)]]." English, Reel. D Major. Standard tuning. AABB. The title appears as "The Invation," in Vickers' original MS [http://www.asaplive.com/archive/detail.asp?id=R0315306]. The melody first appeared in London publisher Charles and Samuel Thompson's 1765 country dance collection as "The Invitation." | '''INVASION, THE'''. AKA - "[[Invitation (The)]]." English, Reel. D Major. Standard tuning. AABB. The title appears as "The Invation," in Vickers' original MS [http://www.asaplive.com/archive/detail.asp?id=R0315306]. The melody first appeared in London publisher Charles and Samuel Thompson's 1765 country dance collection as "The Invitation." | ||
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''Source for notated version'': the 1770 music manuscript collection of Northumbrian musician William Vickers [Seattle]. | ''Source for notated version'': the 1770 music manuscript collection of Northumbrian musician William Vickers [Seattle]. | ||
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''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 509. Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 72. | ''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 509. Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 72. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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Latest revision as of 13:27, 6 May 2019
Back to Invitation (The)
INVASION, THE. AKA - "Invitation (The)." English, Reel. D Major. Standard tuning. AABB. The title appears as "The Invation," in Vickers' original MS [1]. The melody first appeared in London publisher Charles and Samuel Thompson's 1765 country dance collection as "The Invitation."
Source for notated version: the 1770 music manuscript collection of Northumbrian musician William Vickers [Seattle].
Printed sources: Seattle (Great Northern/William Vickers), 1987, Part 3; No. 509. Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 72.
Recorded sources:
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