Cindy (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Cindy (1)
|f_tune_title=Cindy (1)
|f_aka=Cindy in the Summertime, Cindy in the Meadows, Get Along Home Cindy, Get Along Home Miss Cindy, Git Along, Git Along Cindy, J'etais au Bal, Old Time Cinda, Run Along Home Cindy, Whoop 'Em Up Cindy,
|f_aka=Cindy in the Summertime, Cindy in the Meadows, Get Along Home Cindy, Get Along Home Miss Cindy, Git Along, Git Along Cindy, J'etais au Bal, Old Time Cinda, Run along Home Cindy, Run along Home Sandy
|f_country=United States
|f_country=United States
|f_genre=Old-Time
|f_genre=Old-Time
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|f_accidental=3 sharps
|f_accidental=3 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=USA(Upland South), USA(Piedmont), USA(Southeast), <b>USA</b>/Ozarks/Western Tenn
|f_history=USA(Upland South), USA(Piedmont), USA(Southeast), USA(Ozarks/Western Tenn)
|f_structure=AB
|f_structure=AB
|f_book_title=Singin' Gathering (The)
|f_book_title=Singin' Gathering (The)
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|f_page=p. 23
|f_page=p. 23
|f_theme_code_index=3555 5333
|f_theme_code_index=3555 5333
|f_score=1
|f_player=Hill Billies (The),
|f_player=Hill Billies (The),
|f_album=Old Time Cinda
|f_album=Old Time Cinda
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|f_recording_date=1925
|f_recording_date=1925
}}
}}
<p><font face="garamond, serif" size="4">
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'''CINDY [1].''' AKA and see "[[Cindy in the Summertime]]," "[[Cindy in the Meadows]],"  "[[Get Along Home Cindy]]," "[[Git Along Cindy]]," "[[J'etais au Bal]]," "[[Old Time Cinda]]," "[[Run Along Home Cindy]],"  "[[Whoop 'Em Up Cindy]],"  Old-Time, Song and Breakdown. USA; Arkansas, North Carolina, Tennessee, Kentucky, Georgia, Mississippi. D Major (most versions): G Major (John Brown). Standard or ADae tuning (fiddle). AB (Brody): AABB (Phillips/1989 {the 'B' part is 'crooked' in Phillip's version}): AA'BB (Phillips, 1994). A widely known frolic tune, appearing in many folk music collections and even old elementary school songbooks. The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954, and was recorded for the Library of Congress in 1939 by Mississippi fiddler John A. Brown. A very popular Cajun version of the tune, probably borrowed from the American song, is "J'etais au Bal" (I Went to the Dance Last Night).  Verses set to the tune are many, including several "floaters":
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<blockquote>
{{#seo:
''Cindy in the summertime,'' <br>
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Cindy in the fall,''<br>
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
''Can't have Cindy all the time,'' <br>
|image=TUC-160x120.png
''Don't want Cindy at all.''<br>
|image_alt=Traditional universal music
Chorus
}}
''Get along home,'' <br>
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''Get along home,''<br>
''Get along home,'' <br>
''Cindy, fare you well.''<br>
<br>
''You ought to see my Cindy,'' <br>
''She lives way down South,''<br>
''She's so sweet the honey bees ''<br>
''All swarm around her mouth.''<br>
<br>
''Wish I had a needle'' <br>
''As fine as it could sew,''<br>
''I'd sew that gal to my coat-tail,''<br>
''And down the road I'd go.''<br>
<br>
''Went upon the mountain,'' <br>
''To give my horn a blow,''<br>
''Hollered back to Cindy,'' <br>
''Oh yander she go.'' (Rosenbaum)<br>
<br>
''When I was a little lad, ''<br>
''About six inches high,''<br>
''I used to court the pretty girls''<br>
''To hear the old folks cry;''<br>
''Get a-long down, down Big Sandy,'' <br>
''Get a-long down, down Big Sandy,''<br>
''Get a-long down, down Big Sandy,''<br>
''That's the place for you.''            (Thomas & Leeder)<br>
</blockquote>
The Big Sandy River, referred to in Thomas & Leeder's lyric, forms the border between Kentucky and West Virginia and flows into the Ohio River at Catlettsburg, Ky.  It was a flat-boat trade route before the advent of the railroads. See also similar stanzas printed by African-American collector Thomas Talley in '''Negro Folk Rhymes''' (1922) under the title "She Hugged Me and Kissed Me." A song derived from the well-known "Cindy", is a "Cindy" from the singing of Dan Tate (b. 1896), of Fancy Gap, Carroll County, Va.. It goes:
<blockquote>
''Railroad, a plank road,''<br>
''A river and canal;''<br>
''If it hadn't have been for Doctor Grey,''<br>
''There never would have been any hell.''<br>
<br>
Cho: <br>
''Get along home Cindy,''<br>
''Get along home I say;''<br>
''Get along home Cindy girl,''<br>
''For I am a-going away.''<br>
<br>
''A railroad, a plank road,''<br>
''A river and canoe;''<br>
''If it hadn't have been for old John Jones,''<br>
''They never would a-killed old Jude.''<br>
</blockquote>
Tate said that Jude was a slave of a Doctor Gray, who abused her when she became pregnant and would not tell who the father of her child was.
<br>
<br>
''Sources for notated versions'': New Lost City Ramblers [Brody]; Alan Block [Phillips]; Fox Fraley (Lawrence County, Ky., 1911) [Thomas & Leeder].  
<br>
<br>
''Printed sources:'' Brody ('''Fiddler's Fakebook'''), 1983; p. 69. Phillips ('''Fiddlecase Tunebook'''), 1989; p. 10. Phillips ('''Traditional American Fiddle Tunes'''), vol. 1, 1994; p. 53. Rosenbaum ('''Folk Visions and Voices: Traditional Music and Song in North Georgia'''), 1989; pp. 12-13. Thomas and Leeder ('''The Singin' Gathering'''), 1939; p. 23.
<br>
<br>
''Recorded sources:'' Bluebird 5488B, Gid Tanner and His Skillet Lickers (North Ga.) {1934. As "Git Along"}. County 405, "The Hill-Billies." County 518, Pope's Arkansas Mountaineers- "Echoes of the Ozarks, vol. I" (appears as "Get Along Home Miss Cindy"). County 544, Clayton McMichen- "Georgia Fiddle Bands, Vol. 2." Document 8039, "The Hill Billies/Al Hopkins and His Buckle Busters: Complete Recorded Works in Chronological Order, vol. 1" (reissue. Appears as "Cinda"). Folk Legacy Records FSA-17, Hobart Smith - "America's Greatest Folk Instrumentalist" (appears as 1st tune of "Banjo Group #2"). Folkways FA 2399, New Lost City Ramblers- "vol. 4." Musical Traditions MTCD321-2, Dan Tate (et al)  - "Far in the Mountains, volumes 1 & 2" (2002). See also listing at: Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/c06.htm#Cin2].


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<pre>
X:1
X:1
T:Cindy [1]
T:Cindy [1]
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Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:A
K:A
(AB |: c2)e2 e3f | e2c4 (cB | A2) A2B2A2 | c3(d c2) (AB | c2) (ef) e3f |  
(AB |: c2)e2 e3f | e2c4 (cB | A2) A2B2A2 | c3(d c2) (AB|
e2 c4 (cB | A2) A2 (cA) B2 |1 A3 (B A2) AB :|2 A3B A2 (A2 ||  
c2) (ef) e3f | e2 c4 (cB | A2) A2 (cA) B2 |1 A3 (B A2) AB :|2 A3B A2 (A2 ||  
|: A)(cBA) F3E | F2A4 (A2 | A)(BAF) E3E | C2E4 (A2 | A)(cBA) F3E |  
|: A)(cBA) F3E | F2A4 (A2 | A)(BAF) E3E | C2E4 (A2|
F2A4 (A2 | A)(ABA) c2B2 |1 A3 (BA2) (A2 :|2 A3) (BA2) ||  
A)(cBA) F3E |F2A4 (A2 | A)(ABA) c2B2 |1 A3 (BA2) (A2 :|2 A3) (BA2) ||  
 
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<section begin=X1 />
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X:1
T:Cindy
N:From the playing of Tom Fuller (1890-1979, Ok.), recorded in the field by
N:Brad Leftwich in 1973.
N:Fuller, born and raised in Indian Territory, pre-statehood, was a farmer,
N:cowboy and oilfield worker in southern Oklahoma and west Texas. His fiddling
N:predates the popular "contest" style of fiddling, according to Brad Leftwich,
N:and "represents an earlier time...when a fiddler's main role was to play for dancing
N:and to entertain family and neighbors."
M:C|
L:1/8
R:Reel
D:Field Recorder Collective FRC714, "Tom Fuller:Traditional Fiddling from Oklahoma and Texas" (2015)
D:https://www.slippery-hill.com/recording/rio-grande
Z:Transcribed by Andrew Kuntz
K:A
([Ae]-[Be]-|[ce]-[Af]- [A2e2]) [A3e3]([Af]-|[A2e2])[c2e2]- [c2e2][c2e2]|{B}A2A2c2A2|[c6e6]([Ae]-[Be]-|
[ce]-[Af]- [Ae])[Af]- [A3e3]([Af]-|[A2e2])[c2e2] [c3e3]B-|A2A2 cA B2|A6:|
|:c-B|AF F2 [F3A3][EA]|[F2A2][A2A2]- [A2A2]c-B|AF F2 [F3A3][FA]-|[E6A6] (cB)|
AF F2 [F3A3][EA]|[F2A2][A2A2]- [A2A2][A2A2]-|[AA]ABA cA-B2|A6:|
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X:1
T:Cindy
M:C
L:1/8
R:Air and Reel
N:"As sung and played by Fox Fraley in Lawrence County, Ky., June 1911."
B:Thomas & Leeder - Singin' Gathering (1939, p. 23)
Z:AK/Fiddler's Companion
K:F
A2c2c2d2|cA3 F3F|G2F2F2G2|A6 A2|
A2c2c2d2|cA3 F3F|G2F2A2G2|F4 AA F2|
D4 F2F2|F2A2 AAF2|C4 F2F2|F2A2 GG F2|
D4 F2F2|FF3 z4|A3A G2G2|F4 z4||
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__NOTITLE__

Latest revision as of 21:28, 27 October 2020


Cindy (1)  Click on the tune title to see or modify Cindy (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cindy (1)
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 Theme code Index    3555 5333
 Also known as    Cindy in the Summertime, Cindy in the Meadows, Get Along Home Cindy, Get Along Home Miss Cindy, Git Along, Git Along Cindy, J'etais au Bal, Old Time Cinda, Run along Home Cindy, Run along Home Sandy
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(Upland South), USA(Piedmont), USA(Southeast), USA(Ozarks/Western Tenn)
 Structure    AB
 Editor/Compiler    Biography:Thomas & Leeder
 Book/Manuscript title    Book:Singin' Gathering (The)
 Tune and/or Page number    p. 23
 Year of publication/Date of MS    1939
 Artist    Biography:Hill Billies (The)
 Title of recording    Old Time Cinda
 Record label/Catalogue nr.    OKeh 40294 (78 RPM)
 Year recorded    1925
 Media    
 Score   (1)   



Cindy (1): Annotations

X:1 T:Cindy [1] M:C| L:1/8 R:Reel S:Brad Leftwich N:AEae tuning N:From a transcription by John Lamancusa, by permission. See http://www.mne.psu.edu/lamancusa/tunes.htm Z:AK/Fiddler's Companion K:A (AB |: c2)e2 e3f | e2c4 (cB | A2) A2B2A2 | c3(d c2) (AB| c2) (ef) e3f | e2 c4 (cB | A2) A2 (cA) B2 |1 A3 (B A2) AB :|2 A3B A2 (A2 || |: A)(cBA) F3E | F2A4 (A2 | A)(BAF) E3E | C2E4 (A2| A)(cBA) F3E |F2A4 (A2 | A)(ABA) c2B2 |1 A3 (BA2) (A2 :|2 A3) (BA2) ||


X:1 T:Cindy N:From the playing of Tom Fuller (1890-1979, Ok.), recorded in the field by N:Brad Leftwich in 1973. N:Fuller, born and raised in Indian Territory, pre-statehood, was a farmer, N:cowboy and oilfield worker in southern Oklahoma and west Texas. His fiddling N:predates the popular "contest" style of fiddling, according to Brad Leftwich, N:and "represents an earlier time...when a fiddler's main role was to play for dancing N:and to entertain family and neighbors." M:C| L:1/8 R:Reel D:Field Recorder Collective FRC714, "Tom Fuller:Traditional Fiddling from Oklahoma and Texas" (2015) D:https://www.slippery-hill.com/recording/rio-grande Z:Transcribed by Andrew Kuntz K:A ([Ae]-[Be]-|[ce]-[Af]- [A2e2]) [A3e3]([Af]-|[A2e2])[c2e2]- [c2e2][c2e2]|{B}A2A2c2A2|[c6e6]([Ae]-[Be]-| [ce]-[Af]- [Ae])[Af]- [A3e3]([Af]-|[A2e2])[c2e2] [c3e3]B-|A2A2 cA B2|A6:| |:c-B|AF F2 [F3A3][EA]|[F2A2][A2A2]- [A2A2]c-B|AF F2 [F3A3][FA]-|[E6A6] (cB)| AF F2 [F3A3][EA]|[F2A2][A2A2]- [A2A2][A2A2]-|[AA]ABA cA-B2|A6:|


X:1 T:Cindy M:C L:1/8 R:Air and Reel N:"As sung and played by Fox Fraley in Lawrence County, Ky., June 1911." B:Thomas & Leeder - Singin' Gathering (1939, p. 23) Z:AK/Fiddler's Companion K:F A2c2c2d2|cA3 F3F|G2F2F2G2|A6 A2| A2c2c2d2|cA3 F3F|G2F2A2G2|F4 AA F2| D4 F2F2|F2A2 AAF2|C4 F2F2|F2A2 GG F2| D4 F2F2|FF3 z4|A3A G2G2|F4 z4||


Cindy (1): Annotations

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