Annotation:Dermot and His Lass (1): Difference between revisions

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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
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'''DERMOT AND HIS LASS [1]''' (Diarmuid agus a chailín). Irish, Air (3/4 time). D Major. Standard tuning (fiddle). AB. O'Sullivan (1983) chose the tune printed in London by Thomas D'Urfey in '''Pills to Purge Melancholy''' (vol. IV, 1719) to set words collected by Edward Bunting from his friend Henry Joy of Belfast in 1800, as it is "much older and seems more suited to the words." D'Urfey headed the piece "An Irish Song. Set by Mr. Leveridge."  
'''DERMOT AND HIS LASS [1]''' (Diarmuid agus a chailín). Irish, Air (3/4 time). D Major. Standard tuning (fiddle). AB. O'Sullivan (1983) chose the tune printed in London by Thomas D'Urfey in '''Pills to Purge Melancholy''' (vol. IV, 1719, p. 325, beginning "Dermot lov'd Sheela well and strove her heart to gain") set to words collected by Edward Bunting (1773-1843)from his friend (and United Irishman martyr) Henry Joy McCracken [http://en.wikipedia.org/wiki/Henry_Joy_McCracken] of Belfast in 1800, as it is "much older and seems more suited to the words." D'Urfey headed the piece "An Irish Song. Set by Mr. Leveridge."  
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''One Sunday after Mass''<br>
''One Sunday after Mass''<br>
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''Source for notated version'': Thomas D'Urfey's '''Pills to Purge Melancholy''' (London, 1719) [O'Sullivan].
''Source for notated version'': Thomas D'Urfey's '''Pills to Purge Melancholy''' (London, 1719) [O'Sullivan].
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''Printed sources'': O'Sullivan/Bunting, 1983; No. 86, pp. 130-131.
''Printed sources'': O'Sullivan/Bunting, 1983; No. 86, pp. 130-131.
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''Recorded sources'': <font color=teal></font>
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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
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Latest revision as of 13:13, 6 May 2019

Back to Dermot and His Lass (1)


DERMOT AND HIS LASS [1] (Diarmuid agus a chailín). Irish, Air (3/4 time). D Major. Standard tuning (fiddle). AB. O'Sullivan (1983) chose the tune printed in London by Thomas D'Urfey in Pills to Purge Melancholy (vol. IV, 1719, p. 325, beginning "Dermot lov'd Sheela well and strove her heart to gain") set to words collected by Edward Bunting (1773-1843)from his friend (and United Irishman martyr) Henry Joy McCracken [1] of Belfast in 1800, as it is "much older and seems more suited to the words." D'Urfey headed the piece "An Irish Song. Set by Mr. Leveridge."

One Sunday after Mass
Dermot and his lass
To the green wood did pass,
All alone, all alone, all alone.
He asked for one pogue (kiss),
She called him a rogue,
And struck him with her brogue (shoe),
Oh hone, oh hone, oh hone (alas)!

Source for notated version: Thomas D'Urfey's Pills to Purge Melancholy (London, 1719) [O'Sullivan].

Printed sources: O'Sullivan/Bunting, 1983; No. 86, pp. 130-131.

Recorded sources:




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