Annotation:Frank McCollum's (2): Difference between revisions
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'''FRANK McCOLLUM'S [2]'''. AKA and see "[[Daniel O'Connell the Home Ruler]]," "[[Home Ruler (The)]]," "[[McCollum's Hornpipe]]," "[[Pat Galvin's Hornpipe]]," "[[Sean Ryan's Hornpipe (1)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Usually known as "[[Home Ruler (The)]]." Sometimes also called "[[Hangman's Noose (1)]]," although this is the name of a different composition by McCollum, although he used to pair the two together in a medley (hence the 'drift' of the title). See note for "[[Annotation:Hangman's Noose (2)]]." | '''FRANK McCOLLUM'S [2]'''. AKA and see "[[Daniel O'Connell the Home Ruler]]," "[[Home Ruler (The)]]," "[[McCollum's Hornpipe]]," "[[Pat Galvin's Hornpipe]]," "[[Sean Ryan's Hornpipe (1)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Usually known as "[[Home Ruler (The)]]." Sometimes also called "[[Hangman's Noose (1)]]," although this is the name of a different composition by McCollum, although he used to pair the two together in a medley (hence the 'drift' of the title). See note for "[[Annotation:Hangman's Noose (2)]]." | ||
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''Printed sources'': Taylor ('''Traditional Irish Music: Karen Tweed's Irish Choice'''), 1994; p. 38. | ''Printed sources'': Taylor ('''Traditional Irish Music: Karen Tweed's Irish Choice'''), 1994; p. 38. | ||
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Revision as of 13:49, 6 May 2019
Back to Frank McCollum's (2)
FRANK McCOLLUM'S [2]. AKA and see "Daniel O'Connell the Home Ruler," "Home Ruler (The)," "McCollum's Hornpipe," "Pat Galvin's Hornpipe," "Sean Ryan's Hornpipe (1)." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. Usually known as "Home Ruler (The)." Sometimes also called "Hangman's Noose (1)," although this is the name of a different composition by McCollum, although he used to pair the two together in a medley (hence the 'drift' of the title). See note for "Annotation:Hangman's Noose (2)."
Source for notated version:
Printed sources: Taylor (Traditional Irish Music: Karen Tweed's Irish Choice), 1994; p. 38.
Recorded sources: