Annotation:Clogger's Quilt (The): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Clogger's_Quilt > | |||
'''CLOGGER'S QUILT, THE'''. AKA and see "[[Barry's Fancy]]," "[[Corry Hilly]]," "[[Kathleen's Fiddle]]," "[[Larry Redican's (5)]]," "[[Micho Russell's Favorite (1)]]," "[[Rattigan's]]," | |f_annotation='''CLOGGER'S QUILT, THE'''. AKA and see "[[Barry's Fancy]]," "[[Corry Hilly]]," "[[Kathleen's Fiddle]]," "[[Larry Redican's Reel (5)]]," "[[Micho Russell's Favorite (1)]]," "[[Rattigan's]]," "[[St. Andrew's]]," "[[Swallow (2) (The)]]." Irish, Reel. F Major. Standard tuning (fiddle). One part. The tune has been attributed to New York fiddler Larry Redican, although this has not been verified. Indications, however, can be found in a 1957 recording of the tune by New York fiddler Jackie Roche (a student of James Morrison), on his Avoca LP '''Irish Violin''' as "Rattigan's" (i.e. Redican's). | ||
|f_source_for_notated_version= | |||
|f_printed_sources= | |||
|f_recorded_sources=Cló Iar-Chonnachta CICD 167, Peter Horan & Gerry Harrington – “The Merry Love to Play” (2007). Green Linnet GLCD 1127, “Martin Hayes” (1993). Three Men and a Dog - "Shifting Gravel." | |||
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}} | |||
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[[{{BASEPAGENAME}}|ABC Notation and Properties]] | [[{{BASEPAGENAME}}|ABC Notation and Properties]] |
Latest revision as of 14:48, 10 September 2020
X:1 T:Clogger's Quilt, The M:4/4 L:1/8 S:Joe Burke, Andy McGann, & Felix Dolan: A Tribute to Michael Coleman (as "Kathleen's Fiddle") R:Reel K:F Bc | d~c3 A~F3 | DGGF G2FD | C~F3 CFAF | GAFG AFFA | c2c=B cdcA | GFAF GFDF | CFAF CFAF | GAFG AFF_B | A~c3 dcAc | dggf gfde | ~f3d c2Ac | fefg affe | f2df c2Ac | dfga gfde | fefd c2Ac | fefg afgf ||
CLOGGER'S QUILT, THE. AKA and see "Barry's Fancy," "Corry Hilly," "Kathleen's Fiddle," "Larry Redican's Reel (5)," "Micho Russell's Favorite (1)," "Rattigan's," "St. Andrew's," "Swallow (2) (The)." Irish, Reel. F Major. Standard tuning (fiddle). One part. The tune has been attributed to New York fiddler Larry Redican, although this has not been verified. Indications, however, can be found in a 1957 recording of the tune by New York fiddler Jackie Roche (a student of James Morrison), on his Avoca LP Irish Violin as "Rattigan's" (i.e. Redican's).