Annotation:Kate Lay Sleeping: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| (4 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
'''Back to [[{{BASEPAGENAME}}]]''' | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''KATE LAY SLEEPING'''. AKA and see "[[Barrack Hill (2)]]," "[[Breach of Killiecranky (The)]]," "[[Kate's Laid in the Hay]]," "[[Lass of Killiecrankie (The)]]," "[[Round and Round this Green Sugar Tree]]," "[[Whitewashed Kate]]." American, | '''KATE LAY SLEEPING'''. AKA and see "[[Barrack Hill (2)]]," "[[Breach of Killiecranky (The)]]," "[[Kate's Laid in the Hay]]," "[[Lass of Killiecrankie Highland (The)]]," "[[Round and Round this Green Sugar Tree]]," "[[Whitewashed Kate]]." American; Polka, March and Air. USA, southwestern Pa. A Dorian. Standard tuning (fiddle). AB. There are more vocal than instrumental versions of this air which was often used for play-party and shanty ditties, according to Bayard (1981). One of the play-party songs collected in Pennsylvania goes: | ||
<blockquote> | <blockquote> | ||
''Say, pretty Belle, has your beau come'' (x3)<br> | ''Say, pretty Belle, has your beau come'' (x3)<br> | ||
| Line 19: | Line 19: | ||
''Till six o'clock in the morning.''<br> | ''Till six o'clock in the morning.''<br> | ||
</blockquote> | </blockquote> | ||
See also note on British and Irish antecedents under comments for "[[annotation:Breach of Killiecranky (The)]]." | |||
<br> | |||
<br> | |||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': Harry Wingrove (Westmoreland County, Pa., 1946), Charles Clark (Fayette County, Pa., 1946), Eben Patterson (Allegheny County, Pa., 1930's), Samuel Losch (Juniata County, Pa., 1930's) [Bayard]. | ''Source for notated version'': Harry Wingrove (Westmoreland County, Pa., 1946), Charles Clark (Fayette County, Pa., 1946), Eben Patterson (Allegheny County, Pa., 1930's), Samuel Losch (Juniata County, Pa., 1930's) [Bayard]. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 251, pp. 214-215. | ''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 251, pp. 214-215. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
| Line 36: | Line 39: | ||
<br> | <br> | ||
---- | ---- | ||
'''Back to [[{{BASEPAGENAME}}]]''' | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
Latest revision as of 14:46, 6 May 2019
Back to Kate Lay Sleeping
KATE LAY SLEEPING. AKA and see "Barrack Hill (2)," "Breach of Killiecranky (The)," "Kate's Laid in the Hay," "Lass of Killiecrankie Highland (The)," "Round and Round this Green Sugar Tree," "Whitewashed Kate." American; Polka, March and Air. USA, southwestern Pa. A Dorian. Standard tuning (fiddle). AB. There are more vocal than instrumental versions of this air which was often used for play-party and shanty ditties, according to Bayard (1981). One of the play-party songs collected in Pennsylvania goes:
Say, pretty Belle, has your beau come (x3)
To help us with our dancing?
Yes, he'll come if yous say so (etc.)
Go give him a kiss and bring him in (etc.)
A shanty version has:
Way hay and up she rises (x3)
Early in the morning.
And and Irish one:
You are my love in the hay all night (x3)
Till six o'clock in the morning.
See also note on British and Irish antecedents under comments for "annotation:Breach of Killiecranky (The)."
Source for notated version: Harry Wingrove (Westmoreland County, Pa., 1946), Charles Clark (Fayette County, Pa., 1946), Eben Patterson (Allegheny County, Pa., 1930's), Samuel Losch (Juniata County, Pa., 1930's) [Bayard].
Printed sources: Bayard (Dance to the Fiddle), 1981; No. 251, pp. 214-215.
Recorded sources: