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'''DUKE OF ATHOLE'S RANT'''. AKA - "Duke of Athol's Rant." Scottish, Reel. D Major. Standard tuning (fiddle). AABBCCDD. John Glen (1891) finds the earliest appearance of this tune in print in Neil Stewart's 1761 collection (p. 31). Fintan Vallely believes this tune is the ancestor of the Irish "[[Captain Rock(es) (1)]],"/"[[Humours of Ballyconnell (1) (The)]]"/"[[O'Neill's Maggot (1)]]." A different "Duke of Athol's Rant" appears in the Walsh's '''Second Book of the Compleat Country Dancing Master''' (3rd edition, London, 1735).
'''DUKE OF ATHOLE'S RANT'''. AKA - "Duke of Athol's Rant." Scottish, Reel. D Major. Standard tuning (fiddle). AABBCCDD. John Glen (1891) finds the earliest appearance of this tune in print in Neil Stewart's 1761 collection (p. 31). Fintan Vallely believes this tune is the ancestor of the Irish "[[Captain Rock(es) (1)]],"/"[[Humors of Ballyconnell (1) (The)]]"/"[[O'Neill's Maggot (1)]]." A different "Duke of Athol's Rant" appears in the Walsh's '''Second Book of the Compleat Country Dancing Master''' (3rd edition, London, 1735). Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the ''Rant'' was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody.  
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'''Back to [[{{BASEPAGENAME}}]]'''
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Revision as of 01:17, 2 August 2013

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DUKE OF ATHOLE'S RANT. AKA - "Duke of Athol's Rant." Scottish, Reel. D Major. Standard tuning (fiddle). AABBCCDD. John Glen (1891) finds the earliest appearance of this tune in print in Neil Stewart's 1761 collection (p. 31). Fintan Vallely believes this tune is the ancestor of the Irish "Captain Rock(es) (1),"/"Humors of Ballyconnell (1) (The)"/"O'Neill's Maggot (1)." A different "Duke of Athol's Rant" appears in the Walsh's Second Book of the Compleat Country Dancing Master (3rd edition, London, 1735). Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the Rant was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody.

Source for notated version:

Printed sources: McGlashan (Collection of Strathspey Reels), c. 1780/81; p. 32.

Recorded sources:




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