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'''MARY'S RETURN.''' AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB.  
'''MARY'S RETURN.''' AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB.  
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[[File:JamesONeill.jpg|200px|thumb|left|James O'Neill]]  
[[File:JamesONeill.jpg|200px|thumb|left|James O'Neill]]  
''Source for notated version'': "O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes.  
''Source for notated version'': "O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes.  
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''Printed sources'': O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 23, p. 4.  
''Printed sources'': O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 23, p. 4.  
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Revision as of 14:20, 6 May 2019

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MARY'S RETURN. AKA - "Fillead Máire." Irish, Air (6/8 time, "cheerful"). C Major. Standard tuning (fiddle). AB.

James O'Neill

Source for notated version: "O'Neill" [O'Niell]. Chicago police sergeant James O'Neill was a fiddler originally from County Down, who served as Francis O'Neill's transcriber and collaborator on his early volumes.

Printed sources: O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 23, p. 4.

Recorded sources:




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