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'''DUSTY MILLER [1]'''. Old-Time, Breakdown. USA, West Virginia. D Mixolydian/Major [Brody, Phillips]: D Mixolydian/Major ('A' part) & D Major ('B' part) [Krassen]. Standard tuning (fiddle). AABB. Georgia fiddler/entertainer John Carson linked the tune with the song "Hard Time a Comin'" (Molly Tenenbaum). Modern 'revival' fiddlers sourced the tune from Bluefield, West Virginia, fiddler Franklin George, who learned it from his mentor Jim Farthing. Farthing was a fiddler from Virginia near the North Carolina border who had moved to West Virginia for mining related jobs and who performed carpentry with George's father.
|f_annotation='''DUSTY MILLER [1]'''. American, Reel (cut time). USA, West Virginia. D Mixolydian/Major [Brody, Phillips]: D Mixolydian/Major ('A' part) & D Major ('B' part) [Krassen]. Standard tuning (fiddle). AABB. Georgia fiddler/entertainer John Carson linked the tune with the song "Hard Time a Comin'" (Molly Tenenbaum). Modern 'revival' fiddlers sourced the tune from Bluefield, West Virginia, fiddler Franklin George, who learned it from his mentor Jim Farthing. Farthing was a fiddler from Virginia near the North Carolina border who had moved to West Virginia for mining related jobs and who performed carpentry with George's father. George maintains that Farthing learned his music from his father-in-law, Charlie Hawley of Tazewell County, southwest Virginia, considered to be a good fiddler with a large repertoire. Hawley, in turn, had learned his music from local Tazewell fiddlers Newton Crockett (a relative of frontiersman Davey Crockett with whom he was close and who lived in nearby Green County, Tennessee) and Bill Gillespie<ref>Information from Steve Goldfield's interview with Franklin George in '''Fiddler Magazine''', vol. 21, No. 2, Summer 2014, p. 18. </ref>.
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George associated the tune not with the individual who runs a mill, but with the flower called the Dusty Miller that grows in open fields in the American piedmont and lowlands; it belongs to the dandelion family. 
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|f_source_for_notated_version=Armin Barnett (Charlottesville, Va.) [Krassen]; Fuzzy Mountain String Band (N.C.), learned from Frank George [Brody]; Bill Christopherson [Phillips].
''Source for notated version'': Armin Barnett (Charlottesville, Va.) [Krassen]; Fuzzy Mountain String Band (N.C.), learned from Frank George [Brody]; Bill Christopherson [Phillips].
|f_printed_sources=Brody ('''Fiddler's Fakebook'''), 1983; p. 96. Krassen ('''Appalachian Fiddle'''), 1973; p. 53. Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 78.  
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|f_see_also_listing=Rounder 0035, Fuzzy Mountain String Band "Summer Oaks and Porch" (1973. Learned from Franklin George, Princeton, W.Va.).
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Kicking Mule 206, Eric Thompson "Kicking Mule's Flat Picking Guitar Festival."
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Roane Records RR-111-CD, Franklin George "Swope's Knobs" (1999. Reissue of Anachronistic Records APRC 001).
''Printed sources'': Brody ('''Fiddler's Fakebook'''), 1983; p. 96. Krassen ('''Appalachian Fiddle'''), 1973; p. 53. Phillips ('''Traditional American Fiddle Tunes'''), vol. 1, 1994; p. 78.  
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''Recorded sources'': <font color=teal>Rounder 0035, Fuzzy Mountain String Band- "Summer Oaks and Porch" (1973. Learned from Franklin George, Princeton, W.Va.). Kicking Mule 206, Eric Thompson- "Kicking Mule's Flat Picking Guitar Festival." Roane Records, Franklin George - "Swope's Knobs" (reissue of original on Anachronistic Recrods)</font>
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Latest revision as of 05:17, 4 January 2025




X:1 T:Dusty Miller [1] L:1/8 M:C| S:Jay Ungar K:D [D2D2] [D2D2] [D2F2] [DF][DF]|[G,2G2] B2 cBAG|E [=C2E2] [B,E] [C2E2]|=CDEG [FA] [D3A3]| DEFD GAB[GB]|ABcA d2 (3ABc|dcdA BdAG|FDEF D4:| |:ag|f [d2f2] c [d4f4]|fdfg abag|e [=c2e2] [Be] [c4e4]|=cdef g2 ag| f d2 c deag|f d2 A BABc|d2 dA BdAG|FDEF D2:||



DUSTY MILLER [1]. American, Reel (cut time). USA, West Virginia. D Mixolydian/Major [Brody, Phillips]: D Mixolydian/Major ('A' part) & D Major ('B' part) [Krassen]. Standard tuning (fiddle). AABB. Georgia fiddler/entertainer John Carson linked the tune with the song "Hard Time a Comin'" (Molly Tenenbaum). Modern 'revival' fiddlers sourced the tune from Bluefield, West Virginia, fiddler Franklin George, who learned it from his mentor Jim Farthing. Farthing was a fiddler from Virginia near the North Carolina border who had moved to West Virginia for mining related jobs and who performed carpentry with George's father. George maintains that Farthing learned his music from his father-in-law, Charlie Hawley of Tazewell County, southwest Virginia, considered to be a good fiddler with a large repertoire. Hawley, in turn, had learned his music from local Tazewell fiddlers Newton Crockett (a relative of frontiersman Davey Crockett with whom he was close and who lived in nearby Green County, Tennessee) and Bill Gillespie[1].

George associated the tune not with the individual who runs a mill, but with the flower called the Dusty Miller that grows in open fields in the American piedmont and lowlands; it belongs to the dandelion family.


Additional notes
Source for notated version : - Armin Barnett (Charlottesville, Va.) [Krassen]; Fuzzy Mountain String Band (N.C.), learned from Frank George [Brody]; Bill Christopherson [Phillips].

Printed sources : - Brody (Fiddler's Fakebook), 1983; p. 96. Krassen (Appalachian Fiddle), 1973; p. 53. Phillips (Traditional American Fiddle Tunes, vol. 1), 1994; p. 78.



See also listing at :
Rounder 0035, Fuzzy Mountain String Band – "Summer Oaks and Porch" (1973. Learned from Franklin George, Princeton, W.Va.). Kicking Mule 206, Eric Thompson – "Kicking Mule's Flat Picking Guitar Festival." Roane Records RR-111-CD, Franklin George – "Swope's Knobs" (1999. Reissue of Anachronistic Records APRC 001).



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  1. Information from Steve Goldfield's interview with Franklin George in Fiddler Magazine, vol. 21, No. 2, Summer 2014, p. 18.
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