Annotation:Harry Bloodgood's Famous Jig: Difference between revisions

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'''HARRY BLOODGOOD'S FAMOUS (JIG)'''. American, Dance Tune (cut time or 4/4). B Flat Major. Standard tuning. AABB. The term jig in this case references a type of syncopated American duple-time dance tune, once associated with the banjo, not the more familiar 6/8 time Irish jig. Edward Le Roy Rice, in his book '''Monarchs of Minstrelsy''' (New York, 1911) has this entry on Bloodgood:  
'''HARRY BLOODGOOD'S FAMOUS (JIG)'''. American, Dance Tune (cut time or 4/4). B Flat Major. Standard tuning. AABB. The term jig in this case references a type of syncopated American duple-time dance tune, once associated with the banjo, not the more familiar 6/8 time Irish jig. Edward Le Roy Rice, in his book '''Monarchs of Minstrelsy''' (New York, 1911) has this entry on Bloodgood (pp. 177–178):  
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'''''HARRY BLOODGOOD''' (Carlos Moran) was one of the most accomplished and versatile performers ''
[[File:bloodgood.jpg|300px|thumb|left|Harry Bloodgood (1845-1886)]]
''that ever blacked his face; good in everything he undertook; he could sing, dance and act. He made''
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''his first New York appearance at the American Theatre, and remained there one year. In May, 1866, ''
'''HARRY BLOODGOOD''' (Carlos Moran) was one of the most accomplished and versatile performers
''he joined Boyce and Mudge's Minstrels; subsequently appearing with Sam Sharpley's , and later with ''
that ever blacked his face; good in everything he undertook; he could sing, dance and act. He made
''Joseph Trowbridge, he had the Bloodgood and Trowbridge's Minstrels; their season ended July 16, ''
his first New York appearance at the American Theatre, and remained there one year. In May, 1866,
''1871; Mr. Bloodgood then taking his own show, with which he travelled intermittently for several seasons.''  
he joined Boyce and Mudge's Minstrels; subsequently appearing with Sam Sharpley's , and later with
Joseph Trowbridge, he had the Bloodgood and Trowbridge's Minstrels; their season ended July 16,
1871; Mr. Bloodgood then taking his own show, with which he travelled intermittently for several seasons.
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In 1869 he also was associated with Delehanty, Hengler and Bloodgood's Minstrels. Mr. Bloodgood was
without exception the most pronounced favourite that ever played the old Howard Athenaeum in Boston;
he was in the stock there at various times, covering a period of several years. About 1881 he wrote and
appeared in the play "Hix's Fix," sharing the lead with W.A. Mestayer; the piece afterwards called "Wanted,
A Partner."
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''In 1869 he also was associated with Delehanty, Hengler and Bloodgood's Minstrels. Mr. Bloodgood was ''
Mr. Bloodgood married Helene Smith, the danseuse, about 1864; they were divorced in the spring of 1867;
''without exception the most pronounced favourite that ever played the old Howard Athenaeum in Boston; ''
and on January 20, 1870, in Boston, he married Clara Gettis, also a dancer. It was not until about three
''he was in the stock there at various times, covering a period of several years.. About 1881 he wrote and ''
years later that he found connubial blessedness, when he married Lisle Riddell, with whom he lived most
''appeared in the play "Hix's Fix," sharing the lead with W.A. Mestayer; the piece afterwards called "Wanted,''<br>
happily the balance of his life.
''A Partner." <br>
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''Mr. Bloodgood married Helene Smith, the danseuse, about 1864; they were divorced in the spring of 1867; ''
''and on January 20, 1870, in Boston, he married Clara Gettis, also a dancer. It was not until about three''
''years later that he found connubial blessedness, when he married Lisle Riddell, with whom he lived most ''
''happily the balance of his life.''<br>
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''Mr. Bloodgood made a distinct hit playing Uncle Tom at the Boston Theatre, with an all-star cast. Harry ''
Mr. Bloodgood made a distinct hit playing Uncle Tom at the Boston Theatre, with an all-star cast. Harry
''Bloodgood was born in Savannah, Georgia, March 31, 1845; he died in North Conway, New Hampshire, ''
Bloodgood was born in Savannah, Georgia, March 31, 1845; he died in North Conway, New Hampshire,
''June 12, 1886. ''  (pp. 177-178). <br>
June 12, 1886.  
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New York researcher, writer and musician Don Meade says Bloodgood was the composer of "Poor Old Rufe" (or "Rube"), a popular black-face minstrel song published in '''Minstrel Songs Old and New''' (Boston, 1883, the year '''Ryan's Mammoth''' was published).  
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New York researcher, writer and musician Don Meade says Bloodgood was the composer of "Poor Old Rufe" (or "Rube"), a popular black-face minstrel song published in '''Minstrel Songs Old and New''' (Boston, 1883, the year '''Ryan's Mammoth''' was published).  Read his deathbed autobiographical sketch, printed in the New York Times, June 14, 1886, p. 5.[http://www.lahistoryarchive.org/resources/SWAN_POINT/resources.html#bloodgood].
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Cole ('''1000 Fiddle Tunes'''), 1940; p. 85. Kerr ('''Merry Melodies'''), vol. 2; No. 389, p. 43. '''Ryan’s Mammoth Collection''', 1883; p.  
''Printed sources'':
Cole ('''1000 Fiddle Tunes'''), 1940; p. 85.
Kerr ('''Merry Melodies, vol. 2'''), No. 389, p. 43.
'''Ryan's Mammoth Collection''', 1883; p. 167.
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''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
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Latest revision as of 13:22, 6 May 2019

Back to Harry Bloodgood's Famous Jig


HARRY BLOODGOOD'S FAMOUS (JIG). American, Dance Tune (cut time or 4/4). B Flat Major. Standard tuning. AABB. The term jig in this case references a type of syncopated American duple-time dance tune, once associated with the banjo, not the more familiar 6/8 time Irish jig. Edward Le Roy Rice, in his book Monarchs of Minstrelsy (New York, 1911) has this entry on Bloodgood (pp. 177–178):

Harry Bloodgood (1845-1886)

HARRY BLOODGOOD (Carlos Moran) was one of the most accomplished and versatile performers that ever blacked his face; good in everything he undertook; he could sing, dance and act. He made his first New York appearance at the American Theatre, and remained there one year. In May, 1866, he joined Boyce and Mudge's Minstrels; subsequently appearing with Sam Sharpley's , and later with Joseph Trowbridge, he had the Bloodgood and Trowbridge's Minstrels; their season ended July 16, 1871; Mr. Bloodgood then taking his own show, with which he travelled intermittently for several seasons.

In 1869 he also was associated with Delehanty, Hengler and Bloodgood's Minstrels. Mr. Bloodgood was without exception the most pronounced favourite that ever played the old Howard Athenaeum in Boston; he was in the stock there at various times, covering a period of several years. About 1881 he wrote and appeared in the play "Hix's Fix," sharing the lead with W.A. Mestayer; the piece afterwards called "Wanted, A Partner."

Mr. Bloodgood married Helene Smith, the danseuse, about 1864; they were divorced in the spring of 1867; and on January 20, 1870, in Boston, he married Clara Gettis, also a dancer. It was not until about three years later that he found connubial blessedness, when he married Lisle Riddell, with whom he lived most happily the balance of his life.

Mr. Bloodgood made a distinct hit playing Uncle Tom at the Boston Theatre, with an all-star cast. Harry Bloodgood was born in Savannah, Georgia, March 31, 1845; he died in North Conway, New Hampshire, June 12, 1886.

New York researcher, writer and musician Don Meade says Bloodgood was the composer of "Poor Old Rufe" (or "Rube"), a popular black-face minstrel song published in Minstrel Songs Old and New (Boston, 1883, the year Ryan's Mammoth was published). Read his deathbed autobiographical sketch, printed in the New York Times, June 14, 1886, p. 5.[1].

Source for notated version:

Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 85. Kerr (Merry Melodies, vol. 2), No. 389, p. 43. Ryan's Mammoth Collection, 1883; p. 167.

Recorded sources:




Back to Harry Bloodgood's Famous Jig