Annotation:Blue Beard: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''BLUE BEARD.''' AKA and see "[[March in Bluebeard]]." English, Country Dance Tune (2/4 time). A Major. Standard tuning (fiddle). AABB. '''Blue Beard; or Female Curiosity''' was a pantomime produced in 1798, with music by Michael Kelly and text by George Colman, the Younger. Advertised as a "Grand Dramatick Romance" it was written as an alternative for a Christmas pantomime, accessible to children in the audience. The Royal College of Music's Virtual Exhibition (Pantomime and the Orient) explains: | '''BLUE BEARD.''' AKA and see "[[March in Bluebeard]]." English, Country Dance Tune (2/4 time). A Major. Standard tuning (fiddle). AABB. '''Blue Beard; or Female Curiosity''' was a pantomime produced in 1798, with music by Michael Kelly and text by George Colman, the Younger. Advertised as a "Grand Dramatick Romance" it was written as an alternative for a Christmas pantomime, accessible to children in the audience. The Royal College of Music's Virtual Exhibition (Pantomime and the Orient) explains: | ||
[[File:bluebeard.jpg|200px|thumb|left|The 1798 publication of Blue Beard]] | [[File:bluebeard.jpg|200px|thumb|left|The 1798 publication of Blue Beard]] | ||
| Line 9: | Line 9: | ||
The tune is a version of a march from the opera, better-known under the title "[[March in Bluebeard]]." | The tune is a version of a march from the opera, better-known under the title "[[March in Bluebeard]]." | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': T. Skillern ('''Twenty-Four Country Dances for the Year 1799'''), 1799; p. 11. | ''Printed sources'': T. Skillern ('''Twenty-Four Country Dances for the Year 1799'''), 1799; p. 11. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Revision as of 11:17, 6 May 2019
Back to Blue Beard
BLUE BEARD. AKA and see "March in Bluebeard." English, Country Dance Tune (2/4 time). A Major. Standard tuning (fiddle). AABB. Blue Beard; or Female Curiosity was a pantomime produced in 1798, with music by Michael Kelly and text by George Colman, the Younger. Advertised as a "Grand Dramatick Romance" it was written as an alternative for a Christmas pantomime, accessible to children in the audience. The Royal College of Music's Virtual Exhibition (Pantomime and the Orient) explains:
Scenic spectacles and rapid transitions, brought about by Harlequin’s magic wand were the stock-in-trade of pantomime, and they brought good box-office returns. Michael Kelly had seen Grétry’s opera Barbe Bleue, based on Perrault’s fairy tale, in Paris in 1790. He paid Colman to make a libretto out of it, and Colman turned the French villain into a Turkish one, Abomelique. Reviews of Blue Beard were very mixed, but the work was popular with audiences. £2000 was spent on its preparation. Its most impressive effect was a grand cavalcade across the mountains, which used model figures and animals growing larger at each successive appearance. [1]
The tune is a version of a march from the opera, better-known under the title "March in Bluebeard."
Source for notated version:
Printed sources: T. Skillern (Twenty-Four Country Dances for the Year 1799), 1799; p. 11.
Recorded sources: