Annotation:Ferguson's Rant: Difference between revisions

Revision as of 07:13, 19 January 2013

FERGUSON'S RANT. Irish, Hornpipe or Reel. G Major. Standard tuning (fiddle). AABB. O'Neill does not list a source for the tune. The tune was first printed by Glasgow publisher James Aird in his Selection, vol. 3 (1788), and evidently has a Scottish provenance. The only Ferguson honored with a sketch in Irish Minstrels and Musicians (1913) was Great Piper Charles Ferguson, a blind musician "said to have been a native of Limerick," who played "in and out" of the large hotels in Dublin in the early 19th century. He toured America and Canada in 1851 as an accompanist to the singer Catherin Hayes and stayed on afterwards, settling in New York, where he acquired a handsome set of pipes made by Michael Egan. Ferguson was said to have learned most of his music from a cleric named Dr. Tuohy (Bishop of Limerick, 1814-1828), who himself was a piper, and Ferguson's forte was airs and slow music. O'Neill records that an aging Ferguson eventually married a widow from Brooklyn, and dropped out of sight of the Irish music community soon afterwards.

Source for notated version: O'Neill's version is note-for-note that of Aird, who must have been O'Neill's source.

Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 3), 1788; No. 468, p. 181. O'Neill (O'Neill's Irish Music), 1915; No. 370, p. 178.

Recorded sources:

Back to Ferguson's Rant

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-'''FERGUSON'S RANT'''. Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. O'Neill does not list a source for the tune. The only Ferguson honored with a sketch in '''Irish Minstrels and Musicians''' (1913) was Great Piper Charles Ferguson, a blind musician "said to have been a native of Limerick," who played "in and out" of the large hotels in Dublin in the early 19th century. He toured America and Canada in 1851 as an accompanist to the singer Catherin Hayes and stayed on afterwards, settling in New York, where he acquired a handsome set of pipes made by Michael Egan. Ferguson was said to have learned most of his music from a cleric named Dr. Tuohy (Bishop of Limerick, 1814-1828), who himself was a piper, and Ferguson's forte was airs and slow music. O'Neill records that an aging Ferguson eventually married a widow from Brooklyn, and dropped out of sight of the Irish music community soon afterwards.
+'''FERGUSON'S RANT'''. Irish, Hornpipe or Reel. G Major. Standard tuning (fiddle). AABB. O'Neill does not list a source for the tune. The tune was first printed by Glasgow publisher James Aird in his '''Selection''', vol. 3 (1788), and evidently has a Scottish provenance. The only Ferguson honored with a sketch in '''Irish Minstrels and Musicians''' (1913) was Great Piper Charles Ferguson, a blind musician "said to have been a native of Limerick," who played "in and out" of the large hotels in Dublin in the early 19th century. He toured America and Canada in 1851 as an accompanist to the singer Catherin Hayes and stayed on afterwards, settling in New York, where he acquired a handsome set of pipes made by Michael Egan. Ferguson was said to have learned most of his music from a cleric named Dr. Tuohy (Bishop of Limerick, 1814-1828), who himself was a piper, and Ferguson's forte was airs and slow music. O'Neill records that an aging Ferguson eventually married a widow from Brooklyn, and dropped out of sight of the Irish music community soon afterwards.
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-''Source for notated version'':
+''Source for notated version'': O'Neill's version is note-for-note that of Aird, who must have been O'Neill's source.
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-''Printed sources'': O'Neill ('''O'Neill's Irish Music'''), 1915; No. 370, p. 178.
+''Printed sources'': Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 3'''), 1788; No. 468, p. 181. O'Neill ('''O'Neill's Irish Music'''), 1915; No. 370, p. 178.
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