Annotation:Exhibition March No. 1: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''EXHIBITION MARCH NO. 1'''. AKA and see "[[Washington's March (`)]]," "[[Matelotte]]," "[[Finlands Swenska Folkdigtning]]." American, March. D Major. Standard tuning (fiddle). ABB. Ford (1940) says this march is typical of the early-day American country school Exhibition. Bayard (1981) notes that it is a version of the international tune known in the United States usually as "Washington's March;" it typically appears as a march, but has also been published in the form of dancing tunes. One such is the hornpipe "[[Black Horse (1)]]," printed in Frank Roche's Irish collection of tunes (1913), which has an identical first strain and a similar second strain. "[[Constitution Hornpipe (1)]]" is also similar in the first strain, albeit in a more distanced way. Samuel Bayard connects the melodic content to the Continent via Boehme's "[[Matelotte]]." | '''EXHIBITION MARCH NO. 1'''. AKA and see "[[Washington's March (`)]]," "[[Matelotte]]," "[[Finlands Swenska Folkdigtning]]." American, March. D Major. Standard tuning (fiddle). ABB. Ford (1940) says this march is typical of the early-day American country school Exhibition. Bayard (1981) notes that it is a version of the international tune known in the United States usually as "Washington's March;" it typically appears as a march, but has also been published in the form of dancing tunes. One such is the hornpipe "[[Black Horse (1)]]," printed in Frank Roche's Irish collection of tunes (1913), which has an identical first strain and a similar second strain. "[[Constitution Hornpipe (1)]]" is also similar in the first strain, albeit in a more distanced way. Samuel Bayard connects the melodic content to the Continent via Boehme's "[[Matelotte]]." | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Ford ('''Traditional Music in America'''), 1940; p. 174. | ''Printed sources'': Ford ('''Traditional Music in America'''), 1940; p. 174. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Latest revision as of 12:37, 6 May 2019
Back to Exhibition March No. 1
EXHIBITION MARCH NO. 1. AKA and see "Washington's March (`)," "Matelotte," "Finlands Swenska Folkdigtning." American, March. D Major. Standard tuning (fiddle). ABB. Ford (1940) says this march is typical of the early-day American country school Exhibition. Bayard (1981) notes that it is a version of the international tune known in the United States usually as "Washington's March;" it typically appears as a march, but has also been published in the form of dancing tunes. One such is the hornpipe "Black Horse (1)," printed in Frank Roche's Irish collection of tunes (1913), which has an identical first strain and a similar second strain. "Constitution Hornpipe (1)" is also similar in the first strain, albeit in a more distanced way. Samuel Bayard connects the melodic content to the Continent via Boehme's "Matelotte."
Source for notated version:
Printed sources: Ford (Traditional Music in America), 1940; p. 174.
Recorded sources: