Boutouche Reel: Difference between revisions

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|f_genre=Québécios/Acadian
|f_genre=Québécios/Acadian
|f_rhythm=Reel (single/double)
|f_rhythm=Reel (single/double)
|f_history=<b>Canada</b>/Acadia (French)
|f_history=CANADA(Acadia/French)
|f_player=Gerry Robichaud
|f_player=Gerry Robichaud
|f_album=Slippery Stick (The)
|f_album=Slippery Stick (The)
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'''BOUTOUCHE REEL''' (La Boutouche). Canadian, Reel. Canada, New Brunswick.  
'''BOUTOUCHE REEL''' (La Boutouche). Canadian, Reel. Canada, New Brunswick.  
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<br>
<br>
Engraver Valerio M. Pelliccioni
Engraver Valerio M. Pelliccioni
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Latest revision as of 09:25, 6 May 2019


Boutouche Reel  Click on the tune title to see or modify Boutouche Reel's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Boutouche Reel
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 Theme code Index    
 Also known as    Boutouche (La)
 Composer/Core Source    
 Region    Canada
 Genre/Style    Québécios/Acadian"Québécios/Acadian" is not in the list (Bluegrass, Cape Breton/PEI, Cajun/Creole, Contest, Contra, Down-East/Maritime, English, Guachi, Irish, Metis, ...) of allowed values for the "Has genre" property.
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    
 Accidental    
 Mode    
 Time signature    
 History    CANADA(Acadia/French)
 Structure    
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    Biography:Gerry Robichaud
 Title of recording    Slippery Stick (The)
 Record label/Catalogue nr.    Rounder CD 7016
 Year recorded    1996
 Media    
 Score   ()   


BOUTOUCHE REEL (La Boutouche). Canadian, Reel. Canada, New Brunswick.

Recorded sources: Rounder CD 7016, Gerry Robichaud - "The Slippery Stick" (1996). Rounder Heritage Series 1166-11592-2, Gerry Robichaud (et al) - "The Art of Traditional Fiddle" (2001. Learned from his mother). 

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© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni

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