Annotation:John Anderson's Auldest Daughter: Difference between revisions

Find traditional instrumental music
*>Move page script
m (Text replacement - "garamond, serif" to "sans-serif")
 
(2 intermediate revisions by 2 users not shown)
Line 1: Line 1:
[[{{BASEPAGENAME}}|Tune properties and standard notation]]
'''Back to [[{{BASEPAGENAME}}]]'''
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''JOHN ANDERSON'S ELDEST/AULDEST DAUGHTER'''. Scottish, Quickstep or Slow Air (2/4 time). A Minor. Standard tuning (fiddle). AABB. The air is un-attributed in the Gow manuscript (1792). It was adapted for the Samuel Arnold's English popular opera '''Peeping Tom of Coventry''' (1784) in the song "Pretty Maud," and by the composer Andreozzi for the grand march and sacrafice in his oper La Virgine del Sole  (1809). The title perhaps refers to John Anderson (1737-1808), who published two collections (the first of which he dedicated to the gentlemen of the Musical Society of Greenock) in the late 18th century, although there was also a John Anderson who had a music warehouse in Perth from about 1793 to 1798. Little is known about either. There was also an Anderson who was associated with James Johnson the engraver, afterwards  as a partner of the firm of Walker & Anderson, engravers.  
'''JOHN ANDERSON'S ELDEST/AULDEST DAUGHTER'''. Scottish, Quickstep or Slow Air (2/4 time). A Minor. Standard tuning (fiddle). AABB. The air is un-attributed in the Gow manuscript (1792). It was adapted for the Samuel Arnold's English popular opera '''Peeping Tom of Coventry''' (1784) in the song "Pretty Maud," and by the composer Andreozzi for the grand march and sacrifice in his oper La Virgine del Sole  (1809). The title perhaps refers to John Anderson (1737-1808), who published two collections (the first of which he dedicated to the gentlemen of the Musical Society of Greenock) in the late 18th century, although there was also a John Anderson who had a music warehouse in Perth from about 1793 to 1798. Little is known about either. There was also an Anderson who was associated with James Johnson the engraver, afterwards  as a partner of the firm of Walker & Anderson, engravers.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. 4, 1796; p. 29. Carlin ('''The Gow Collection'''), 1986; No. 570 (listed as a quickstep). Gow ('''Third Collection of Niel Gow's Reels'''), 3rd ed., originally 1792; p. 36. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 60 (there catagorized as a strathspey).
''Printed sources'': Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. 4, 1796; No. 71, p. 29. Carlin ('''The Gow Collection'''), 1986; No. 570 (listed as a quickstep). Gow ('''Third Collection of Niel Gow's Reels'''), 3rd ed., originally 1792; p. 36. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 60 (there catagorized as a strathspey).
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>
Line 22: Line 22:
<br>
<br>
----
----
[[{{BASEPAGENAME}}|Tune properties and standard notation]]
'''Back to [[{{BASEPAGENAME}}]]'''

Latest revision as of 13:29, 6 May 2019

Back to John Anderson's Auldest Daughter


JOHN ANDERSON'S ELDEST/AULDEST DAUGHTER. Scottish, Quickstep or Slow Air (2/4 time). A Minor. Standard tuning (fiddle). AABB. The air is un-attributed in the Gow manuscript (1792). It was adapted for the Samuel Arnold's English popular opera Peeping Tom of Coventry (1784) in the song "Pretty Maud," and by the composer Andreozzi for the grand march and sacrifice in his oper La Virgine del Sole (1809). The title perhaps refers to John Anderson (1737-1808), who published two collections (the first of which he dedicated to the gentlemen of the Musical Society of Greenock) in the late 18th century, although there was also a John Anderson who had a music warehouse in Perth from about 1793 to 1798. Little is known about either. There was also an Anderson who was associated with James Johnson the engraver, afterwards as a partner of the firm of Walker & Anderson, engravers.

Source for notated version:

Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs), vol. 4, 1796; No. 71, p. 29. Carlin (The Gow Collection), 1986; No. 570 (listed as a quickstep). Gow (Third Collection of Niel Gow's Reels), 3rd ed., originally 1792; p. 36. Williamson (English, Welsh, Scottish and Irish Fiddle Tunes), 1976; p. 60 (there catagorized as a strathspey).

Recorded sources:




Back to John Anderson's Auldest Daughter