Mason's Apron (The): Difference between revisions
No edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
{{Abctune | {{Abctune | ||
|f_tune_title=Mason's Apron | |f_tune_title=Mason's Apron | ||
|f_aka=Práiscín an Mhásúin, Práiscín an Saorcloice, Braes of Glenorchy (1), Carton's Reel, Gallagher's Reel, I Don't Like the Guidewife, Isla Reel (The), Lady Carbury, Miss Carbury, Miss Carberry, Lowrie Tarrel, Mason's Cap (The), Mason Laddie (The), Miss Hope’s Favorite, Praiscin an Saorcloc, S' Coma Leam Do Shean Taighe, Tablier du macon (Le) | |f_aka=Práiscín an Mhásúin, Práiscín an Saorcloice, Braes of Glenorchy (1), Carton's Reel (1), Gallagher's Reel, I Don't Like the Guidewife, Isla Reel (The), Lady Carbury, Miss Carbury, Miss Carberry, Lowrie Tarrel, Mason's Cap (The), Mason Laddie (The), Miss Hope’s Favorite, Praiscin an Saorcloc, S' Coma Leam Do Shean Taighe, Tablier du macon (Le) | ||
|f_country=England, Scotland, Ireland, Canada, United States | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Québécios/Acadian, Scottish, Shetland/Orkney | |f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Québécios/Acadian, Scottish, Shetland/Orkney |
Revision as of 15:42, 9 August 2013
X:1 T:Mason's Apron M:C| L:1/8 R:Reel K:A |:ed|c2A2 AB AF|EF AB c2 BA|dB B2 Bc BA|Bc de f2 ed| c2A2 AB AF|EF AB c2 BA|Bc de fe fa|AA cB A2:| |:ed|cA eA fA eA|cA eA fe dc|dB fB gB fB|dB fB gf ed| cA eA fA eA|cA eA fe dc|Bc de fe fa|AA cB A2:|]
X:1 T:Mason's Apron, The (Old Scotch) M:C L:1/8 N:"Allegro" R:Reel B:Thomas Wilson - Companion to the Ball Room (1816, p. 53) Z:AK/Fiddler's Companion K:G BGGG G>AGE|DEGA B2 AG|cAAB A>BAG|ABcd e2g2| BGGG G>AGE|DEGA B2 AG|ABcd egdB|ABcd e2g2|| BGdG eGdG|BGdG B2 AG|cAeA gAeA|cAeA c2 BA| BGdG eGdG|BGdG B2 AG|cBcd efgB|ABcd e2g2||
X:3 T:Mason's Apron M:C| L:1/8 R:Reel S:Arthur Robertson's transcription of Sean Maguire's variations (1985) K:A (fg)|a>A A/A/A (cB)A(F|EF)AB c(ABc)|d>B B/B/B (dc)BA|(Bc)de (gf)ed| c>A A/A/A (cB)A(F|EF)AB c(ABc)|dcd(e ga)gf|edcB A:| |:(fed)|c>A A/A (fA)ed|c>A A/A/A (fe)dc|d>B B/B/B (gB)fB|d>B B/B/B (gf)ed| c>A A/A/A (fA)ed|c>A A/A/A (fe)dc|(Bc)de (ga)gf|edcB A:| |:(GAB)|c2 (ec) fcec|c/c/c (ac) gcfc|d2(fd) gdfd|d/d/d (ad) gdfd| c2 (ec) fcec|c/c/c (ac) gcfc|(dc)de (ga)gf|edcB A:| |:(efg)|a>e e/e/e (ae)fg|a(bga) fefa|b>f f/f/f (bf)g^a|b2 (^ab) fefg| a>e e/e/e (ae)fg|a(bga) fef(g|ag)af ecA(c|BA)Bc A2:| |:e2|(ac'_ea (c'e)ac'|(gd')eb (d'e)bd'|(ea)c'e (ac')ea|(3gbg eg (be)gb| (ea)c'e (ac')ec'|(gb)eb (d'e)bd'|(ea)c'e (gb)eb|g(efg) a2:|| "5th position variations, play an octave higher" c2|c2 (ec) fcec|c/c/c (ec) fcec|d2 (fd) AdFA|dFAd fded| c2 (ec) fcec|c/c/c (ec) fce(c|dc)de fde(d|cA)BG A3B| c2 (ec) fcec|Acec|Gcec|d/d/d (fd) AdFA|dFAd fded| c2 (ec) (fcec|c/c/ (ec) fce(c|dc)de fde(d|cA)BG A2|| "1st position" |:(e>g)|a>A A/A/A (cB)A(F|ED)CB, A,CEA|F>D D/D/D (FD)F(A|dc)BA GBeg| a>A A/A/A (cA)E(D|CA,)CE A(EcA)|dfB(d ce)Ac|BABc A2:|| d2|c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) AdF(A|dF)Ad fded| c2 (ec) Acec|Gcec =Gcec|(dc)de (ga)gf|edcB AGAB| c2 (ec) Acec|Gcec|=Gcec|d/d/d (fd) Adf(d|bg)af (e=f) (^fg)| (3aba (3gag (3fgf (3efe|(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF (3EFE (3DED|(3CDC (3B,CB, {A,}C2||